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The story of the American Quilt Trail, featuring the colorful patterns of quilt squares writ large on barns throughout North America, is the story of one of the fastest-growing grassroots public arts movements in the United States and Canada. In Barn Quilts and the American Quilt Trail Movement Suzi Parron travels through twenty-nine states and two Canadian provinces to visit the people and places that have put this movement on America’s tourist and folk art map.
Through dozens of interviews with barn artists, committee members, and barn owners Parron documents a journey that began in 2001 with the founder of the movement, Donna Sue Groves. Groves’s desire to honor her mother with a quilt square painted on their barn became a group effort that eventually grew into a county-wide project. Today, registered quilt squares form a long imaginary clothesline, appearing on more than three thousand barns scattered along one hundred driving trails.
With more than fifty full-color photographs, Parron documents a movement that combines rural economic development with an American folk art phenomenon.
Ballroom Dance in the American Heartland
In Becoming Beautiful , Joanna Bosse explores the transformations undergone by the residents of a Midwestern town when they step out on the dance floor for the very first time. Bosse uses sensitive fieldwork as well as her own immersion in ballroom culture to lead readers into a community that springs up around ballroom dance. The result is a portrait of the real people who connect with others, change themselves, and join a world that foxtrots to its own rules, conventions, and rewards. Bosse's eye for revealing, humorous detail adds warmth and depth to discussions around critical perspectives on the experiences the dance hall provides, the nature of partnership and connection, and the notion of how dancing allows anyone to become beautiful.
The Social Life of Names
The Tsimshian people of coastal British Columbia use a system of hereditary name-titles in which names are treated as objects of inheritable wealth. Human agency and social status reside in names rather than in the individuals who hold these names, and the politics of succession associated with names and name-taking rituals have been, and continue to be, at the center of Tsimshian life.
A Bedouin asking a fellow tribesman about grazing conditions in other parts of the country says first simply, “Fih hayah?” or “Is there life?” A desert Arab’s knowledge of the sparse vegetation is tied directly to his life and livelihood.
Bedouin Ethnobotany offers the first detailed study of plant uses among the Najdi Arabic–speaking tribal peoples of eastern Saudi Arabia. It also makes a major contribution to the larger project of ethnobotany by describing aspects of a nomadic peoples’ conceptual relationships with the plants of their homeland.
The modern theoretical basis for studies of the folk classification and nomenclature of plants was developed from accounts of peoples who were small-scale agriculturists and, to a lesser extent, hunter-gatherers. This book fills a major gap by extending such study into the world of the nomadic pastoralist and exploring the extent to which these patterns are valid for another major subsistence type. James P. Mandaville, an Arabic speaker who lived in Saudi Arabia for many years, focuses first on the role of plants in Bedouin life, explaining their uses for livestock forage, firewood, medicinals, food, and dyestuffs, and examining other practical purposes. He then explicates the conceptual and linguistic aspects of his subject, applying the theory developed by Brent Berlin and others to a previously unstudied population. Mandaville also looks at the long history of Bedouin plant nomenclature, finding that very little has changed among the names and classifications in nearly eleven centuries.
This volume includes a CD-ROM featuring more than 340 color images of the people, the terrain, and nearly all of the plants mentioned in the text as well as an audio file of a traditional Bedouin song and its translation and analysis.
An essential volume for anyone interested in the interaction between human culture and plant life, Bedouin Ethnobotany will stand as a definitive source for years to come.
From Village to Video
"[S]ure to interest a number of different audiences, from language and music scholars to specialists on North Africa.... a superb book, clearly written, analytically incisive, about very important issues that have not been described elsewhere." -- John Bowen, Washington University
In this nuanced study of the performance of cultural identity, Jane E. Goodman travels from contemporary Kabyle Berber communities in Algeria and France to the colonial archives, identifying the products, performances, and media through which Berber identity has developed. In the 1990s, with a major Islamist insurgency underway in Algeria, Berber cultural associations created performance forms that challenged Islamist premises while critiquing their own village practices. Goodman describes the phenomenon of new Kabyle song, a form of world music that transformed village songs for global audiences. She follows new songs as they move from their producers to the copyright agency to the Parisian stage, highlighting the networks of circulation and exchange through which Berbers have achieved global visibility.
Soul of Brazilian Music
The Brazilian berimbau, a musical bow, is most commonly associated with the energetic martial art/dance/game of capoeira. This study explores the berimbau's stature from the 1950s to the present in diverse musical genres including bossa nova, samba-reggae, MPB (Popular Brazilian Music), electronic dance music, Brazilian art music, and more. Berimbau music spans oral and recorded historical traditions, connects Latin America to Africa, juxtaposes the sacred and profane, and unites nationally constructed notions of Brazilian identity across seemingly impenetrable barriers. The Berimbau: Soul of Brazilian Music is the first work that considers the berimbau beyond the context of capoeira, and explores the bow's emergence as a national symbol. Throughout, this book engages and analyzes intersections of musical traditions in the Black Atlantic, North American popular music, and the rise of global jazz. This book is an accessible introduction to Brazilian music for musicians, Latin American scholars, capoeira practitioners, and other people who are interested in Brazil's music and culture.
Archaeological Replicas and Cultural Production in Oaxaca, Mexico
An innovative ethnographic study of tourist art markets in Oaxaca, Mexico, where making and selling replicas of pre-Hispanic archaeological pieces is sometimes met with disdain, despite the artisanal quality and rich heritage associated with the practice
The Supernatural World in Mormon History and Folklore
Mormons gave distinctive meanings to supernatural legends and events, but their narratives incorporated motifs found in many cultures. Many such historical legends and beliefs found adherents down to the present. This collection employs folklore to illuminate the cultural and religious history of a people.
Diasporic Filipino Literature and Queer Reading
Beyond the Nation charts an expansive history of Filipino literature in the U.S., forged within the dual contexts of imperialism and migration, from the early twentieth century into the twenty-first. Martin Joseph Ponce theorizes and enacts a queer diasporic reading practice that attends to the complex crossings of race and nation with gender and sexuality. Tracing the conditions of possibility of Anglophone Filipino literature to U.S. colonialism in the Philippines in the early twentieth century, the book examines how a host of writers from across the century both imagine and address the Philippines and the United States, inventing a variety of artistic lineages and social formations in the process.
Beyond the Nation considers a broad array of issues, from early Philippine nationalism, queer modernism, and transnational radicalism, to music-influenced and cross-cultural poetics, gay male engagements with martial law and popular culture, second-generational dynamics, and the relation between reading and revolution. Ponce elucidates not only the internal differences that mark this literary tradition but also the wealth of expressive practices that exceed the terms of colonial complicity, defiant nationalism, or conciliatory assimilation. Moving beyond the nation as both the primary analytical framework and locus of belonging, Ponce proposes that diasporic Filipino literature has much to teach us about alternative ways of imagining erotic relationships and political communities.
In Big Thicket Legacy, Campbell and Lynn Loughmiller present the stories of people living in the Big Thicket of southeast Texas. Many of the storytellers were close to one hundred years old when interviewed, with some being the great-grandchildren of the first settlers. Here are tales about robbing a bee tree, hunting wild boar, plowing all day and dancing all night, wading five miles to church through a cypress brake, and making soap using hickory ashes. "The book is a storehouse of history, down-to-earth information, good humor, leg-pulling spoofs, tall tales and all kinds of serendipitous gems . . . Readers inclined to fantasy might like to think of two giant Texas folklorists of the past, J. Frank Dobie and Mody Boatright, nodding and winking their approval of Big Thicket Legacy."—Smithsonian