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769 ACCORDION Hanrahan, David C., The Box: A Beginner’s Guide to the Irish Traditional Button Accordion. Ossian, Cork, 1989. With audio McCabe, Pat, Tutors and Tunes. McCabe, Fermanagh, 1990 Watson, Rodger, Handbook for Melodeon.Wise, London, 1981 ANALYTICAL STUDIES Acton, Charles, Irish Music and Musicians: The Irish Heritage Series 15. Easons, Dublin, 1978 Atkinson, Russell and David (eds.), Folk Song: Traditional, Revival, and Re-Creation. Elphinstone Institute, Aberdeen, 2004, 218–40 Boydell, Barra and Kerry Houston (eds.), Music, Ireland and the Seventeenth Century.Irish Musical Studies 10, Four Courts, Dublin, 2009 Boydell Papers ’97. Essays on Music Policy in Ireland. Music Network, Dublin, 1997 Brady, Sara and Fintan Walsh (eds.), Crossroads: Perf ormance Studies and Irish Culture. Palgrave Macmillan, Basingstoke, 2009 Breathnach, R.A., ‘Two Eighteenth-century Irish Scholars: Joseph Cooper Walker and Charlotte Brooke’, in Studia Hibernica 5, 1965, 88–97 Carolan, Nicholas, ‘Re-Imagining Irish Traditional Music’, in Andrew Higgins Wyndham (ed.), Re-Imagining Ireland. University of Virginia, Charlottesville, 2006, 137–9 Cleary, Joe, Outrageous Fortune: Capital and Culture in Modern Ireland. 2nd edn.: Field Day, Dublin, 2007 Clune, Anne (ed.), Dear Far-Voiced Veteran: Essays in Honour of Tom Munnelly. Old Kilfarboy Society, Miltown Malbay, 2007 Commins, Verena, ‘“A Journey of Found and Lost”: The Concept of East Galway Regional Style in Irish Traditional Music’. Béascna: Journal of Folklore and Ethnology, vol. 4 (2008) Cowdery,James R.,The MelodicTradition of Ireland.Kent State University Press, 1990. With audio Cronin, Nessa, Seán Crosson and John Eastlake (eds.), Anáil an Bhéil Bheo: Orality and Modern Irish Culture. Cambridge Scholars, Newcastle, 2009 Culwick, James, C., The Distinctive Characteristics of Ancient Irish Melody:The Scales. A Plea for Restoration and Preservation, being A Lecture read on Monday evening, 15th February, 1897, before the National Literary Society. Ponsonby, Dublin, 1897 Devine,Patrick F.and Harry White (eds.),The Maynooth International Musicology Conference 1995, Selected Proceedings: Part One. Irish Musical Studies 4, Four Courts, Dublin, 1996. See also Gillen, Gerard, for other volumes in the series Fegan, Tommy, Free Spirits: Irish Travellers and Irish Traditional Music. MPO, Ennis, 2011 Flanagan, William, ‘No Traditions without Change: Listeners Make the Music’, in Ireland Now: Tales of Change from the Global Island. University of Notre Dame Press, 2007, 82–111 Fleischmann, Aloys (ed.), with Mícheál Ó Súilleabháin and Paul McGettrick, Sources of Irish Traditional Music. Garland, New York, 1998 Gillen, Gerard and Harry White (eds.), Musicology in Ireland, Irish Musical Studies 1, 1990; Music and the Church, Irish Musical Studies 2, 1993; Music and Irish Cultural History, Irish Musical Studies 3, 1995; All Irish Academic Press, Dublin. The Maynooth International Musicological Conference 1995 Selected Proceedings: Part Two. Irish Musical Studies 5, Four Courts, Dublin, 1996. See also Devine, Patrick F. for other volumes in the series Grimes,Robert R.,How Shall We Sing in a Foreign Land? Music of Irish Catholic Immigrants in the Antebellum United States. University of Notre Dame, 1996 Hardiman, James (ed.), Irish Minstrelsy. Irish University Press, Shannon, 1831 [1971] Hast, Dorothea E. and Stanley Scott, Music in Ireland: Experiencing Music, Expressing Culture. Oxford University Press, 2004. With CD Hastings, Gary. With Fife and Drum. Belfast: Blackstaff, Belfast, 2003 Henebry, Richard. A Handbook of Irish Music. Cork University Press, 1928 ——, Irish Music. An Cló-Chumann, Dublin, 1903 Kearney, David, ‘(Re)locating Irish Traditional Music: Urbanising Rural Traditions’, in Chimera: UCC Geographical Journal (2007), 181–96 Keegan, Niall, Language and Power in Traditional Irish Music (Ó Riada Memorial Lecture 16). Traditional Music Archive & Irish Traditional Music Society, UCC, 2006 ——, ‘Traditional Music in County Clare’, in Clare: History and Society: Interdisciplinary Essays on the History of an Irish County. Geography Publications, Dublin, 2008 Published Material Relating to Traditional Music 770 Published Material Relating to Traditional Music Leyden, Maurice, Boys and Girls Come Out to Play: Irish Singing Games. Appletree, Belfast, 2008 Lysaght, Patricia, ‘Documenting the Tradition: The Work of the Irish Folklore Commission and Some of its Collectors in County Clare’, in Clare: History and Society: Interdisciplinary Essays on the History of an Irish County. As above, 541–87 MacWeeney, Alen, Irish Travellers: Tinkers No More. New England College, Henniker, 2007. With CD McNamee, Peter (ed.), Traditional Music: Whose Music? Institute of Irish Studies, Queen’s University, Belfast, 1992 Merriam, Alan P., The Anthropology of Music. Northwestern University Press, Illinois, 1964 Murphy, Michael and Jan Smaczny (eds.), Music in Nineteenth-Century Ireland. Irish Musical Studies 9, Four Courts, Dublin, 2007 Nevin, Monica, ‘Joseph Cooper Walker, 1761–1810’, part 1...


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