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Old and New Studies in Bratslav Hasidism
New and classic explorations of the work of Rabbi Nahman of Bratslav, a major Hasidic thinker, using a wide range of approaches. 'Rabbi Nahman of Bratslav was one of the most celebrated masters of late Jewish mysticism and Hasidism, and his writings have become classics. This volume brings together translations of three seminal studies on Rabbi Nahman in German, Hebrew, and Yiddish with six new studies from scholars in various fields of Jewish studies. The presentation of new scholarly work widens the conversation about Hasidism in general and Rabbi Nahman in particular by viewing his ideology from the perspective of contemporary hermeneutic, philosophical, and literary perspectives incorporating the insights of postmodernism, gender theory, and literary criticism. New ground is covered in essays on Rabbi Nahman’s attitude toward death, his approach to gender, his interpretation of circumcision, the impact of his tales on Yiddish literature, and his hermeneutic theory. The combination of classic and new studies in God’s Voice from the Void offers a window into the trajectory of scholarship on Hasidism, including ways in which contemporary scholars of Hasidism and Hasidic literature both continue and develop the work of their predecessors.
The Development of Jewish Law from Qumran to the Rabbis
Halakhah in the Making offers the first comprehensive study of the legal material found in the Dead Sea Scrolls and its significance in the greater history of Jewish religious law (halakhah). Aharon Shemesh's pioneering study revives an issue long dormant in religious scholarship: namely, the relationship between rabbinic law, as written more than one hundred years after the destruction of the Second Temple, and Jewish practice during the Second Temple. The monumental discovery of the Dead Sea Scrolls in Qumran led to the revelation of this missing material and the closing of a two-hundred-year gap in knowledge, allowing work to begin comparing specific laws of the Qumran sect with rabbinic laws. With the publication of scroll 4QMMT-a polemical letter by Dead Sea sectarians concerning points of Jewish law-an effective comparison was finally possible. This is the first book-length treatment of the material to appear since the publication of 4QMMT and the first attempt to apply its discoveries to the work of nineteenth-century scholars. It is also the first work on this important topic written in plain language and accessible to nonspecialists in the history of Jewish law.
stories and teachings of the early Hasidic masters
The interpretations in A Heart Afire are as rich and meaningful as the teachings and tales themselves in this intimate guided tour of Hasidism and Hasidic storytelling led by Reb Zalman, an old-world Hasidic elder who is also profoundly connected to modern culture. As a bridge between both worlds, Reb Zalman, and his co-author and student Netanel Miles-Yepez, introduce the reader to rare and unique translations of Hasidism with their own personal reflections on their meaning. This book gives the readers the opportunity to immerse themselves in the world of Hasidic wisdom and narrative and in the teachings of a modern Hasidic master.
Studies in Jewish Mysticism and Theology
Judaism, like all the great religions, has a strand within it that sees inward devotion, the opening of the human heart to God’s presence, to be the purpose of its entire edifice of praxis, liturgy, and way of life. This voice is not always easy to hear in a tradition where so much attention is devoted to the how rather than the why of religious living. The devotional claim, certainly a key part of Judaism’s biblical heritage, has reasserted itself in the teachings of individual mystics and in the emergence of religious movements over the long course of Jewish history. This volume represents Arthur Green’s own quest for such a Judaism—as a rabbi, as a scholar, and as a contemporary seeker.
This collection of essays brings together Green’s scholarly writings, centered on the history of early Hasidism, and his highly personal approach to a rebirth of Jewish spirituality in our own day. In choosing to present them in this way he asserts a claim that they are all of a piece. They represent one man’s attempt to wade through history and text, language and symbol, and an array of voices both past and present while always focusing on the essential questions: “What does it mean to be a religious human being, and what does Judaism teach us about how to be one?” This, the authors considers to be the heart of the matter.
The rise of printing had major effects on culture and society in the early modern period, and the presence of this new technology—and the relatively rapid embrace of it among early modern Jews—certainly had an effect on many aspects of Jewish culture. One major change that print seems to have brought to the Jewish communities of Christian Europe, particularly in Italy, was greater interaction between Jews and Christians in the production and dissemination of books.
