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Bibiliography

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Alim, Salim. 2006. Roc the Mic Right: The Language of Hip Hop Culture. New York: Routledge.

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Alkalimat, Abdul. 2002b. Editor's Notes. “Archive of Malcolm X For Sale.” By Gerald Horne. February 20. H-Afro-Am. August 9, 2004. http://h-net.msu.edu/cgi-bin/logbrowse.pl?trx=vx&list=H-Afro-Am&month=0202&week=c&msg=JQnoJ7FS8tJmazqZ6J5S3Q&user=&pw=.

Allen, Ernest, Jr. 2002. “Du Boisian Double Consciousness: The Unsustainable Argument.” Massachusetts Review 43.2: 215–253.

Alridge, Derrick. 2005. “From Civil Rights to Hip Hop: Toward a Nexus of Ideas.” Journal of African American History 90.3: 226–252.

Ancient Egyptian Order of Nobles of the Mystic Shrine v. Michaux. 1929. 279 U.S. 737.

Angelo, Bonnie. 1994. “The Pain of Being Black: An Interview with Toni Morrison.” Conversations with Toni Morrison. Ed. Danille Taylor-Guthrie. Jackson: University Press of Mississippi. 255–261.

Anten, Todd. 2006. “Self-Disparaging Trademarks and Social Change: Factoring the Reappropriation of Slurs in Section 2(A) of the Lanham Act.” Columbia Law Review 106 (March): 388–433.

Aoki, Keith. 2007. “Distributive and Syncretic Motives in Intellectual Property Law (with Special Reference to Coercion, Agency, and Development).” University of California Davis Law Review 40.3: 717–801.

Arewa, Olufunmilayo. 2006a. “Copyright on Catfish Row: Musical Borrowing, Porgy and Bess, and Unfair Use.” Rutgers Law Journal 37.2: 277–353

Arewa, Olufunmilayo. 2006b. “From Bach to Hip Hop: Musical Borrowing, Copyright, and Cultural Context.” North Carolina Law Review 84 (January): 547–645.

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Askeland, Lori. 1999. “Remodeling the Model Home in Uncle Tom's Cabin and Beloved.” Toni Morrison's Beloved: A Casebook. Ed. William Andrews and Nellie McKay. New York: Oxford University Press. 159–178.

Austin, Regina. 1989. “Sapphire Bound!” Wisconsin Law Review (May–June): 539–578.

Austin, Regina. 1995. “‘The Black Community,’ Its Lawbreakers, and a Politics of Identification.” After Identity: A Reader in Law and Culture. Ed. Dan Danielsen and Karen Engle. New York: Routledge. 143–164.

Austin, Regina. 2005. “Kwanzaa and the Commodification of Black Culture.” Rethinking Commodification: Cases and Readings in Law and Culture. Ed. Martha Ertman and Joan Williams. New York: New York University Press. 178–190.

Ayo, Damali. 2005. How to Rent a Negro. Chicago: Lawrence Hill.

Bacigalupi, Don, and Marilyn Kern-Foxworth. “An Interview with Michael Ray Charles.” Michael Ray Charles, 1989–1997, An American Artist's Work. Houston: Baffler Gallery of the University of Houston, 19–33.

Baker, Houston. 1984. Blues, Ideology, and African American Literature: A Vernacular Theory. Chicago: University of Chicago Press.

Baker, Houston. 1993. Black Studies, Rap, and the Academy. Chicago: University of Chicago Press.

Baldwin, James. 1985. The Evidence of Things Not Seen. New York: Henry Holt.

Barbershop. 2002. Dir. Tim Story. Perf. Ice Cube, Cedric the Entertainer. MGM/UA.

Beatty, Paul. 1996. The White Boy Shuffle. New York: Houghton Mifflin.

Beck, Jeremy. 2005. “Music Composition, Sound Recordings and Digital Sampling in the 21st Century: A Legislative and Legal Framework to Balance Competing Interests.” UCLA Entertainment Law Review 13 (Fall): 1–31.

