In lieu of an abstract, here is a brief excerpt of the content:

191 BIBLIOGRAPHY Interviews Leon Golub, December 9, 1998, telephone interview Jon Hendricks, February 12, 1999, New York; and August 12, 1999, telephone interview Bernard LaFayette, October 3, 2002, South Kingstown, R.I. Lucy Lippard, September 30, 1999, telephone interview Judith Malina, April 13, 1988, New Haven, Conn. Charles Neblett, March 15, 1998, Boston Irving Petlin, November 30, 1998, and September 10, 1999, telephone interviews Hanon Reznikov, April 13, 1988, New Haven, Conn. Tom Walker, August 24, 1998, and August 15, 2002, Cornwall, Conn. Hollis Watkins, March 14, 1998, Cambridge, Mass. Archival Collections Mark Amitin Papers, Special Collections, Bobst Library, New York University, New York Chester Anderson Papers, Bancroft Library, University of California at Berkeley Civil Rights in Mississippi Digital Archive, McCain Library and Archives, University of Southern Mississippi, Hattiesburg, ⬍ .html⬎ The Digger Archives: “San Francisco Diggers (1966–68 . . . and beyond),” ⬍http://www⬎ Haight Street Diggers Records, North Baker Research Library, California Historical Society , San Francisco Living Theatre Archives, Performing Arts Collection, Special Collections, University of California at Davis Living Theatre Records, 1945–1991, Billy Rose Theater Collection, New York Public Library for the Performing Arts, New York 192 Bibliography Books, Articles, and Other Source Materials Anderson, Terry. “The New American Revolution: The Movement and Business.” In Farber, The Sixties, 175–205. Andre, Carl. “Carl Andre: Artworker.” Interview by Jeanne Siegel. Studio International, November 1970, 175–79. “A-Political Or, Criminal Or Victim Or Or Or Or Or Or Or.” In “The Early Digger Papers.” ⬍⬎. Arnold, Martin. “Organized Hippies Emerge on Coast.” New York Times, May 5, 1967, 41–42. Artaud, Antonin. The Theater and Its Double. New York: Grove Press, 1958. Art Workers Coalition. Open Hearing. New York: Art Workers Coalition, 1969. Artists and Writers Protest. “End Your Silence.” New York Times, April 18, 1965, and June 2, 1965. ———. Open Letter. New York Times, June 26, 1962. Ashton, Dore. “Response to Crisis in American Art.” Art in America, January/February 1969, 24–35. Baker, Russell. “Observer: The Latest Crisis in Hashbury.” New York Times, November 9, 1967. Barnes, Clive. “Stage: Living Theatre’s ‘Paradise Now,’ a Collective Creation.” New York Times, October 15, 1968. “Battle Hymn of the Integrationists.” U.S. News & World Report, August 5, 1963, 8. Beck, Julian. “How to Close a Theatre.” Tulane Drama Review 8:3 (spring 1964): 180–90. ———. Interview in Yale/theatre 2:1 (spring 1969): 16–21. ———. Letter to Karl Bissinger. January 28, 1965. Printed as “Thoughts on Theater from Jail.” New York Times, February 21, 1965. ———. The Life of The Theatre. New York: Proscenium, 1972. ———. semi-permeable membranes: twenty songs of the revolution. Nashville, Tenn.: Bliss Press, 1984. ———. “Storming the Barricades.” In Brown, The Brig, 1–35. ———. “Theatre and Revolution.” Unpublished essay, 1967. Living Theatre Archives. Belasco, Warren. Appetite for Change: How the Counterculture Took on the Food Industry. 2d edition. Ithaca, N.Y.: Cornell University Press, 1993. Bentley, Eric. “I Reject The Living Theatre.” New York Times, October 20, 1968, 35. Berman, Marshall. All That Is Solid Melts into Air: The Experience of Modernity. New York: Simon and Schuster, 1982. Biner, Pierre. The Living Theatre. New York: Horizon Press, 1972. Bloom, Alexander. Long Time Gone: Sixties America Then and Now. New York: Oxford University Press, 2001. Bloom, Alexander, and Wini Breines, eds. Takin’ It to the Streets: A Sixties Reader. New York: Oxford University Press, 1995. Borders, William. “Indecent Exposure Charged to Becks.” New York Times, September 28, 1968, 27. Branch, Taylor. Pillar of Fire: America in the King Years, 1963–65. New York: Simon and Schuster, 1998. Braunstein, Peter, and Michael William Doyle, eds. Imagine Nation: The American Counterculture of the 1960s and ’70s. New York: Routledge, 2002. Brown, Kenneth. The Brig. New York: Hill and Wang, 1965. Brustein, Robert. “Junkies and Jazz.” New Republic, September 28, 1959, 29. “Burocops Proboscis Probes Digger Bag.” Berkeley Barb, October 21, 1966. “A Call for the Immediate Resignation of All the Rockefellers from the Board of Trustees Bibliography 193 of The Museum of Modern Art.” In GAAG: The Guerrilla Art Action Group, 1969– 1976. Action Number 3. New York: Printed Matter, 1978. Calta, Louis. “The Connection: A Play About Junkies.” New York Times, July 16, 1959, 30. Carawan, Guy, and Candie Carawan, eds. Freedom Is a Constant Struggle: Songs of the Freedom Movement. New York: Oak Publications, 1968. Carawan, Guy, Candie Carawan, and the Student Nonviolent Coordinating Committee. We Shall Overcome!: Songs of the Southern Freedom Movement. New...


Additional Information

Related ISBN
MARC Record
Launched on MUSE
Open Access
Back To Top

This website uses cookies to ensure you get the best experience on our website. Without cookies your experience may not be seamless.