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The Habsburg Monarchy as a Customs Union Cover

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The Habsburg Monarchy as a Customs Union

Economic Development in Austria-Hungary in the Nineteenth Century

John Komlos

This book explores the economic impact of two major mid-nineteenth century reforms: the formation of the customs union between Austria and Hungary and the emancipation of the peasantry.

Originally published in 1983.

The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Hacking the Academy Cover

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Hacking the Academy

New Approaches to Scholarship and Teaching

Dan Cohen and Tom Scheinfeldt, Editors

Hadrosaurs Cover

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Hadrosaurs

Edited by David A. Eberth and David C. Evans

Hadrosaurs--also known as duck-billed dinosaurs--are abundant in the fossil record. With their unique complex jaws and teeth perfectly suited to shred and chew plants, they flourished on Earth in remarkable diversity during the Late Cretaceous. So ubiquitous are their remains that we have learned more about dinosaurian paleobiology and paleoecology from hadrosaurs than we have from any other group. In recent years, hadrosaurs have been in the spotlight. Researchers around the world have been studying new specimens and new taxa seeking to expand and clarify our knowledge of these marvelous beasts. This volume presents the results of an international symposium on hadrosaurs, sponsored by the Royal Tyrrell Museum and the Royal Ontario Museum, where scientists and students gathered to share their research and their passion for duck-billed dinosaurs. A uniquely comprehensive treatment of hadrosaurs, the book encompasses not only the well-known hadrosaurids proper, but also Hadrosaouroidea, allowing the former group to be evaluated in a broader perspective. The 36 chapters are divided into six sections--an overview, new insights into hadrosaur origins, hadrosaurid anatomy and variation, biogeography and biostratigraphy, function and growth, and preservation, tracks, and traces--followed by an afterword by Jack Horner.

Hagar's Vocation Cover

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Hagar's Vocation

Philosophy's Role in the Theology of Richard Fishacre, OP

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Hagiography and Modern Russian Literature Cover

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Hagiography and Modern Russian Literature

Margaret Ziolkowski

The heritage of medieval hagiography, the diverse and voluminous literature devoted to saints, was much more important in nineteenth-century Russia than is often recognized. Although scholars have treated examples of the influence of hagiographic writing on a few prominent Russian writers, Margaret Ziolkowski is the first to describe the vast extent of its impact. Some of the authors she discusses are Kondratii Ryleev, Aleksandr Bestuzhev-Marlinskii, Fedor Dostoevsky, Leo Tolstoy, Nikolai Leskov, Gleb Uspenskii, Dmitrii Merezhkovskii, and Maksimilian Voloshin. Such writers were often exposed to saints' lives at an early age, and these stories left a deep impression to be dealt with later, whether favorably or otherwise.

Professor Ziolkowski identifies and analyzes the most common usages of hagiographic material by Russian writers, as well as the variety of purposes that inspired this exploitation of their cultural past. Tolstoy, for instance, employed hagiographic sources to attack the organized church and the institution of monasticism. Individual chapters treat the influence of hagiography on the poetry of the Decembrists, reworkings of specific hagiographic legends or tales, and the application of hagiographic conventions and features to contemporary characters and situations.

Originally published in 1988.

The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

The Ha-ha Cover

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The Ha-ha

Poems

David Kirby

A feature of English landscape architecture, a ha-ha is a wall at the bottom of a ditch; its purpose is to allow the presence of cows and sheep on one's lawn, but at an agreeable distance and with none of the malodorous unsightliness that proximity would bring. Similarly, The Ha-Ha, the latest offering from poet David Kirby, is both an exploration of the ways in which the mind invites chaos yet keeps it at a distance and an apologia for humor, reflecting Irish poet Patrick Kavanagh's observation that tragedy is merely underdeveloped comedy. Embracing wit, wide-ranging scholarship, and an equal love of travel as well as the pleasures of home, The Ha-Ha depicts comedy as a radical form of intelligence, a way of thinking that just happens to be noisy and rumbustious.

We are staying with Barbara's parents on Oahu, and the first night we're there, I notice an angry-looking man is staring at me

out of the neighbor's upstairs window and mumbling something, but the second night I realize that it's that poster of Bo Diddley

from the famous Port Arthur concert, and there's a phone wirein front of his face that bobs up and down when the trade winds blow,

which they do constantly, making it seem as though Mr. Diddley is saying something to me.

From "The Ha-Ha, Part I: The Tao of Bo Diddley" published in The Ha-Ha: Poems by David Kirby. Copyright � 2003 by David Kirby. All rights reserved.

