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Bibliography Abel, Richard, ed. French Film Theory and Criticism: A History/Anthology, 19071939 . Vol. 1, 1907-1929. Princeton, NJ: Princeton University Press, 1988. . "Exploring the Discursive Field of the Surrealist Scenario Text." In Dada and Surrealist Film, edited by Rudolf E . Kuenzli, 58-71. 1987. Reprint, Cam­ bridge, MA: MIT Press, 1996. Agee, James. "Comedy's Greatest Era." In Agee, Agee on Film, 2-19. 1958. Reprint, New York: Grosset & Dunlap, 1969. First published in Life, 3 September 1949, 70-88. Alexandre, Maxime, Louis Aragon, et al. "Hands Off Love." Translated by Paul Ham­ mond. In The Shadow and Its Shadow: Surrealist Writing on the Cinema, edited by Paul Hammond, 183-92. 2nd ed. Edinburgh: Polygon, 1991. First published in Transition 6 (September 1927), and in La Révolution surréaliste 9-10 (October 1927). Alexandrian, Sarane. Surrealist Art. Translated by Gordon Clough. 1970. Reprint, New York: Thames & Hudson, 1992. Originally published as LArt surréaliste. Paris: Fernand Hazan, 1969. Allen, Robert C. Vaudeville and Film 1895-1912: A Study in Media Interaction. New York: Arno, 1980. Allen, Rupert C. "Commentary on Lorca's El Paseo de Buster Keaton." Hispanófila 48 (1973): 23-35. Aragon, Louis. "LOmbre de l'Inventeur." La Révolution surréaliste 1 (December 1924): 22-24. Aranda, Francisco. Luis Bunuel: A Critical Biography. Edited and translated by David Robinson. New York: Da Capo, 1976. Aron, Robert. "Films of Revolt." Translated by Richard Abel. In French Film Theory and Criticism: A History/Anthology, 1907-1939, Vol. 1, 1907-1929, edited by Richard Abel, 432-36. Princeton, NJ: Princeton University Press, 1988. Origi­ nally published as "Films de révolte," La Revue du cinéma 5(15 November 1929): 41-45. Artaud, Antonin. "Cinema and Reality." Translated by Helen Weaver. In Antonin Artaud: Selected Writings, edited by Susan Sontag, 150-52. New York: Farrar, Straus, and Giroux, 1976; Berkeley: University of California Press, 1986. Baker, Stuart E . . Georges Feydeau and the Aesthetics of Farce. Theater and Dramatic Studies, Vol. 9. Ann Arbor, MI: UMI, 1981. 204 B I B L I O G R A P H Y Balakian, Anna. Surrealism: The Road to the Absolute. New York: Noonday, 1959. Barr, Richard L . Review of Largely New York, by Bill Irwin. Theatre Journal 42 (1990): 242-44. Bazin, André. What Is Cinema? Translated by Hugh Gray. Berkeley: University of California Press, 1967. Beckerman, Bernard. "Beckett and the Act of Listening." In Beckett at 80/Beckett in Context, edited by Enoch Brater, 149-67. New York: Oxford University Press, 1986. Beckett, Samuel. Film. New York: Grove, 1969. Bédouin, Jean-Louis, et al. "Data Towards the Enlargement of a Film: The Shanghai Gesture." Translated by Paul Hammond. In The Shadow and Its Shadow: Surrealist Writing on the Cinema, edited by Paul Hammond, 128-37. 2nd ed. Edinburgh: Polygon, 1991. Originally published as LAge du cinéma 4-5 (August-November 1951): 53-58. Benayoun, Robert. The Look of Buster Keaton. Translated and edited by Randall Con­ rad. New York: St. Martins, 1983. Originally published as Le Regard de Buster Keaton. Paris: Editions Hersher, 1982. Bentley, Eric. "Farce." In The Life of the Drama, 219-56. New York: Atheneum, 1964. . "The Psychology of Farce." In Lets Get a Divorce! and Other Plays, edited by Eric Bentley, vii-xx. New York: Hill and Wang, 1958. Bermel, Albert. Farce: A History from Aristophanes to Woody Allen. New York: Simon and Schuster, 1982. Bishop, Christopher. "The Great Stone Face." Film Quarterly 12, no. 1 (fall 1958): 10-15. . "An Interview with Buster Keaton." Film Quarterly 12, no. 1 (fall 1958): 15-22. Blake, Lucas. "Acting Style in Silent Films." In The Stars Appear, edited by Richard Dyer MacCann, 33-47. Metuchen, NJ: Scarecrow, 1992. Blesh, Rudi. Keaton. New York: Macmillan, 1966. Bordwell, David, and Kristin Thompson. Film Art: An Introduction. 4th ed. New York: McGraw-Hill, 1993. Bordwell, David, Janet Staiger, and Kristin Thompson. The Classical Hollywood Cin­ ema. New York: Columbia University Press, 1985. Brater, Enoch. Introduction to Beckett at 80/Beckett in Context. New York: Oxford University Press, 1986. . "Dada, Surrealism, and the Genesis of Not I." Modern Drama 18, no. 1 (1975): 49-59. Breton, André. "As in a Wood." Translated by Paul Hammond. In The Shadow and Its Shadow: Surrealist Writing on the Cinema, edited by Paul Hammond, 80-85. 2nd ed. Edinburgh: Polygon, 1991. Originally published in LAge du cinéma 4-5 (Au­ gust-November 1951): 26-30. . Manifestoes of Surrealism. Translated by Richard Seaver and...

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Additional Information

ISBN
9780691188461
MARC Record
OCLC
1132227819
Launched on MUSE
2020-01-01
Language
English
Open Access
No
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