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The Companion to Irish Traditional Music The Companion to Irish Traditional Music Second edition, substantially revised & expanded Edited by FINTAN VALLELY With key contributions by Liz Doherty, Martin Dowling Terry Moylan, Catherine Foley Colin Hamilton, Desi Wilkinson Niall Keegan & John Moulden All textual, illustrative and photographic material herein is copyright of the contributors and Cork University Press. The publishers particularly appreciate the opportunity to include original research material. Permission is gratefully acknowledged (and sought, where applicable) as follows: Maps of Sliabh Luachra (p. 616) – Ordnance Survey of Ireland; J.C.Timbrell’s 1844 picture of Carolan (p. 108) – Gunnar Strömberg of Stockholm; Cole’s ‘Here Awa’ transcription – Patrick Sky; Brian Vallely for the use of ‘BRV’ credited pictures; ‘O’Rourke’s Feast’ and ‘George Brabazon’ transcriptions – Ossian; reproduction of definitions from What is Irish Traditional Music? – Nicholas Carolan and the ITMA (©); concertina graphic notation (p. 156) – Mick Bramicah and Dave Mallinson Publications (©); research on the crott and clairseach – Ann Heymann (©); Bolton Street transcription, An Gúm; Translation of Giraldus Cambrensis’ Topographia Hiberniae, 1185 – John O’Meara ed., The History and Topography of Ireland (1951), revised edition Dolmen Press (1982); ‘The Blackthorn Stick’ transcription (p. 531) – An Gúm; synopsis usage of The Wexf ord Carol – Diarmuid Ó Muirithe and Seoirse Bodley; synopsis usage of Love in Irish Folk Song (pp. 627, 631–5), from Repossessions, Seán Ó Tuama; Pádraig Donlon, Séamus Mac Mathúna, Mick O’Connor and CCÉ for the use of ‘CCÉ’ credited pictures; Dr John Cullinane for the use of his Dance Bibliography (©); Maeve Gebruers for the foundation use of her bibliography (©); Hugh Shields for the foundation use of material from his Short Bibliography of Irish Folk Song; Comhairle Bhéaloideas Éireann for the use of ‘CBÉ’ credited pictures; Long Note Publications and Walton’s for use of flute/whistle notation diagrams from Timber, the Flute Tutor; Matt Cranitch and Johnny O’Leary for use of Pádraig O’Keeffe notation; Muiris Ó Rócháin for synopsis usage of his Eugene O’Curry research; Joan Rimmer for synopsis use of The Irish Harp; Wilbert Garvin for use of uilleann pipe illustration from The Irish Bagpipe; he and the NPU for regulators diagram from The Master’s Touch (p. 708); Nutan, Derek Spiers and Office of Public Works for photographs; Eamonn O’Doherty for EOD credited photographs; Tony Kearns for Scoil Samhraidh Willie Clancy class image; Máire O’Keeffe for accordion and concertina advertisements. First published in 2011 by Cork University Press Youngline Industrial Estate, Pouladuff Road,Togher, Cork, Ireland All rights reserved. No part of this book may be reprinted or reproduced or utilised in any electronic, mechanical or other means, now known or hereafter invented, including photocopying and recording or otherwise, without either the prior written permission of the publisher or a licence permitting restricted copying in Ireland issued by the Irish Copyright Licensing Agency Ltd, 25 Denzille Lane, Dublin 2. British Library Cataloguing in Publication Data A CIP catalogue record for this book is available from the British Library. ISBN-13: 978-1859184509 Typeset by Dominic Carroll, Co. Cork Printed by MPG, UK ...


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