Starting in the early sixteenth century, the locus of production for Jewish books in many places in Italy was in Christian-owned print shops, with Jews and Christians collaborating on the editorial and technical processes of book production. As this Jewish-Christian collaboration often took place under conditions of control by Christians (for example, the involvement of Christian typesetters and printers, expurgation and censorship of Hebrew texts, and state control of Hebrew printing), its study opens up an important set of questions about the role that Christians played in shaping Jewish culture.
Presenting new research by an international group of scholars, this book represents a step toward a fuller understanding of Jewish book history. Individual essays focus on a range of issues related to the production and dissemination of Hebrew books as well as their audiences. Topics include the activities of scribes and printers, the creation of new types of literature and the transformation of canonical works in the era of print, the external and internal censorship of Hebrew books, and the reading interests of Jews. An introduction summarizes the state of scholarship in the field and offers an overview of the transition from manuscript to print in this period.
History, Genre, Meaning
"The most comprehensive account of its subject now available, this impressive study lives up to the encyclopedic promise of its title." -- Choice
The Hebrew Folktale seeks to find and define the folk-elements of Jewish culture. Through the use of generic distinctions and definitions developed in folkloristics, Yassif describes the major trends -- structural, thematic, and functional -- of folk narrative in the central periods of Jewish culture.
Critical Studies in Modern Jewish History and Thought
"[Of] the 12 well-crafted essays in this volume...the most useful are those dealing with the Holocaust."
"Especially recommended for college-level students of Jewish history and culture."
This is a critical exploration of the most repercussive topics in modern Jewish history and thought. A sequel to Katz's National Jewish Book Award-winning study, Post-Holocaust Dialogues, this book identifies the main issues in the contemporary Jewish intellectual universe and outlines a larger, more synthetic understanding of contemporary Jewish existence.
Museums and the Challenges of Representation
Holocaust memorials and museums face a difficult task as their staffs strive to commemorate and document horror. On the one hand, the events museums represent are beyond most people’s experiences. At the same time they are often portrayed by theologians, artists, and philosophers in ways that are already known by the public. Museum administrators and curators have the challenging role of finding a creative way to present Holocaust exhibits to avoid clichéd or dehumanizing portrayals of victims and their suffering.In Holocaust Memory Reframed, Jennifer Hansen-Glucklich examines representations in three museums: Israel’s Yad Vashem in Jerusalem, Germany’s Jewish Museum in Berlin, and the United States Holocaust Memorial Museum in Washington, D.C. She describes a variety of visually striking media, including architecture, photography exhibits, artifact displays, and video installations in order to explain the aesthetic techniques that the museums employ. As she interprets the exhibits, Hansen-Glucklich clarifies how museums communicate Holocaust narratives within the historical and cultural contexts specific to Germany, Israel, and the United States. In Yad Vashem, architect Moshe Safdie developed a narrative suited for Israel, rooted in a redemptive, Zionist story of homecoming to a place of mythic geography and renewal, in contrast to death and suffering in exile. In the Jewish Museum in Berlin, Daniel Libeskind’s architecture, broken lines, and voids emphasize absence. Here exhibits communicate a conflicted ideology, torn between the loss of a Jewish past and the country’s current multicultural ethos. The United States Holocaust Memorial Museum presents yet another lens, conveying through its exhibits a sense of sacrifice that is part of the civil values of American democracy, and trying to overcome geographic and temporal distance. One well-know example, the pile of thousands of shoes plundered from concentration camp victims encourages the visitor to bridge the gap between viewer and victim. Hansen-Glucklich explores how each museum’s concept of the sacred shapes the design and choreography of visitors’ experiences within museum spaces. These spaces are sites of pilgrimage that can in turn lead to rites of passage.
Vision and Text in American Jewish Thought
Exploring how visual media presents claims to Jewish authenticity, Imagining Jewish Authenticity argues that Jews imagine themselves and their place within America by appealing to a graphic sensibility. Ken Koltun-Fromm traces how American Jewish thinkers capture Jewish authenticity, and lingering fears of inauthenticity, in and through visual discourse and opens up the subtle connections between visual expectations, cultural knowledge, racial belonging, embodied identity, and the ways images and texts work together.