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index Note: Italic page numbers refer to illustrations. Act Up, 26, 53, 142n7 Adams, John Quincy, 124 Adorno, Theodor W., 61, 95, 99 Aguilar, Filomeno V., Jr., 125–126 Aisha, Bibi, 81 Akerman, Chantal, 121 Allora, Jennifer: on globalization, 128–129; Gloria, 160n38; Half Mast/Full Mast, 158n6; Land Mark, 123, 129–130, 130; photographs of, 135; Returning a Sound, 131–133, 131, 132; and social change, 15–16; Under Discussion, 122, 123, 123, 133, 134 Alÿs, Francis, The Loop, 103 American Friends Services Committee, 55 Amorales, Carlos, 102 Amorales vs. Amorales (2000), 102 Anglo-Americans, 4, 45, 48 Anzaldúa, Gloria, 18, 20–21, 66–67, 86, 141n48 Appadurai, Arjun, 93, 125, 126, 154n4 Arizona, 4–5, 8, 14 Armstrong, Louis, 76 Arreola, Daniel D., 139n23 art: artist as cultural critic, 155n17; autonomy of, 95–96; historiography of, 135–136; and political issues, 15–17, 22, 94–99, 155n18; post-autonomous art, 56–58, 133, 149n98; violence toward, 70, 71, 150n23. See also border art; performance art Artenstein, Isaac, 23, 27, 59 Artists Space, 54 Art Rebate (1993), 52, 53 Asco: Asshole Mural, 26, 147n78; and Chicano movement, 25–26, 44, 45–47; and conceptualism , 25, 43–44; and Hicks, 47, 52; Stations of the Cross, 44; and stereotypes, 44, 45–47; Walking Mural, 44–47, 147n71 Asshole Mural, 26, 147n78 Aubin Codex, 32 audiotopia, 15, 140n39 Australia, 60 Avalos, David: Art Rebate, 52, 53; and BAW/TAF, 23, 24, 25, 27–28, 38, 52, 59, 142n3; border identity of, 24; and Border Realities III, 51; and Café Urgente, 38, 39; and Chicano Park, 154n6; and End of the Line, 42, 48; and Galería de la Raza, 27, 142n8; and political issues, 43; and portable borders, 129; and primacy of site, 6, 25, 90 Aztlán, 28, 46, 126 Baca, Herman, 26, 43 Balibar, Étienne, 4 b.a.n.g. lab, 49, 49 Beau Geste Press (BGP), 33, 36 Becker, Carol, 95, 96 Benavidez, Max, 43 Benjamin, Walter, 95 Berman, Sara-Jo, 23, 27, 28, 38, 52, 143n17 Beuys, Joseph, I Like America and America Likes Me, 85, 85, 86 bilingualism, 23, 27, 143n11 Bishop, Claire, 95, 96 Bl/ev, 94, 154n7 border art: and border-as-metaphor, 8, 16, 96–97; and border crossing as performance, 8, 41; and borders as space of performance, 3; defining of, 23, 25, 60, 89, 100, 119, 134, 135; exporting of, 23, 120; globalization of, 72, 151n28; Gómez-Peña on, 59; history of, 17–18, 20–21; and military ceremonies, 121, 157n4; and Operation Wetback, 11; and performance art, 21, 22, 23; and political issues, 15, 16–17, 96–97; and site-specificity, 21, 22, 23, 24, 25, 31, 72; Zopilote’s multimedia piece, 27 Sheren pages.indd 175 4/21/15 3:22 PM 176 | Index Border Art Workshop/Taller de Arte Fronterizo (BAW/TAF): and bilingualism, 23, 27, 143n11; as binational collective, 23, 27, 29, 37, 53, 58, 100; and border fence, 100; Border Realities, 27–29, 31, 38, 53, 60, 94, 143n14; Border Realities III, 42, 51–53, 57, 60, 94; Café Urgente, 31, 38–39, 41, 94; and collectivism, 37–38, 53; and conceptual performance art, 23, 24, 29, 31, 36, 40, 43, 57–58, 135, 146n57; and confusion, 42, 47, 58; contentious attitudes of group, 24–25, 36–38, 53, 59–60; defining of border art, 23, 25, 58, 60; disciplinary approaches of, 27; and Ehrenberg, 38, 39–40; End of the Line, 21, 38, 39, 41–43, 47–51, 60, 89, 90, 94, 130, 145n50, 146n60, 146n61, 146n62, 146n63, 146n65, 147n81, 147–148n82; funding of, 99; and Gómez-Peña, 20, 21, 23, 24, 25, 26, 31, 38, 39, 40, 52, 53, 59, 76, 142n3, 142n9; and Grupo Proceso Pentágono, 36; and InSite, 54, 55–56, 155n24; and interdisciplinary perspectives, 39, 156n54; and international experiences, 54, 55, 58, 63, 89, 90; and Maclovio Rojas, 54–58, 148n92, 148n93, 149n96, 149n97, 149n98, 155n24; and multimedia installations , 23; phases of, 23–24, 53–58, 59; and portable borders, 43, 58, 63, 145–146n57; and post-autonomous art, 56–58, 133, 149n98; and production of objects, 57, 149n101; productive tension of, 25, 37–38; and Schnorr, 21, 23, 43, 53–58, 59, 63, 89, 142n3, 149n96; and site-specific work, 21, 25, 29, 31, 40, 54, 58, 63, 91; Sydney Biennial, 54, 55, 56, 57, 121; and symbolic gesture, 98; and urban ghettoization, 40; and Venice Biennale, 54, 142n7, 155n24 border crossings: and...

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Additional Information

ISBN
9781477302279
Related ISBN
9781477302262
MARC Record
OCLC
910916337
Pages
211
Launched on MUSE
2015-06-10
Language
English
Open Access
No
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