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Bauhaus Weaving Theory Cover

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Bauhaus Weaving Theory

From Feminine Craft to Mode of Design

T’ai Smith

The Bauhaus school in Germany has long been understood through the writings of its founding director, Walter Gropius, and well-known artists who taught there such as Wassily Kandinsky and László Moholy-Nagy. Far less recognized are texts by women in the school’s weaving workshop. In Bauhaus Weaving Theory, T’ai Smith uncovers new significance in the work the Bauhaus weavers did as writers.

From colorful, expressionist tapestries to the invention of soundproofing and light-reflective fabric, the workshop’s innovative creations influenced a modernist theory of weaving. In the first careful examination of the writings of Bauhaus weavers, including Anni Albers, Gunta Stözl, and Otti Berger, Smith details how these women challenged assumptions about the feminine nature of their craft. As they harnessed the vocabulary of other disciplines like painting, architecture, and photography, Smith argues, the weavers resisted modernist thinking about distinct media. In parsing texts about tapestries and functional textiles, the vital role these women played in debates about medium in the twentieth century and a nuanced history of the Bauhaus comes to light.

Bauhaus Weaving Theory deftly reframes the Bauhaus weaving workshop as central to theoretical inquiry at the school. Putting questions of how value and legitimacy are established in the art world into dialogue with the limits of modernism, Smith confronts the belief that the crafts are manual and technical but never intellectual arts.

Beauty and the Beast Cover

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Beauty and the Beast

Human-Animal Relations as Revealed in Real Photo Postcards, 1905–1935

Arnold Arluke and Robert Bogdan

From fairy tales to photography, nowhere is the complexity of human-animal relationships more apparent than in the creative arts. Art illuminates the nature and significance of animals in modern, Western thought, capturing the complicated union that has long existed between the animal kingdom and us. In Beauty and the Beast, authors Arluke and Bogdan explore this relationship through the unique lens of photo postcards. This visual medium offers an enormous and relatively untapped archive to document their subject compellingly.

The Beauty of Holiness Cover

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The Beauty of Holiness

Anglicanism and Architecture in Colonial South Carolina

Louis P. Nelson

Intermingling architectural, cultural, and religious history, Louis Nelson reads Anglican architecture and decorative arts as documents of eighteenth-century religious practice and belief. In ###The Beauty of Holiness#, he tells the story of the Church of England in colonial South Carolina, revealing how the colony's Anglicans negotiated the tensions between the persistence of seventeenth-century religious practice and the rising tide of Enlightenment thought and sentimentality. Nelson begins with a careful examination of the buildings, grave markers, and communion silver fashioned and used by early Anglicans. Turning to the religious functions of local churches, he uses these objects and artifacts to explore Anglican belief and practice in South Carolina. Chapters focus on the role of the senses in religious understanding, the practice of the sacraments, and the place of beauty, regularity, and order in eighteenth-century Anglicanism. The final section of the book considers the ways church architecture and material culture reinforced social and political hierarchies. Richly illustrated with more than 250 architectural images and photographs of religious objects, ###The Beauty of Holiness# depends on exhaustive fieldwork to track changes in historical architecture. Nelson imaginatively reconstructs the history of the Church of England in colonial South Carolina and its role in public life, from its early years of ambivalent standing within the colony through the second wave of Anglicanism beginning in the early 1750s. Louis Nelson's PULPITS, PIETY, AND POWER tells the story of the Church of England in colonial South Carolina and examines how the colony's Anglicans negotiated the tensions between the fervency of seventeenth-century doctrinal rhetoric and the rising tide of Enlightenment thought and sentimentality. Nelson traces Anglican experience from its early years of ambivalent standing within the colony, through its years of crisis in the Stono Rebellion, the great fire of Charleston in 1740, and the influence of George Whitefield, to the second wave of Anglicanism beginning in the early 1750s. Weaving evidence from architecture, religious objects, and other material expressions of religious culture together with the documentary record, this book offers a unique look at a complex world of overlapping spheres of knowledge and experience. The first section situates Anglican churches in the tensions between the local and the cosmopolitan that shaped so much of colonial life in the South Carolina Lowcountry. Turning to the religious functions of the Anglican churches, the second section examines Anglican belief and practice by exploring the ways early eighteenth-century Anglican architecture perpetuated seventeenth-century theologies and ways of knowing. The final section looks at the ways Anglicans used their material environment to shape and control their social, economic, and political landscapes. Intermingling architectural, cultural, and religious history, Nelson reads Anglican architecture and decorative arts as documents of 18th-century religious practice and belief. Richly illustrated with more than 250 architectural images and photographs of religious objects, ###The Beauty of Holiness# depends on exhaustive fieldwork to track changes in historical architecture. Nelson imaginatively reconstructs the history of the Church of England in colonial South Carolina and its role in public life, from its early years of ambivalent standing within the colony through the second wave of Anglicanism beginning in the early 1750s. Intermingling architectural, cultural, and religious history, Louis Nelson reads Anglican architecture and decorative arts as documents of eighteenth-century religious practice and belief. In ###The Beauty of Holiness#, he tells the story of the Church of England in colonial South Carolina, revealing how the colony's Anglicans negotiated the tensions between the persistence of seventeenth-century religious practice and the rising tide of Enlightenment thought and sentimentality. Nelson begins with a careful examination of the buildings, grave markers, and communion silver fashioned and used by early Anglicans. Turning to the religious functions of local churches, he uses these objects and artifacts to explore Anglican belief and practice in South Carolina. Chapters focus on the role of the senses in religious understanding, the practice of the sacraments, and the place of beauty, regularity, and order in eighteenth-century Anglicanism. The final section of the book considers the ways church architecture and material culture reinforced social and political hierarchies. Richly illustrated with more than 250 architectural images and photographs of religious objects, ###The Beauty of Holiness# depends on exhaustive fieldwork to track changes in historical architecture. Nelson imaginatively reconstructs the history of the Church of England in colonial South Carolina and its role in public life, from its early years of ambivalent standing within the colony through the second wave of Anglicanism beginning in the early 1750s.

