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Copyright © by Richard L. Schur 2009
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This work is licensed under the Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 United States License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-nd/3.0/ or send a letter to Creative Commons, 171 Second Street, Suite 300, San Francisco, California, 94105, USA.

Published in the United States of America by
The University of Michigan Press and
The University of Michigan Library
Manufactured in the United States of America
ImagesPrinted on acid-free paper

2012  2011  2010  2009  4  3  2  1

A CIP catalog record for this book is available from the British Library.

Library of Congress Cataloging-in-Publication Data

Schur, Richard L.

     Parodies of ownership : hip-hop aesthetics and intellectual
  property law / Richard L. Schur.
              p.        cm.

     Includes bibliographical references and index.

     ISBN-13: 978-0-472-07060-2 (cloth : alk. paper)

     ISBN-10: 0-472-07060-6 (cloth : alk. paper)

     ISBN-13: 978-0-472-05060-4 (pbk : alk. paper)

     ISBN-10: 0-472-05060-5 (pbk. : alk. paper)

     1. African Americans—Legal status, laws, etc.  2. Intellectual property—United States.  3. Hip-hop—Influence.  4. African Americans in popular culture. I. Title.
KF4757.S38     2009
346.7304’82—dc22                                               2009004565

Portions of chapters 3 and 7 were previously published as part of “Stomping the Blues No More? Hip Hop Aesthetics and Contemporary African American literature,” in Lovalerie King and Linda Selzer's edited collection, New Essays on the African American Novel: From Hurston and Ellison to Morrison and Whitehead (Palgrave 2008). Those sections have been reprinted here by permission.

     ISBN-13 978-0-472-02449-0 (electronic)

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Additional Information

ISBN
9780472024490
Related ISBN
9780472050604
MARC Record
OCLC
705944500
Pages
iv
Launched on MUSE
2011-07-21
Language
English
Open Access
Yes
Creative Commons
CC-BY-NC-ND
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