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i n d e x Abel, Lionel, 179–80n11, 181n24 abjection, 98, 124, 137, 228n125 Acéphale (journal and secret society), 1, 39, 40, 67 acéphale, 1–3, 55, 68; and contradiction, 2–3; as sacred monster, 3, 162 affirmation, 6, 34–35, 37, 41, 44, 48, 54, 180n11, 183n54 alteration, 94, 133, 140, 142, 148, 150, 154, 166, 167, 197n61 anagrams, 150–52, 227n114 anamorphosis, 74–75, 81 Andalusian Dog (Buñuel and Dalı́), 157 Aristotle, 163 Artaud, Antonin, 227n117 Aufhebung, 13, 14, 77. See also Bataille, Georges: refusal of synthesis authenticity (Sartre), 38, 63, 64, 66, 69, 179n10 authority, 56–57, 92 automatic writing, 121 automatism, 6, 83, 96, 111, 120–23 automutilation, 97, 120–23, 127, 132, 139, 142, 158, 161 axis mundi, 84, 86, 102–4, 168 Barthes, Roland, 147, 173n16 Bataille, Georges: Accursed Share, 60; acéphale, 1–3; amor fati, 62, 70; attitude toward dream/fantasy, 116, 119–21; attitude toward fleshly decay, 89–91, 116; attitude of thought in, 5, 12, 19, 22, 24–26, 31, 32, 34, 165, PAGE 243 243 174n18; concept of reality, 75, 86; death of, 9; ‘‘The Big Toe,’’ 30; Blue of Noon, 6, 76, 87, 89, 93, 96, 105–10, 139, 142, 208n54; ‘‘Le Cheval académique ,’’ 91, 139, 166; counter operations of, 5, 7, 15, 22–32 passim, 126, 128, 132, 139, 142, 154, 157, 167, 168; critique of Sartre, 63–70; ‘‘Deviations of Nature,’’ 63, 163; Documents, 73, 156, 168; Erotism, 14, 135; eternal return opposed to Sartrean ‘‘project,’’ 69; extremist surrealism, 76, 79, 96, 102–23 passim; ‘‘Eye,’’ 157, 158; ‘‘Formless,’’ 156, 167; Guilty, 33, 52, 164; hands, 127–33; identification with Nietzsche’s experience of eternal return, 35, 64–66, 185n98; images of torture victim, 7, 10–12, 34, 142, 164; imaginings of Simone Weil, 87–94, 96, 100, 102–5, 109, 110–11, 201n96, 205n10, 206n21; Inner Experience, 63, 116; intimacy with and opposition to Hegel, 14, 26–27, 174n23; interpretation /inversion of Nietzsche, 5, 37, 39, 40–58 passim; involvement with Acéphale , 1, 39; labyrinths, 83, 85–87; Lascaux , 72–76, 80, 128; ‘‘The Madness of Nietzsche,’’ 55; ‘‘La Mère Tragedie,’’ 54; method of meditation, 6, 8, 114, 116; as morbid Nietzsche, 38, 59, 70; as ‘‘new mystic,’’ 64; ‘‘Nietzschean Chronicle,’’ 69; Nietzschean conception of time, 69–70; parody, 38, 52, 53, 61, 66, 70; ‘‘primitive’’ art, 80–82; ................. 16666$ INDX 10-02-07 14:20:10 PS 244 Index ‘‘Propositions,’’ 68, 69; psychoanalysis of, 52; ‘‘The Psychological Structure of Fascism,’’ 67; refusal/transgression of form, 26, 28, 29, 30, 31, 74, 81, 82, 92, 94, 97, 128, 139, 140, 157, 161, 162, 166, 169; refusal of satisfaction, 19, 22, 28, 31, 116–17; refusal of synthesis , 19, 24–26; relationship to Christianity, 88–90; relationship to father, 89, 222n70; as religious thinker, 169; repetition of Nietzsche, 37, 40, 66; response to Sartre, 63–66; ‘‘Sacrificial Mutilation and the Severed Ear of Vincent Van Gogh,’’ 122; ‘‘Sacrifice,’’ 55, 56; sacrifice of form, 4, 7, 15, 63, 160, 164; ‘‘Solar Anus,’’ 52; Story of the Eye, 13–14, 106, 147, 158, 160; ‘‘summit and decline,’’ 59, 62; Sur Nietzsche, 37, 51, 57, 59, 60, 64, 113; surrealism, 6, 75–122 passim; Tears of Eros, 9; theories of sacrifice, 27, 29, 30, 32, 38, 53–54, 56; Theory of Religion, 9, 18–22, 23, 27, 53; unsatis- fied desire, 22, 31, 116, 170; will to chance (volunté de chance), 58, 62, 113; will to decline, 51, 58, 59, 62, 68; writings as sacred, 170 Bataille, Laurence, 128 Baumler, Alfred, 65 Beauvoir, Simone de, 15 Bellmer, Hans, 7, 10, 123, 126, 134, 143– 56, 218n45; Anatomy of the Image, 150, 152; ‘‘Articulated Hands,’’ 144–45; contradiction in work of, 138, 144, 147, 148, 153, 155, 156; counter operations in, 143, 148, 154; eroticism, 134–37, 140, 143, 150, 151, 152, 153, 154, 155; hands, 144–51; ‘‘Hands,’’ 148; ermaphrodites/androgynes in work of, 143–46, 154, 224n87; identi- fication with la poupée, 139, 221n61; illustrations for Story of the Eye, 126, 134, 156; misogyny of, 218n47; opposition to Nazism, 140, 143, 223n76, 224n82; relationship to father, 141, 142, 217n39, 217n40, 222n70. See also la poupée PAGE 244 Bellmer, Hans (father of the artist), 141, 142 Benjamin, Walter, 108, 197n74 Blanchot, Maurice, 3, 15, 34–35, 37 blindness, 73, 95, 96, 127, 158, 159, 160, 161, 162 Bloom, Harold, 179n8 Boaistuau, Pierre: Histoires prodigieuses...

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Additional Information

ISBN
9780823247752
Related ISBN
9780823227785
MARC Record
OCLC
794702338
Pages
372
Launched on MUSE
2012-02-08
Language
English
Open Access
No
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