- See more at: http://lsupress.org/books/detail/the-ha-ha/#sthash.g8vUSeuN.dpuf

Haig Cover

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Haig

The Evolution of a Commander

Wiest, Andrew

For years, Douglas Haig has been considered perhaps the most controversial military leader in British history. Today his career is at the center of a swirling historiographical debate concerning the nature of the First World War. The traditional school contends that Haig, like the majority of generals from both sides, were overmatched, hidebound relics of a bygone military age who could not come to grips with modern war. They allegedly sent their soldiers “over the top” in waves, with a criminal disregard for the mounting cost in lives. A new revisionist school contends that many Great War leaders, including Haig, were central to a phenomenal period of military innovation that laid the foundations for modern war. This so-called learning curve led from the killing fields of the Somme to the protoblitzkrieg tactics of the 100 Days Battles.Having achieved a measure of fame in Britain’s colonial wars, Haig began the First World War as a corps commander and succeeded to command the British Expeditionary Force (BEF) in 1915. Under his leadership, the BEF fought its two signature battles of the Great War—at the Somme and Passchendaele. Haig’s role in the direction of these battles earned him a reputation as a “butcher and bungler,” the slaughter of the Somme and the muddy hell of Passchendaele forever tarnishing his reputation. However, as Andrew Wiest points out, in 1918 Haig was instrumental in winning one of the greatest victories in British military history. While the 100 Days Battles often go unnoticed or unappreciated in the history of World War I, obscured by the failures of earlier campaigns, it was here that modern war came of age. Haig’s role in that transformation makes him the central figure of the war on the Western Front.

Haints Cover

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Haints

American Ghosts, Millennial Passions, and Contemporary Gothic Fictions

Arthur Redding

In Haints, Arthur Redding examines the work of contemporary American authors who draw on the gothic tradition in their fiction, not as frivolous or supernatural entertainments, but to explore and memorialize the ghosts of their heritage.
 
Ghosts, Redding argues, serve as lasting witnesses to the legacies of slaves and indigenous peoples whose stories were lost in the remembrance or mistranslation of history. No matter how much Americans willingly or unwillingly repress the true history of their ancestry; their ghosts remain unburied and restless.

Such authors as Toni Morrison and Leslie Marmon Silko deploy the ghost as a means of reconciling their own violently repressed heritage with their identity as modern Americans. And just as our ancestors were haunted by ghosts of the past, today their descendents are haunted by ghosts of contemporary crises: urban violence, racial hatred, and even terrorism. In other cases that Redding studies—such as James Baldwin’s The Evidence of Things Not Seen and Toni Cade Bambara’s Those Bones Are Not My Child—gothic writers address similar crises to challenge traditional American claims of innocence and justice.
 
Finally, Redding argues that ghosts emphasize a growing worry about a larger impending crisis: the apocalypse. Yet the despair the apocalypse inspires is vital to providing the grounds for new solutions to modern issues. In the end, the armies of the dispossessed enlist the forces of the spirit world to create a better future—by ensuring that mistakes of the past are not repeated, that Americans do not deny their heritage, and that accountability exists for any given crisis.

 

 

Hair Matters Cover

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Hair Matters

Beauty, Power, and Black Women's Consciousness

Ingrid Banks

Long hair in the 60s, Afros in the early 70s, bobs in the 80s, fuschia in the 90s. Hair is one of the first attributes to catch our eye, not only because it reflects perceptions of attractiveness or unattractiveness, but also because it conveys important political, cultural, and social meanings, particularly in relation to group identity. Given that mainstream images of beauty do not privilege dark skin and tightly coiled hair, African American women's experience provides a starkly different perspective on the meaning of hair in social identity."
--National Women's Studies Association Journal

"Grab your copy at your local bookseller and get hip to what your hair is saying to others with regards to beauty, culture and politics. Learn about how culture has a love for coifs, because after all, so do you!"
Sophisticate's Black Hair Styles Guide

Drawing on interviews with over 50 women, from teens to seniors, Hair Matters is the first book on the politics of Black hair to be based on substantive, ethnographically informed research. Focusing on the everyday discussions that Black women have among themselves and about themselves, Ingrid Banks analyzes how talking about hair reveals Black women's ideas about race, gender, sexuality, beauty, and power. Ultimately, what emerges is a survey of Black women's consciousness within both their own communities and mainstream culture at large.

The Hairdresser of Harare Cover

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The Hairdresser of Harare

Like very good dark chocolate this is a delicious novel, with a bitter-sweet flavour. Vimbai is a hairdresser, the best in Mrs Khumalo's salon, and she knows she is the queen on whom they all depend. Her situation is reversed when the good-looking, smooth-talking Dumisani joins them. However, his charm and desire to please slowly erode Vimbai's rancour and when he needs somewhere to live, Vimbai becomes his landlady. So, when Dumisani needs someone to accompany him to his brother's wedding to help smooth over a family upset, Vimbai obliges. Startled to find that this smart hairdresser is the scion of one of the wealthiest families in Harare, she is equally surprised by the warmth of their welcome; and it is their subsequent generosity which appears to foster the relationship between the two young people. The ambiguity of this deepening friendship - used or embraced by Dumisani and Vimbai with different futures in mind - collapses in unexpected brutality when secrets and jealousies are exposed. Written with delightful humour and a penetrating eye, The Hairdresser of Harare is a novel that you will find hard to put down.

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