Abstract

A humorous manifesto by filmmaker Ron Rice that nevertheless gets to the heart of the aesthetic he developed with a pre-Warholian Taylor Mead. In Underground Films: A Critical History (1969), Parker Tyler labeled Rice’s work as Kerouacian “dharma-bum films,” which, in the tradition of the Beats, worked to break down the distinction between art and life.

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Additional Information

ISBN
9780520957411
Related ISBN
9780520276741
MARC Record
OCLC
894795921
Pages
504
Launched on MUSE
2014-11-08
Language
English
Open Access
No
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