In lieu of an abstract, here is a brief excerpt of the content:

1 Mustika (Vanida Imran) personifies adat as a makyong dancer, from Perempuan Melayu Terakhir (The Last Malay Woman), with permission from Grand Brilliance, Sdn Bhd. / 7 2 Mustika and her religious fundamentalist fiance, Engku Leh, from Perempuan Melayu Terakhir (The Last Malay Woman), with permission from Grand Brilliance, Sdn Bhd. / 8 3 Mustika's fantasy of being seduced by the westernized Haikal, from Perempuan Melayu Terakhir (The Last Malay Woman), with permission from Grand Brilliance, Sdn Bhd. / 9 4 Two generations of female actors (Azean Irdawaty and Ida Nerina) reclaim another form of adat, and together make Malay cinematic history in Layar Lara (The Sad Screen), with permission from Pesona Pictures / 120 5 Eman Manan and Nina Juren as the loving new Malay yuppie couple in Lenjan (Deceit), with permission from Berjaya Film Production, Sdn Bhd./181 Illustrations 6 Rosyam Nor as the working-class Malay hard body in Lenjan, with permission from Berjaya Film Production, Sdn Bhd. / 184 7 The authentic Malay male (Nasil Bilal Khan) under the spell of Zaleha (Sofia Jane Hisham) in Perempuan, Isteri Dan ...?(Woman, Wife, and Whore), with permission from Berjaya Film Production, Sdn Bhd. / 185 8 Zaleha exudes female sexuality in U-Wei's Perempuan, Isteri Dan ...? (Woman, Wife, and Whore), with permission from Berjaya Film Production, Sdn Bhd. / 187 9 The controversial nasi kangkang scene in Perempuan, Isteri Dan ...?(Woman, Wife, and Whore), with permission from Berjaya Film Production, Sdn Bhd. /190 vii This page intentionally left blank ...

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Additional Information

ISBN
9780774853668
MARC Record
OCLC
180704563
Pages
272
Launched on MUSE
2016-01-01
Language
English
Open Access
No
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