In lieu of an abstract, here is a brief excerpt of the content:

LIST OF ILLUSTRATIONS Cults Branka Migotti Figure 1. Map of the location of Aquae Iasae (after Pirnat Spahić 2014, p. 14) . . . . . . . . . . . . 137 Figure 2. Inscription to Sol – Apollo, Zavičajni muzej Varaždinske Toplice / Varaždinske Toplice Local History Museum (photo: Nenad Kobasić) . . . . . . . . . 139 Figure 3. Plan of Aquae Iasae (after Nemeth-Ehrlich and Kušan Špalj 2011, p. 212) . . . 138 Figure 4. Fresco in the narthex of the basilica in Aquae Iasae (photo: Ante RendićMio čević) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 140 Figure 5. Fresco of a saintly head from the basilica in Aquae Iasae, Arheološki muzej u Zagrebu / The Archaeological Museum in Zagreb (photo: Nenad Kobasić) 140 Figure 6. Plan of the basilica in Aquae Iasae in its Constantinian phase (after Migotti 1999, p. 69) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 140 Edward M. Schoolman Figure 1. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 167 Figure 2. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 168 Figure 3. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 171 Figure 4. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 171 Landscapes Hristo Preshlenov Figure 1. Tabula Peutingeriana. The Western Black Sea coast, rev. after ad 330 (after Атанас Орачев [Atanas Orachev], “Приноси към историята, археологията и географията на Анхиало [Contribution to the history, archaeology, and geography of Anchialo,” in Поморие: древност и съвремие [Pomorie: Past and Present], ed. Атанас Орачев [Atanas Orachev] et al. (Бургас: Геопан [Burgas: Geopan], 2011), 162–163). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 182 i6 p&c 00 book.indb 7 2017.09.20. 16:22 LIST OF ILLUSTRATIONS viii Figure 2. Therma. Amarblecolumn(author). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 185 Figure 3. Karabyzie. A pagan dedication plate of the Heros Karabazmos (after IGBulg, I2, no. 287). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 188 Figure 4. Karabyzie. The early Christian basilica and the pagan sanctuary of the Heros Karabazmos (after Мирчев, “Разкопки на тракийското селище край с. Галата,” План 1). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 189 Figure 5. Mesembria. The northwestern urban zone (after Прешленов, “Християнизация и архитектурна среда в Несебър и Паницово,”fig. 1). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 190 Figure 6. Mesambria. A relief of the Mesambrian strategoi (afterW. Welkow, Nessebar (Sofia: Sofia Press, 1989), s. p. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 191 Figure 7. Scatrae. A wall painting of the early Christian basilica (author). . . . . . . . . . . . . . . . . . 194 Figure 8. Durostorum. A wall painting of the late Antique tomb (after Pillinger, Corpus der spätantiken und frühchristlichen Wandmalereien Bulgariens, Abb. 30). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 195 Figure 9. Odessos, vicinity. The pagan Thracian god-rider onto the wall of a late Roman tomb (after Мирчев, “Паметници на гробната архитектура в Одесос,” Fig. 16). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 197 Figure 10. Odessos. Christian symbols onto the walls of an early Christian tomb (after Мирчев, “Късноримският некропол на Одесос,”Fig. 144). . . . . . . . . . . . . 198 Figure 11. Gerania. Walls and vault painting of the late Antique tomb (after Pillinger, Corpus der spätantiken und frühchristlichen Wandmalereien Bulgariens, Abb. 2). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 200 Figure 12. Gerania. An altar slab of the early Christian basilica (after Овчаров and Ваклинова, Ранновизантийски паметници, Fig. 84). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 201 Tombs Ivan Basić Figure 1. Split, Diocletian’s mausoleum, reconstruction of original appearance (Marasović-Marasović-Perojević 2006, fig. 9) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 246 Figure 2a. Split, Early Christian fragments found in the surroundings of the cathedral, 6th c. (Mirnik 1989, Pl. 15) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 260 Figure 2b. Split, Early Christian fragments found in the surroundings of the cathedral, 6th c. (Mirnik 1989, Pl. 8) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 260 Figure 3a. Split, Archaeological Museum, Early Christian pilaster (left) found at the cathedral, 6th c. (photo: I. Basić) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 260 i6 p&c 00 book.indb 8 2017.09.20. 16:22 LIST OF ILLUSTRATIONS ix Figure 3b. Split, cathedral, Early Christian pilaster, 6th c. (photo: I. Basić) . . . . . . . . . . . . . . . . 260 Figure 4. Split, cathedral, Early Christian relief with the depiction of a cantharos, 6th c. (Ivanišević 1987, fig. 2) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 260 Figure 5. Split, Archaeological Museum, architrave with an inscription mentioning SS. Cosmas and Damian, 9th c. (photo: I. Basić . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 265 Zsolt Visy Figure 1. Brick grave with gabled roof and plastered interior. The grave was broken into in a later period. © O. Gábor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 277 Figure 2. Burial Chamber XX, secondary burial with painted interior, trellis motif and a Christogram in a triangle, above the head of the deceased. © Zs. Visy . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 278 Figure 3. The single buried sarcophagus discovered in the cemetery of Sopianae.© Zs. Visy . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 279 Figure 4. Burial Chamber II, surviving foundation walls of the burial chapel built above the crypt. © A.Török . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 279 Figure 5. Burial chamber XX was plastered, but unpainted. The grave is against the back wall, two secondary graves to the right and left made with different building methods. © Zs. Visy . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 280 Figure 6. Ground plan and reconstruction of Burial Chamber XXXI (cella trichora.)© Janus Pannonius Múzeum . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 281 Figure 7. Burial Chamber V with two secondary columns in the middle of the octagonal space, showing the brick foundation in the opposite corner and the vaulting rib partially covering an earlier wall niche. © Zs. Visy . . . . . . . . . . . . . 282 Figure 8. Reconstruction of Burial Chamber XXXII (cella septichora). The building extends into the hillside to a depth of 2 to 5 meters. The drawing shows the 1.5-meter stairway down to the entrance on the western side.© Zs. Visy– K. Szijárt...

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Additional Information

ISBN
9789633862568
Related ISBN
9789633862551
MARC Record
OCLC
1019979655
Pages
382
Launched on MUSE
2018-01-21
Language
English
Open Access
No
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