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Northeastern University Press

Website: http://www.upne.com/northeastern.html

Welcome to the blog space for Northeastern University Press, a member press of the University Press of New England (UPNE). Northeastern University Press brings Northeastern University‘s distinctive strengths in the humanities and the social sciences to the world of scholarly and trade book publishing through its explorations of African-American and women’s literature, criminology, music, and New England culture and history.

We publish a number of influential series, including the Northeastern Library of Black Literature, the Northeastern Series on Gender, Crime, and Law, and the Samuel French Morse Poetry Prize.


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Northeastern University Press

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Joe Moakley's Journey Cover

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Joe Moakley's Journey

From South Boston to El Salvador

Mark Robert Schneider

In November 1989 in El Salvador, six Jesuit priests and their two female housekeepers were rousted from their beds and shot as they lay face down on the ground. At first, the George H. W. Bush administration echoed the Salvadoran military's line that the rebels must have done it. When House Speaker Tom Foley tasked a senior congressman with investigating the murders, the people of El Salvador found an unlikely champion in the person of John Joseph Moakley, representative from South Boston. In Joe Moakley's Journey, Mark Robert Schneider charts one of the most unusual transformations in American politics. A native son of South Boston, Moakley was an effective and influential House member, whose greatest influence and legacy is, paradoxically, far from home in the fields of El Salvador and Central America. Though firmly, fiercely grounded in his hometown of South Boston--he never lived anywhere else--from the beginning of this investigation until his death in 2001, issues of Central American justice, peace, and economic development became Joe Moakley's cause.

Lotfi Mansouri Cover

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Lotfi Mansouri

An Operatic Journey

Lotfi Mansouri

Lotfi Mansouri has lived a full life in opera: triumphs and near disasters, divas and divos, moneymen and true artists, he has known them all. In this entertaining and engaging memoir, Mansouri lifts the curtain and invites the reader to see how magic is created on stage. He has lived a storied life: early years in Iran, move to America, long stays in Europe and Canada, directing tasks on several continents, and a brilliant final act as the general director of the San Francisco Opera, all the while continuing to mount productions worldwide. He has known virtually everybody in the opera world over the past fifty years, and has collaborated with some of the greatest. Mansouri was also a central figure in the recent rejuvenation of opera through innovations such as supertitles and, perhaps more important, the staging and commissioning of new works that would appeal to a contemporary audience, such as SFO's production of The Death of Klinghoffer, A Streetcar Named Desire, and Dead Man Walking. Mansouri isn't shy about dropping names and bruising some egos (even his own). Anyone who wants to know what the opera world is really like can now find out in the company of a charming and expert guide.

Male Peer Support and Violence Against Women Cover

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Male Peer Support and Violence Against Women

The History and Verification of a Theory

Walter S. DeKeseredy

In 1988, Walter S. DeKeseredy announced Male Peer Support (MPS) Theory, which popularized the notion that certain all-male peer groups encourage, justify, and support the abuse of women. In 1993, DeKeseredy and Martin D. Schwartz modified and expanded MPS Theory. Today, after twenty-five years of research, numerous studies from a diverse range of fields and practitioners support the original claim, providing a powerful explanation for the mechanism that underlies much of North America's violence against women. This book provides a history of the theory, traces its development and uses over a quarter century, and offers an update on Internet-generated abuse.

Malevolent Muse Cover

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Malevolent Muse

The Life of Alma Mahler

Oliver Hilmes

Of all the colorful figures on the twentieth-century European cultural scene, hardly anyone has provoked more polarity than Alma Schindler Mahler Gropius Werfel (1879–1964), mistress to a long succession of brilliant men and wife of three of the best known: composer Gustav Mahler, architect Walter Gropius and writer Franz Werfel. To her admirers Alma was a self-sacrificing socialite who inspired many great artists. Her detractors found her a self-aggrandizing social climber and an alcoholic, bigoted, vengeful harlot—as one contemporary put it, “a cross between a grande dame and a cesspool.”

So who was she really? When historian Oliver Hilmes discovered a treasure-trove of unpublished material, much of it in Alma’s own words, he used it as the basis for his first biography, setting the record straight while evoking the atmosphere of intellectual life in Europe and then in émigré communities on both coasts of the United States after the Nazi takeover of their home territories. First published in German in 2004, the book was hailed as a rare combination of meticulously researched scholarship and entertaining writing, making it a runaway bestseller and advancing Oliver Hilmes to his position as a household name in contemporary literature.

Alma Mahler was one of the twentieth century’s rare originals, worthy of her immortalization in song. Oliver Hilmes has provided us with an even-handed yet tantalizingly detailed account of her life, bringing Alma’s singular story to a whole new audience.