Bell, Bernard. 1998. “Beloved: A Womanist Neo-Slave Narrative; or, Multivocal Remembrances of Things Past.” Critical Essays on Toni Morrison's Beloved. Ed. Barbara Solomon. New York: G. K. Hall. 166–176.

Bell, Derrick. 1980. “Brown v. Board of Education and Interest-Convergence Dilemma.” Harvard Law Review 93 (January): 518–533.

Bell, Derrick. 1985. “The Supreme Court, 1984 Term: Foreword: The Civil Rights Chronicles.” Harvard Law Review 99 (November): 4–83.

Bell, Derrick. 1987. And We Are Not Saved: The Elusive Quest for Racial Justice. New York: Basic Books.

Bell, Derrick. 1992. Faces at the Bottom of the Well: The Permanence of Racism. New York: Basic Books.

Bell, Derrick. 1996. Gospel Choirs: Psalms of Survival in an Alien Land Called Home. New York: Basic Books.

Bell, Derrick. 2002. Ethical Ambition: Living a Life of Meaning and Worth. New York: Bloomsbury.

Benkler, Yochai. 2006. The Wealth of Networks: How Social Production Transforms Markets and Freedom. New Haven: Yale University Press.

Berger, Maurice. 2001a. “Collaborations, Museums, and the Politics of Display: A Conversation with Fred Wilson.” Fred Wilson: Objects and Installations: 1979–2000. Baltimore: Center for Art and Visual Culture. 32–39.

Berger, Maurice. 2001b. “Viewing the Invisible: Fred Wilson's Allegories of Absence and Loss.” Fred Wilson: Objects and Installations: 1979–2000. Baltimore: Center for Art and Visual Culture. 8–21.

Berlin, Ira. 1994. “Mining the Museum and the Rethinking of Maryland's History.” Mining the Museum. By Fred Wilson. New York: New Press. 35–46.

Best, Stephen. 2004. The Fugitive's Properties: Law and the Poetics of Possession. Chicago: University of Chicago Press.

Bhabha, Homi. 1994. The Location of Culture. New York: Routledge.

Blackburn, Regina. 2004. “Binary Visions, Black Consciousness and Bling Bling.” Socialism and Democracy 18.2: 79–105.

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Boateng, Boatema. 2005. “Square Pegs in Round Holes? Cultural Production, Intellectual Property Frameworks, and Discourses of Power.” CODE: Collaborative Ownership and the Digital Economy. Ed. Rishab Aiyer Ghosh. Cambridge: MIT Press. 61–73.

Bollier, David. 2005. Brand Name Bullies: The Quest to Own and Control Cultures. Hoboken: John Wiley.

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Bowles, John. 2006. “Adrian Piper as an African American Artist.” American Art 20.3: 108–117.

Bowles, Juliet. 1997. “Extreme Times Call for Extreme Heroes.” International Review of African American Art 14.3: 3–16.

Boyd, Todd. 2002. The New H.N.I.C.: The Death of Civil Rights and the Reign of Hip Hop. New York: New York University Press.

Boyd, Todd. 2004. “Intergenerational Culture Wars: Civil Rights vs. Hip Hop: Interviewed by Yusuf Nuruddin.” Socialism and Democracy 18.2: 51–69.

Bradford, Laura. 2005. “Parody and Perception: Using Cognitive Research to Expand Fair Use in Copyright.” Boston College Law Review 46: 705–770.

Bridgeport Music v. Dimension Films. 2005. 410 F. 3d 792 (6th Cir.).

Brown, Michael. 2003. Who Owns Native Culture? Cambridge: Harvard University Press.

Buskirk, Martha. 1994. “Interviews with Sherrie Levine, Louise Lawler, and Fred Wilson.” October 70 (Autumn): 98–112.

