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• 191 • Notes Overture 1. The best biography of Arrieta is María Encina Cortizo, Emilio Arrieta: De la ópera a la zarzuela (Madrid: ICCMU, 1998). 2. Antonio Peña y Goñi, “El entierro de Barbieri,” Blanco y Negro 3 March 1894: 1–3. The most comprehensive Barbieri biography is Emilio Casares Rodicio, Francisco Asenjo Barbieri, 2 vols. (Madrid: ICCMU, 1994). 3. Antonio Peña y Goñi, “La música de Arrieta,” La Época 12 Feb. 1894, and “Sobre motivos de Arrieta,” La Época 13 Feb. 1894. 4. Antonio Peña y Goñi, Impresiones musicales: Colección de artículos de crítica y literatura músical (Madrid: Manuel Minuesa de Rios, 1878) 284. The italics are Peña y Goñi’s. 5. Antonio Peña y Goñi, “El maestro seguidilla,” La Época 19 Feb. 1894. 6. Antonio Peña y Goñi, “La música de Barbieri,” La Época 20 Feb. 1894. 7. On the development of European musical life in the nineteenth century, see William Weber , Music and the Middle Class: The Social Structure of Concert Life in London, Paris, and Vienna between 1830 and 1848, 2nd ed. (Aldershot: Ashgate, 2004); F. M. Scherer, Quarter Notes and Banknotes: The Economics of Music Composition in the Eighteenth and Nineteenth Centuries (Princeton : Princeton UP, 2004); Celia Applegate, Bach in Berlin: Nation and Culture in Mendelssohn’s Revival of the St. Matthew Passion (Ithaca: Cornell UP, 2005); James H. Johnson, Listening in Paris: A Cultural History (Berkeley: U of California P, 1995); Carl Dahlhaus, Nineteenth-Century Music, trans. J. Bradford Robinson (Berkeley: U of California P, 1989). 8. On the history of the Teatro Real, see Joaquín Turina Gómez, Historia del Teatro Real (Madrid: Alianza, 1997) esp. 75–81. 9. For brief English-language overviews of the history of zarzuela, see the first two chapters of Christopher Webber’s The Zarzuela Companion, ed. Louise K. Stein and Roger Alier (Lanham, MD: Scarecrow Press, 2002), or Louise K. Stein and Roger Alier’s entry, “Zarzuela,” in The New Grove Dictionary of Music and Musicians, 2001 ed. See also Christopher Webber and Ignaco Jassa Haro, eds., Zarzuela.net,. 19 Oct. 2014. www.zarzuela.net. 10. The best overview of this period is Roland J. Vasquez’s “The Quest for National Opera in Spain and the Re-invention of the Zarzuela (1809–1849),” diss., Cornell U, 1992. 11. The best discussion of the work and its significance is María Encina Cortizo, “Jugar con fuego,” Diccionario de la Zarzuela España e Hispanoamérica, 2006 ed. 12. For a cogent analysis of these early zarzuelas, see Emilio Casares Rodicio, “La Música • 192 • Notes to Pages 7–12 del siglo XIX español. Conceptos fundamentales,” La música española en el siglo XIX, ed. Emilio Casares Rodicio and Celsa Alonso González (Oviedo: U de Oviedo, 1995) 79. 13. Emilio Cotarelo y Mori, Historia de la zarzuela o sea el drama lírico en España, desde su origen a fines del siglo XIX (Madrid: Tipografía de Archivos, 1934; Madrid: Ediciones del ICCMU, 2001) 571. See also Emilio García Carretero, Historia del Teatro de la Zarzuela de Madrid, vol. 1 (Fundación de la Zarzuela Española, 2003–2005) 4–5. 14. Mori 572. 15. Casares Rodicio, Francisco Asenjo Barbieri, vol. 1, 193–194; and Salvador Valverde, El mundo de la zarzuela (n.p.: Palabras, 1976) 109. 16. Benedict Anderson, Imagined Communities, rev. ed. (London: Verso, 2006); Eric Hobsbawm and Terence Ranger, eds., The Invention of Tradition (Cambridge: Cambridge UP, 1983); and Eugene Weber, Peasants into Frenchmen: The Modernization of Rural France (Stanford: Stanford UP, 1976). Among other classics of the state as nationalizing force, see Ernest Gellner, Nations and Nationalism (Ithaca: Cornell UP, 1983); Eric Hobsbwam, Nations and Nationalism Since 1780: Programme, Myth, Reality, 2nd ed. (Cambridge: Cambridge UP, 1992); and George L. Mosse, The Nationalization of the Masses: Political Symbolism and Mass Movements in Germany from the Napoleonic Wars through the Third Reich (Ithaca: Cornell UP, 1971). 17. Good examples of the localized view of nationalism include Alon Confino, The Nation as a Local Metaphor: Württemberg, Imperial Germany, and National Memory, 1871–1918 (Chapel Hill: U of North Carolina P, 1997); Caroline Ford, Creating the Nation in Provincial France: Religion and Political Identity in Brittany (Princeton: Princeton UP, 1993); Herman Lebovics, True France: The Wars over Cultural Identity, 1900–1945 (Ithaca: Cornell UP, 1992); Anthony Smith, National Identity (Reno: U of Nevada...

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Additional Information

ISBN
9780807161043
MARC Record
OCLC
960977412
Pages
272
Launched on MUSE
2016-10-26
Open Access
No
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