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Results 41-50 of 1919

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Bad Faith Good Faith Cover

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Bad Faith Good Faith

Bad for Democracy Cover

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Bad for Democracy

How the Presidency Undermines the Power of the People

Dana D. Nelson

Throughout our history, Americans have been simultaneously inspired and seduced by the American presidency and concerned about the misuse of presidential power—from the time of Lincoln, Wilson, and FDR to Nixon, Reagan, and George W. Bush—as a grave threat to the United States. In Bad for Democracy, Dana D. Nelson goes beyond blaming particular presidents for jeopardizing the delicate balance of the Constitution to argue that it is the office of the presidency itself that endangers the great American experiment.

The emotional impulse to see the president as a hero, Nelson contends, has ceded our ability to practice government by the people and for the people. She shows that exercising democratic rights has become idealized as—and woefully limited to—the act of voting for the president.

This urgent book reveals the futility of placing all of our hopes for the future in the American president and encourages citizens to create a politics of deliberation, action, and agency. Arguing for a return of the balance of power—both symbolically and in practice—to all the branches of government, Nelson ultimately calls on Americans to change our own course and imagine a democracy that we, the people, lead together.

Bad Fruits of the Civilized Tree Cover

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Bad Fruits of the Civilized Tree

Alcohol and the Sovereignty of the Cherokee Nation

Izumi Ishii

Bad Fruits of the Civilized Tree examines the role of alcohol among the Cherokees through more than two hundred years, from contact with white traders until Oklahoma reached statehood in 1907. While acknowledging the addictive and socially destructive effects of alcohol, Izumi Ishii also examines the ways in which alcohol was culturally integrated into Native society and how it served the overarching economic and political goals of the Cherokee Nation.
 
Europeans introduced alcohol into Cherokee society during the colonial era, trading it for deerskins and using it to cement alliances with chiefs. In turn Cherokee leaders often redistributed alcohol among their people in order to buttress their power and regulate the substance’s consumption. Alcohol was also seen as containing spiritual power and was accordingly consumed in highly ritualized ceremonies. During the early-nineteenth century, Cherokee entrepreneurs learned enough about the business of the alcohol trade to throw off their American partners and begin operating alone within the Cherokee Nation. The Cherokees intensified their internal efforts to regulate alcohol consumption during the 1820s to demonstrate that they were “civilized” and deserved to coexist with American citizens rather than be forcibly relocated westward. After removal from their land, however, the erosion of Cherokee sovereignty undermined the nation’s ongoing attempts to regulate alcohol. Bad Fruits of the Civilized Tree provides a new historical framework within which to study the meeting between Natives and Europeans in the New World and the impact of alcohol on Native communities.

Bad Land Pastoralism in Great Plains Fiction Cover

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Bad Land Pastoralism in Great Plains Fiction

At the core of this nuanced book is the question that ecocritics have been debating for decades: what is the relationship between aesthetics and activism, between art and community? By using a pastoral lens to examine ten fictional narratives that chronicle the dialogue between human culture and nonhuman nature on the Great Plains, Matthew Cella explores literary treatments of a succession of abrupt cultural transitions from the Euroamerican conquest of the “Indian wilderness” in the nineteenth century to the Buffalo Commons phenomenon in the twentieth. By charting the shifting meaning of land use and biocultural change in the region, he posits this bad land—the arid West—as a crucible for the development of the human imagination.

 Each chapter deals closely with two novels that chronicle the same crisis within the Plains community. Cella highlights, for example, how Willa Cather reconciles her persistent romanticism with a growing disillusionment about the future of rural Nebraska, how Tillie Olsen and Frederick Manfred approach the tragedy of the Dust Bowl with strikingly similar visions, and how Annie Proulx and Thomas King use the return of the buffalo as the centerpiece of a revised mythology of the Plains as a palimpsest defined by layers of change and response. By illuminating these fictional quests for wholeness on the Great Plains, Cella leads us to understand the intricate interdependency of people and the places they inhabit.

 Cella uses the term “pastoralism” in its broadest sense to mean a mode of thinking that probes the relationship between nature and culture: a discourse concerned with human engagement—material and nonmaterial—with the nonhuman community. In all ten novels discussed in this book, pastoral experience—the encounter with the Beautiful—leads to a renewed understanding of the integral connection between human and nonhuman communities. Propelling this tradition of bad land pastoralism are an underlying faith in the beauty of wholeness that comes from inhabiting a continuously changing biocultural landscape and a recognition of the inevitability of change. The power of story and language to shape the direction of that change gives literary pastoralism the potential to support an alternative series of ideals based not on escape but on stewardship: community, continuity, and commitment.

Bad Pastors Cover

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Bad Pastors

Clergy Misconduct in Modern America

Anson Shupe, William Stacey, Susan Darnell

Child-molesting priests, embezzled church treasures, philandering ministers and rabbis, even church-endorsed pyramid schemes that defraud gullible parishioners of millions of dollars: for the past decade, clergy misconduct has seemed continually to be in the news.