Bynoe, Yvonne. 2004. Stand and Deliver: Political Activism, Leadership, and Hip Hop Culture. Brooklyn: Soft Skull Press.

Cadenhead, Rogers. 2006. “Actor Tries to Trademark ‘N’ Word.” Wired News. February 27. http://www.wired.com/news/technology/1,70259-0.html.

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Carbado, Devon, and Mitu Gulati. 2003. “The Law and Economics of Critical Race Theory.” Yale Law Review 112 (May): 1757–1827.

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Chakraborty, Barnini. 2002. “Settlement Reached in Lawsuit over Wind Done Gone.” Associated Press State and Local Wire, May 9.

Chang, Jeff. 2005. Can't Stop, Won't Stop: A History of the Hip Hop Generation. New York: St. Martin's Press.

Chang, Jeff, ed. 2006. Total Chaos: The Art and Aesthetics of Hip-Hop. New York: Basic Books.

Charles, Michael Ray. 1998. Michael Ray Charles. New York: Tony Shafrazi Gallery.

Chappelle's Show. 2004. Paramount.

Chartier, Roger. 2003. “Foucault's Chiasmus: Authorship between Science and Literature in the Seventeenth And Eighteenth Centuries.” Scientific Authorship: Credit and Intellectual Property in Science. Ed. Mario Biagoli and Peter Galison. New York: Routledge. 13–32.

Christian, Barbara, Deborah McDowell, and Nellie McKay. 1999. “A Conversation on Toni Morrison's Beloved.” Toni Morrison's Beloved: A Casebook. Ed. William Andrews and Nellie McKay. New York: Oxford University Press. 203–220.

Cobb, William Jelani. 2007. To the Break of Day: A Freestyle on the Hip-Hop Aesthetic. New York: New York University Press.

Cohen, Julie. 2005. “Intellectual Property and Public Values: The Place of the User in Copyright Law.” Fordham Law Review 74: 347–374.

Cohen, Rebecca. 1997. “Painting Race.” Austin Chronicle, October 27.

Colebrook, Clair. 2004. Irony. New York: Routledge.

Conde, Mary. 1996. “Some African-American Fictional Responses to Gone With the Wind.” Yearbook of English Studies 26: 208–217.

Cone, James Hal. 1991. Martin and Malcolm and America: A Dream or a Nightmare? Maryknoll: Orbis.

Conroy, Pat. N.d. “Pat Conroy's Declaration.” From SunTrust Bank v. Houghton Mifflin case file. On file with author.

Coombe, Rosemary. 1998. The Cultural Life of Intellectual Properties: Authorship, Appropriation, and the Law. Durham: Duke University Press.

Cooper, Martha. 2004. Hip Hop Files: Photographs 1979–1984. Cologne: From Here to Fame.

Copeland, Huey. 2005. “‘Bye, Bye Black Girl’: Lorna Simpson's Figurative Retreat.” Art Journal(Summer): 63–77.

Cornell, Drucilla. 1993. Transformations: Recollective Imagination and Sexual Difference. New York: Routledge.

Corrin, Lisa. 1994. “Mining the Museum: Artists Look at Museums, Museums Look at Themselves.” Mining the Museum. By Fred Wilson. New York: New Press. 3–20.

Crenshaw, Kimberlé. 1991. “Mapping the Margins: Intersectionality, Identity Politics, and Violence Against Women of Color.” Stanford Law Review 43 (July): 1241–1299.

Crenshaw, Kimberlé. 2002. “Critical Race Studies: The First Decade: Critical Reflections; or, ‘A Foot in the Closing Door.’” UCLA Law Review 49 (June): 1343–1373.

Crenshaw, Kimberlé, Neil Gotanda, Gary Peller, and Kendall Thomas. 1995. “Introduction.” Critical Race Theory: The Key Writings That Formed the Movement. New York: New Press. xi–xxxii.

