Abstract

This second, untitled, Oberhausen manifesto, which is previously untranslated, demonstrates that the three years following the first Oberhausen manifesto still left a great deal of filmmakers out of circulation. Peter Nestler, for instance, who made some brilliant documentaries in the early 1960s, was left out of the festival because his work was documentary and engaged with social realities. This manifesto, propelled by Jean-Marie Straub and released the same year as his groundbreaking film Nicht versöhnt (Not Reconciled, codirected with Danièle Huillet [West Germany, 1965]), attacks the rise of fictional art cinema that evades and elides reality.

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Additional Information

ISBN
9780520957411
Related ISBN
9780520276741
MARC Record
OCLC
894795921
Pages
504
Launched on MUSE
2014-11-08
Language
English
Open Access
No
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