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Works Cited “131 Alumnos de la Ibero responden.”YouTube. 14 May 2012.Web. 19 Dec. 2015. Albin-Najera, Susie. “Response to ‘Zoot Suit’ in Mexico City Overwhelmingly Positive.” The MEXICO Report. The MEXICO Report, 5 June 2010. Web. 24 Dec. 2015. Amnesty International. Muertes Intolerables: Diez años de desapariciones y asesinatos de mujeres en Ciudad Juárez y Chihuahua. 10 Aug. 2003.Web. 21 Dec. 2015. Arias, Santa. “De Fray Servando Teresa de Mier a Juan Bautista Muñoz: La disputa guadalupana en vísperas de la independencia.”Revista Iberoamericana 74.222 (2008): 6–13. Print. Armbruster-Sandoval, Ralph. “The Life of the Party: Alice McGrath, Multiracial Coalitions, and the Struggle for Social Justice.” Aztlan: A Journal of Chicano Studies 36.1 (Spring 2011): 69–98. Print. Associated Press. “Soldier Who Killed 16 Afghans Says He Was ‘Consumed by War.’” New York Times. The New York Times Company, 7 June 2015. Web. 19 Dec. 2015. Balerini Casal, Emiliano. “Lascuráin o la brevedad del poder, retrato del presidencialismo .”Milenio. 24 Sept. 2010.Web. 8 Nov. 2012. Barajas Durán, Rafael (el Fisgón). El país de “El Llorón de Icamole”: Caricatura mexicana de combate y libertad de imprenta durante los gobiernos de Porfirio Díaz y Manuel González (1877–1884). Mexico City: Fondo de Cultura Económica, 2007. Print. Barthes, Roland. Mythologies. Trans. Annette Lavers. New York: Hill and Wang, 1995. Print. 204 works cited Baudrillard, Jean. Simulacra and Simulation.Trans. Sheila Faria Glaser. Ann Arbor: University of Michigan Press, 1994. Print. Bay-Cheng, Sarah. “Theatre History and Digital Historiography.” Theater Historiography : Critical Interventions. Ed. Henry Bial and Scott Magelssen. Ann Arbor: University of Michigan Press, 2010. 125–36. Print. Beezley, William H. Judas at the Jockey Club and Other Episodes of Porfirian Mexico. Lincoln: University of Nebraska Press, 1987. Print. Berman, Sabina. Backyard. Gestos:Teoría y Práctica del Teatro Hispánico 20.39 (April 2005): 107–81. Print. ———.Entre Villa y una mujer desnuda. Las fronteras míticas del teatro mexicano.Ed. Stuart A. Day. Lawrence, KS: LATR Books, 2009. 14–53. Print. ———. Personal interview. Best, Steven, and Douglas Kellner. Postmodern Theory: Critical Interrogations. New York: Guilford, 1991. Print. Bettelheim, Bruno. Freud and Man’s Soul: An Important Re-Interpretation of Freudian Theory. New York: Vintage Books, 1984. Print. Bial, Henry. “PS: Can We Talk About Something Else?” Postscript. Theater Historiography : Critical Interventions. Ed. Bial and Scott Magelsson. Ann Arbor: University of Michigan Press, 2010. 276–86. Print. Bixler, Jacqueline. “Historias para ser contadas: El teatro de Alejandro Ricaño.” Historias para ser contadas: El teatro de Alejandro Ricaño. Lawrence, KS: LATR Books, 2012. v-xiv. Print. ———.“Una introducción al teatro elusivo de la elusiva Sabina Berman.”Sediciosas seducciones: Sexo, poder y palabras en el teatro de Sabina Berman. Comp. Bixler. Mexico City: Escenología, 2004. 17–29. Print. Blankenship, Bill. “Trapped by Language.” CJOnline.com. Topeka Capitol-Journal, 28 Feb. 2003.Web. 30 Dec. 2015. Brewer, Jan.“Jan Brewer on Madmen and Mowing Lawns.”By Andrew Goldman. New York Times Magazine. The New York Times Company, 24 Aug. 2012. Web. 22 Dec. 2015. Broyles-González, Yolanda. El Teatro Campesino: Theater in the Chicano Movement. Austin: University of Texas Press, 1994. Print. Caminero-Santangelo, Marta. “Unauthorized Stories: Urrea’s The Devil’s Highway and Martínez’s Crossing Over as Narratives of ‘Illegal’Crossings,”Nuestra America in the U.S.? Latino/a Studies Conference, Lawrence, KS. Feb. 2008. Rev. and rpt. as “Narrating the Non-Nation: Literary Journalism and ‘Illegal’ Border works cited 205 Crossings.” Documenting the Undocumented: Latina/o Narrative and Social Justice in the Era of Operation Gatekeeper. Gainsville: University of Florida Press, 2016. Print. Cano,Natalia,and Julio Alejandro Quijano.“Recuerda actor censura en representar héroes históricos.”El Universal. 16 Sept. 2005.Web. 8 Nov. 2012. “El Capital, Base de Nuestro Progreso.” El Imparcial [Mexico City] 14 Sept. 1906: 1. Print. Carlson, Marvin. “Perspectives on Performance: Germany and America.” Introduction . The Transformative Power of Performance: A New Aesthetics. By Erika Fischer-­ Licte.Trans. Saskya Iris Jain. New York: Routledge, 2008. 1–10. Print. Casa Amiga Esther Chávez Cano. Casa Amiga Centro de Crisis A.C., 2009.Web. 21 Dec. 2015. Castañeda, Jorge G. Sorpresas te da la vida. Mexico City: Aguila, 1994. Print. Castillo, Debra A. “Devising as Pedagogical Practice in Latin American Theatre.” Making Latina/o-American Theater. Ed. Stuart A. Day and Jacqueline E. Bixler. Carbondale: Southern Illinois University Press, forthcoming...

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Additional Information

ISBN
9780816536245
Related ISBN
9780816535453
MARC Record
OCLC
975233210
Pages
232
Launched on MUSE
2017-03-14
Language
English
Open Access
No
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