Creswill v. Grand Lodge Knights of Pythias of Georgia. 1912. 225 U.S. 246.

Crips, Thomas. 1983. “Winds of Change: Gone With the Wind and Racism as a National Issue.” Recasting Gone With the Wind in American Culture. Ed. Darden Pyron. Miami: University Press of Florida. 137–152.

Crouch, Stanley. 1990. “Aunt Media.” Notes of a Hanging Judge. New York: Oxford University Press. 202–209.

Croyden, Margaret. 1994. “Toni Morrison Tries Her Hand at Playwriting.” Conversations with Toni Morrison. Ed. Danille Taylor-Guthrie. Jackson: University Press of Mississippi. 218–222.

Cruse, Harold. 1984. The Crisis of the Negro Intellectual. 1967. Reprint, New York: Quill.

Darling, Marsha. 1994. “In the Realm of Responsibility: A Conversation with Toni Morrison.” Conversations with Toni Morrison. Ed. Danille Taylor-Guthrie. Jackson: University Press of Mississippi. 246–254.

Deleuze, Gilles. 1994. Difference and Repetition. Trans. Paul Patton. New York: Columbia University Press.

Delgado, Richard. 1993. “Words That Wound: A Tort Action for Racial Insults, Epithets, and Name Calling.” Words That Wound: Critical Race Theory, Assaultive Speech, and the First Amendment. Ed. Charles Lawrence III, Mari Matsuda, Richard Delgado, and Kimberlé Crenshaw. Boulder: Westview. 89–110.

Delgado, Richard. 1995. The Rodrigo Chronicles: Conversations about America and Race. New York: New York University Press.

Delgado, Richard. 2003. “Crossroads and Blind Alleys: A Critical Examination of Recent Writing about Race, Crossroads, Directions, and A New Critical Race Theory.” Texas Law Review 82 (November): 121–151.

Delgado, Richard, and Jean Stefancic. 1994. Failed Revolutions: Social Reform and the Limits of the Legal Imagination. Boulder: Westview Press.

DeLong, James. 2002. “Defending Intellectual Property.” Copy Fights: The Future of Intellectual Property in the Information Age. Washington, D.C.: Cato Institute. 17–36.

Demers, Joanna. 2006. Steal This Music: How Intellectual Property Law Affects Musical Creativity. Athens: University of Georgia Press.

Dickson-Carr, Darryl. 2001. African American Satire: The Sacredly Profane Novel. Columbia: University of Missouri Press.

Dinerstein, Joel. 2003. Swinging the Machine: Modernity, Technology, and African American Cultures between the World Wars. Amherst: University of Massachusetts Press.

Dixon, Annette, ed. 2002. Kara Walker: Pictures from Another Time. Ann Arbor: University of Michigan Museum of Art.

Doellinger, Chad. 2005. “Recent Developments in Trademark Law: Confusion, Free Speech, and the Question of Use.” Marshall Review of Intellectual Property Law 4 (Spring): 387–405.

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Douglass, Frederick. 1997b. “What to the Slave Is the Fourth of July?” Narrative of the Life of Frederick Douglass: Authoritative Text, Contexts, Criticism. Ed. William Andrews and William McFeely. New York: Norton. 116–127.

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Dussere, Erik. 2003. Balancing the Books: Faulkner, Morrison, and the Economies of Slavery. New York: Routledge.

Dyson, Michael Eric. 2000. I May Not Get There With You: The True Martin Luther King Jr. New York: Free Press.

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Eckstein, Lars. 2006. “A Love Supreme: Jazzthetic Strategies in Toni Morrison's Beloved.” African American Review 40.2: 271–283.

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Additional Information

ISBN
9780472024490
Related ISBN
9780472050604
MARC Record
OCLC
705944500
Pages
209-226
Launched on MUSE
2011-07-21
Language
English
Open Access
Yes
Creative Commons
CC-BY-NC-ND
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