Abstract

Jorge Sanjinés’s manifesto, like many of the Third Cinema manifestos, disavows the bourgeois notion of the auteur and instead foregrounds the dialectic between collective filmmaking, the film, and the spectator. Using his own Sangre de cóndor (Blood of the Condor, Bolivia, 1969) as an example, Sanjinés argues for a new kind of politically engaged cinema that offers an alternative to Western modernization. Like Espinosa (see Espinosa, “For an Imperfect Cinema,” earlier in this chapter), he foregrounds process over product and offers a salient critical analysis of the ideological dialectic between form and content.

pdf

Additional Information

ISBN
9780520957411
Related ISBN
9780520276741
MARC Record
OCLC
894795921
Pages
504
Launched on MUSE
2014-11-08
Language
English
Open Access
No
Back To Top

This website uses cookies to ensure you get the best experience on our website. Without cookies your experience may not be seamless.