A Murder in Wellesley Cover

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A Murder in Wellesley

The Inside Story of an Ivy-League Doctor’s Double Life, His Slain Wife, and the Trial That Gripped the Nation

Tom Farmer and Marty Foley

Inside one of New England’s most infamous murders On Halloween morning in 1999, Mabel Greineder was savagely murdered along a wooded trail in the well-heeled community of Wellesley, Massachusetts. As the shock following the brutal killing slowly subsided, the community was further shaken when the focus of the investigation turned to her husband, Dirk Greineder, a prominent physician and family man who was soon revealed to be leading a secret double life involving prostitutes, pornography, and trysts solicited through the Internet. A Murder in Wellesley takes the reader far beyond the headlines and national news coverage spawned by “May” Greineder’s killing and tells the untold story of the meticulous investigation led by Marty Foley, the lead State Police detective on the case, from the morning of the murder through Dirk Greineder’s ultimate conviction. Exhaustive interviews with key figures in the case, including many who have not talked publicly until now, contribute to an unprecedented behind-the-scenes account of how investigators methodically built their case against Greineder and how the sides taken by Dirk and May’s relatives aided the investigation but bitterly divided their families. A fascinating true-crime procedural that is also a deeply unsettling tale of the psychopath you thought you knew, of deceptions and double lives, and of families torn apart by an unthinkable crime. Culminating in one of the most dramatic courtroom spectacles in recent memory (aired nationally on Court TV), A Murder in Wellesley reveals the truth behind the murder that gripped a nation.

Party School Cover

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Party School

Crime, Campus, and Community

Karen G. Weiss

On the basis of extensive on-site research, Karen G. Weiss offers a case study of crime victimization at an American "party school" that reverberates beyond a single campus. She argues that today's party school--usually a large public university with a big sports program and an active Greek life--represents a unique environment that nurtures and rewards extreme drinking, which in turn increases the risks of victimization and normalizes bad behavior of students who are intoxicated. Weiss shows why so many students voluntarily place themselves at risk, why so few crimes are reported to police, and why victims often shrug off their injuries and other negative consequences as the acceptable cost of admission to a party.

Peyton Place Cover

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Peyton Place

Grace Metalious

When Grace Metalious's debut novel about the dark underside of a small, respectable New England town was published in 1956, it quickly soared to the top of the bestseller lists. A landmark in twentieth-century American popular culture, Peyton Place spawned a successful feature film and a long-running television series-the first prime-time soap opera.

Contemporary readers of Peyton Place will be captivated by its vivid characters, earthy prose, and shocking incidents. Through her riveting, uninhibited narrative, Metalious skillfully exposes the intricate social anatomy of a small community, examining the lives of its people -- their passions and vices, their ambitions and defeats, their passivity or violence, their secret hopes and kindnesses, their cohesiveness and rigidity, their struggles, and often their courage.

This new paperback edition of Peyton Place features an insightful introduction by Ardis Cameron that thoroughly examines the novel's treatment of class, gender, race, ethnicity, and power, and considers the book's influential place in American and New England literary history.

Playing Tough Cover

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Playing Tough

The World of Sports and Politics

Roger I. Abrams

Playing Tough is an entertaining and thoroughly enlightening look at the unique and surprisingly outsized role that sports have played in politics and history. Ever since the bread and circuses of Rome, sports have been used as a tool to entertain the masses and to instill civic pride. Abrams shows both the positive and the negative ways in which sports and politics have coalesced, from the rabid nationalism of the 1936 Nazi Olympics, the political grudge match of the Louis and Schmeling fights, and the "futbol war" between Honduras and Costa Rica to the inspiring stories of South Africa's rugby nation-building and Muhammad Ali's brave antiwar stance, which nearly cost him his career. Abrams is an informed and impassioned writer who chronicles the profoundly creative and destructive influence that sports have on the political life of our nation and the world.

This book will be of interest to any and all sports and politics enthusiasts and is a wonderful introduction for course creation and adoption.

Radio Free Boston Cover

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Radio Free Boston

The Rise and Fall of WBCN

Carter Alan

Blaring the Cream anthem "I Feel Free," WBCN went on the air in March 1968 as an experiment on the fledgling FM radio band. It broadcast its final song, Pink Floyd's "Shine On You Crazy Diamond," in August 2009. In between, WBCN became the musical, cultural, and political voice of the young people of Boston and New England, sustaining a vibrant local music scene that launched such artists as the J. Geils Band, Aerosmith, James Taylor, Boston, the Cars, and the Dropkick Murphys, as well as paving the way for Bruce Springsteen, Tom Petty, U2, and many others. Along the way, the station both pioneered and defined progressive rock radio, the dominant format for a generation of listeners. Brilliantly told by Carter Alan--and featuring the voices of station insiders and the artists they played--Radio Free Boston is the story of a city in tumult, of artistic freedom, of music and politics and identity, and of the cultural, technological, and financial forces that killed rock radio.

Sex, Drugs, Rock & Roll, and Musicals Cover

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Sex, Drugs, Rock & Roll, and Musicals

Scott Miller

Eager to respond to the concerns and tastes of the increasingly influential baby-boomer generation, musical theater in the late 1960s began to embrace formerly taboo subjects--including the triumvirate of postwar social change: sex, drugs, and rock & roll.

Sex, Drugs, Rock & Roll, and Musicals shows how American culture has changed over the twentieth century, from the Roaring Twenties (The Wild Party) to the cultural chaos of the '50s (Grease) and the sexual revolution of the '60s (Hair) and '70s (Rocky Horror), to the rebirth of the art form in the '90s (Bat Boy), and up to the present, exploring where we've been and where we might be heading. This is a celebration of the counter-culture taking center stage in the most American of performing arts, and changing it forever.

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