Is there something about religious organizations that fosters such misbehavior? Bad Pastors presents a range of new perspectives and solidly grounded data on pastoral abuse, investigating sexual misconduct, financial improprieties, and political and personal abuse of authority. Rather than focusing on individuals who misbehave, the volume investigates whether the foundation for clergy malfeasance is inherent in religious organizations themselves, stemming from hierarchies of power in which trusted leaders have the ability to define reality, control behavior, and even offer or withhold the promise of immortality. Arguing that such phenomena arise out of organizational structures, the contributors do not focus on one particular religion, but rather treat these incidents from an interfaith perspective.

Bad Pastors moves beyond individual case studies to consider a broad range of issues surrounding clergy misconduct, from violence against women to the role of charisma and abuse of power in new religious movements. Highlighting similarities between other forms of abuse, such as domestic violence, the volume helps us to conceptualize and understand clergy misconduct in new ways.

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The Bad Samaritan

The Bad Samaritan is set in a kleptomaniac and highly corrupt imaginary African country called Ewawa. Due to mismanagement, financial institutions collapse. Salaries are slashed and there is unprecedented unemployment leading to country exodus. Professor Esole and his wife are not only aggrieved by the salary slashes, but also by the dubious closure of the Post Office Savings Bank with their savings. Desperate for money, they resort to borrowing from private sources at exorbitant interest rates. Esole toddles into politics with the aim of righting things. Will his naÔve approach to politics make or mar?

The Bad Taste of Others Cover

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The Bad Taste of Others

Judging Literary Value in Eighteenth-Century France

By Jennifer Tsien

An act of bad taste was more than a faux pas to French philosophers of the Enlightenment. To Montesquieu, Voltaire, Diderot, and others, bad taste in the arts could be a sign of the decline of a civilization. These intellectuals, faced with the potential chaos of an expanding literary market, created seals of disapproval in order to shape the literary and cultural heritage of France in their image. In The Bad Taste of Others Jennifer Tsien examines the power of ridicule and exclusion to shape the period's aesthetics.

Tsien reveals how the philosophes consecrated themselves as the protectors of true French culture modeled on the classical, the rational, and the orderly. Their anxiety over the invasion of the Republic of Letters by hordes of hacks caused them to devise standards that justified the marginalization of worldy women, "barbarians," and plebeians. While critics avoided strict definitions of good taste, they wielded the term "bad taste" against all popular works they wished to erase from the canon of French literature, including Renaissance poetry, biblical drama, the burlesque theater of the previous century, the essays of Montaigne, and genres associated with the so-called précieuses. Tsien's study draws attention to long-disregarded works of salon culture, such as the énigmes, and offers a new perspective on the critical legacy of Voltaire. The philosophes' open disdain for the undiscerning reading public challenges the belief that the rise of aesthetics went hand in hand with Enlightenment ideas of equality and relativism.

Bad Women Cover

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Bad Women

Regulating Sexuality in Early American Cinema

Janet Staiger

It was a new age, and on movie screens the American middle class presented its visions of sexual morality, with definitions of good women and bad. Bad Women takes us back to this time of massive social, cultural, and economic change to show us how American cinema gave women and women’s sexuality images useful to the new consumer culture of the early 1900s and its exploitation of sexual pleasure.

Although aimed at producing a certain kind of woman, these new images did manage to put discussions of women and their sexuality on America’s agenda. Charting the resulting cultural tensions as they played out in movie regulation, Janet Staiger shows us how representations and their endless permutations enacted conflicts over women’s public and private behaviors. Rich in historical detail and theoretical insight, this book offers an original  depiction of a culture in transition, a sexual sensibility in the making, and film’s participation in the change.


A Badger Boy in Blue Cover

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A Badger Boy in Blue

The Civil War Letters of Chauncey H. Cooke

With an Introduction and Appendix by William Mulligan, Jr.

The Civil War letters of a young Wisconsin soldier, previously published in the Wisconsin Magazine of History, 1920–1922, are made available for the first time to a wide audience.

Badiou Cover

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Badiou

A Subject To Truth

Peter Hallward

Alain Badiou is one of the most inventive and compelling philosophers working in France today—a thinker who, in these days of cynical resignation and academic specialization, is exceptional in every sense. Guided by disciplines ranging from mathematics to psychoanalysis, inspired as much by Plato and Cantor as by Mao and Mallarmé, Badiou’s work renews, in the most varied and spectacular terms, a decidedly ancient understanding of philosophy—philosophy as a practice conditioned by truths, understood as militant processes of emancipation or transformation.

This book is the first comprehensive introduction to Badiou’s thought to appear in any language. Assuming no prior knowledge of his work, it provides a thorough and searching overview of all the main components of his philosophy, from its decisive political orientation through its startling equation of ontology with mathematics to its resolute engagement with its principal competition (from Wittgenstein, Heidegger, and Deleuze, among others). The book draws on all of Badiou’s published work and a wide sampling of his unpublished work in progress, along with six years of correspondence with the author. 

Peter Hallward pays careful attention to the aspect of Badiou’s work most liable to intimidate readers in continental philosophy and critical theory: its crucial reliance on certain key developments in modern mathematics. Eschewing unnecessary technicalities, Hallward provides a highly readable discussion of each of the basic features of Badiou’s ontology, as well as his more recent account of appearance and “being-there.”

Without evading the difficulties, Peter Hallward demonstrates in detail and in depth why Badiou’s ongoing philosophical project should be recognized as the most resourceful and inspiring of his generation.

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