Abstract

In this manifesto New American Cinema/experimental filmmaker Gregory Markopoulos— best known for his 1950s and 1960s films such as Flowers of Asphalt (USA, 1951), Serenity (USA, 1961), and Twice a Man (USA, 1963), all of which were pulled from circulation after he left the United States for Greece in 1967—outlines what he calls the new language of the image, the element of the void, a language that could potentially bring about new national film cultures.

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Additional Information

ISBN
9780520957411
Related ISBN
9780520276741
MARC Record
OCLC
894795921
Pages
504
Launched on MUSE
2014-11-08
Language
English
Open Access
No
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