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Northwestern University Press

Northwestern University Press

Website: http://www.nupress.northwestern.edu/

The mission of Northwestern University Press is the publication of books that disseminate knowledge and further understanding of cultural, political, social, and community issues. Since its inception in 1893, Northwestern University Press has produced important scholarly works in various disciplines as well as quality regional and Chicago books, fiction, poetry, literature in translation, literary criticism, and books on drama and the performing arts. Northwestern University Press authors have been the recipients of numerous prizes, including the Nobel Prize for Literature, the National Book Award, and the Tony Award. For more information and a complete list of Northwestern University Press titles, please visit www.nupress.northwestern.edu


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Northwestern University Press

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Finding the Middle Ground Cover

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Finding the Middle Ground

Krestovskii, Tur, and the Power of Ambivalence in Nineteenth Century Russian Women's Prose

Gheith, Jehanne

Though among the most prominent writers in Russia in the mid nineteenth century, Evgeniia Tur (1815 92) and V. Krestovskii (1820? 89) are now little known. By looking in depth at these writers, their work, and their historical and aesthetic significance, Jehanne M. Gheith shows how taking women's writings into account transforms traditional understandings of the field of nineteenth century Russian literature. Gheith's analysis of these writers' biographies, prose, and criticism intervenes in debates about the Russian literary tradition in general, Russian women's writing in particular, and feminist criticism on female authors and authority as it has largely been developed in and for Western contexts.

First Person Singular Cover

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First Person Singular

Lingis, Alphonso

Alphonso Lingis’s singular works of philosophy are not so much written as performed, and in The First Person Singular the performance is characteristically brilliant, a consummate act of philosophical reckoning.  Lingis’s subject here, aptly enough, is the subject itself, understood not as consciousness but as embodied, impassioned, active being.  His book is, at the same time, an elegant cultural analysis of how subjectivity is differently and collectively understood, invested, and situated.

Foucault, Politics, and Violence Cover

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Foucault, Politics, and Violence

Johnanna Oksala

In her book, Oksala shows that the arguments for the ineliminability of violence from the political are often based on excessively broad, ontological conceptions of violence distinct from its concrete and physical meaning and, on the other hand, on a restrictively narrow and empirical understanding of politics as the realm of conventional political institutions.

Foucault’s Askesis Cover

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Foucault’s Askesis

An Introduction to the Philosophical Life

McGushin, Edward F.

In his renowned courses at the Collège de France from 1982 to 1984, Michel Foucault devoted his lectures to meticulous readings and interpretations of the works of Plato, Epictetus, Seneca, and Marcus Aurelius, among others. In this his aim was not, Edward F. McGushin contends, to develop a new knowledge of the history of philosophy; rather, it was to let himself be transformed by the very activity of thinking. Thus, this work shows us Foucault in the last phase of his life in the act of becoming a philosopher. Here we see how his encounter with ancient philosophy allowed him to experience the practice of philosophy as, to paraphrase Nietzsche, a way of becoming who one is: the work of self formation that the Greeks called askésis.

Fowling Piece Cover

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Fowling Piece

Poems

Heidy Steidlmayer

Heidy Steidlmayer was awarded the J. Howard and Barbara M. J. Wood Prize from Poetry. Her poems have appeared in TriQuarterly,, Literary Imagination, and River City. She lives in northern California.

Freedom Hill Cover

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Freedom Hill

A Poem

L. S. Asekoff

L. S. Asekoff, former director of the Brooklyn College MFA Program in Poetry, has published three previous poetry collections: Dreams of a Work (1994), North Star (1997), and The Gate of Horn (Northwestern University Press, 2010).

The Garbage Eater Cover

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The Garbage Eater

Poems

Brett Foster

Brett Foster is Associate Professor of English at Wheaton College. He is currently completing Elemental Rebel: The Rime of Cecco Angiolieri. A past Wallace Stegner and Elizabethan Club fellow, his poetry and criticism has appeared in Raritan, The Kenyon Review, Best New Poets 2007, and Books & Culture, among other publications.

God, the Flesh, and the Other Cover

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God, the Flesh, and the Other

From Irenaeus to Duns Scotus

Emmanuel Falque

In God, the Flesh, and the Other, the philosopher Emmanuel Falque joins the ongoing debate about the role of theology in phenomenology. An important voice in the second generation of French philosophy’s “theological turn,” Falque examines philosophically the fathers of the Church and the medieval theologians on the nature of theology and the objects comprising it. Falque works phenomenology itself into the corpus of theology. Theological concepts thus translate into philosophical terms that phenomenology should legitimately question: concepts from contemporary phenomenology such as onto-theology, appearance, reduction, body/flesh, inter-corporeity, the genesis of community, intersubjectivity, and the singularity of the other find penetrating analogues in patristic and medieval thought forged through millennia of Christological and Trinitarian debate, mystical discourses, and speculative reflection. Through Falque’s wide-ranging interpretive path, phenomenology finds itself interrogated—and renewed.

Gogol’s Afterlife Cover

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Gogol’s Afterlife

The Evolution of a Classic in Imperial and Soviet Russia

Moeller Sally, Stephen

Gogol's claim to the title of national literary classic is incontestable. An exemplar of popular audiences no less than for the intelligentsia, Gogol was pressed into service under the tsarist and Soviet regimes for causes both aesthetic and political, official and unofficial. In Gogol's Afterlife, Stephen Moeller Sally explores how he achieved this peculiar brand of cultural authority and later maintained it, despite dramatic shifts in the organization of Russian literature and society.

Grains of the Voice Cover

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Grains of the Voice

Poems

Christine Pugh

Christina Pugh’s Grains of the Voice exhibits a pervasive fascination with sound in all its manifestations. The hu­man voice, musical instruments, the sounds produced by the natural and man-made worlds—all serve at one time or another as both the framework of poems and the occa­sion for their lightning-quick changes of direction, of tone, of point of reference. The poems are eclectic in their al­lusiveness, filled with echoes—and sometimes the words themselves—of other poets, but just as often of songs both popular and obscure, of the noise of pop culture, and of philosophers’ writings. But Pugh always wears her learn­ing lightly. Beneath the jewellike surfaces of her poems is a strenuous investigation of the nature of and need for communication and a celebration of the endless variety of its forms. 

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