Becoming Visible Cover

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Becoming Visible

by Jessica Catherine Lieberman

Becoming Visible brings together scholarly discussions of visibility and illness, photographs of an experience in treatment for Hodgkins lymphoma, and personal testimonial about that time. An artistic and academic contribution to the fields of trauma studies, disability studies and autopathography, this cancer journey reveals how the forces of art and narrative can contribute to social dynamics for change.

Beginning to See the Light Cover

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Beginning to See the Light

Sex, Hope, and Rock-and-Roll

Ellen Willis

From the New Yorker’s inimitable first pop music critic comes this pioneering collection of essays by a conscientious writer whose political realm is both radical and rational, and whose prime preoccupations are with rock ’n’ roll, sexuality, and above all, freedom. Here Ellen Willis assuredly captures the thrill of music, the disdain of authoritarian culture, and the rebellious spirit of the ’60s and ’70s.

Beijing Opera Costumes Cover

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Beijing Opera Costumes

The Visual Communication of Character and Culture

Alexandra B. Bonds

Beijing Opera Costumes is the first in-depth English-language book focused exclusively on the costumes of Jingju, the highest form of stage arts in China. This comprehensive volume provides both theory and analysis of the costumes and the method of their selection for the roles as well as technical information on embroidery, patterns, and construction. Extensive descriptions illuminate the use of colors and surface images derived from historical dress and modified for the stage. Details on makeup, hairstyles, and dressing techniques present a complete view of the Jingju performer from head to toe. Meticulously researched in Taipei and Beijing, this definitive work begins with an outline of the rich and complex history of Beijing opera and significant developments in design over the past millennium. Chapters on costume theory and design elements and their modification to create a wide variety of images are followed by presentations of individual costumes together with their historical background and use of color and pattern. A survey of the accessories and headdresses, makeup and hairstyles, accompanies the discussion of each costume. The intricacies of choosing costumes for a production and dressing actors are also discussed. Lavishly illustrated with more than 250 color and black-and-white photographs and pattern drafts, Beijing Opera Costumes is an indispensable record of and resource for Jingju as it is performed in China today. Textile artists will appreciate the beauty of the colors and designs as well as the information on embroidery techniques and symbolism of the images. China scholars will value the contextual analysis and theater specialists the explication of costumes in relation to performance. Finally, costume designers will relish the opportunity to examine in detail their art in another cultural setting and theatrical style.

Benjamin Silliman Cover

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Benjamin Silliman

A Life in the Young Republic

Chandos Michael Brown

Poet, essayist, chemist, geologist, educator, entrepreneur, publisher--Benjamin Silliman (1779-1864) was one of the virtuosi of the Early Republic and a founder of the American scientific community. This absorbing biography is not only a study of the youth and early career of a complex and remarkable man but also a window on his times. In lively and often moving detail, Chandos Michael Brown opens the broad context of Silliman's life in his native Connecticut. From Silliman's father's disastrous captivity among the British during the Revolution to the intensities of New England religious revivals, from the international celebrity of the Weston Meteor to the economic hazards of introducing artificial mineral waters to the New York market, here is an engaging portrayal of the growth of an American scientist within his rich cultural setting. Brown tells how the young Silliman confronted the declining fortunes of his distinguished family and how he strove to invent a new career worthy of his ambition and social standing. He describes Silliman's education at Yale College and in Philadelphia, his European tour, and his subsequent activities as a professor of chemistry and mineralogy, founder of the Yale Medical School, and editor of the American Journal of Science. Throughout this cultural biography, Silliman appears as the concerned member of an often troubled family--a man who nonetheless managed to achieve that elusive quality, greatly admired by his contemporaries, that of the representative American.

Originally published in 1990.

The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

The Bentons Cover

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The Bentons

How an American Father and Son Changed the Printing Industry

The ease with which we can choose a typeface today from a plethora of options to fit a particular need is something we may take for granted, but it is possible only because of the tremendous amount of labor and ingenuity that came before. The story of the lives and work of Linn Boyd Benton and Morris Fuller Benton is an important chapter in the history of type, recalling a time in American history when men quietly worked at developing and improving mechanical technologies that they thought would continue evolving incrementally into the future.

The Best Planned City in the World Cover

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The Best Planned City in the World

Olmsted, Vaux, and the Buffalo Park System

Francis R. Kowsky New photography by Andy Olenick

Beginning in 1868, Frederick Law Olmsted and Calvert Vaux created a series of parks and parkways for Buffalo, New York, that drew national and international attention. The improvements carefully augmented the city’s original plan with urban design features inspired by Second Empire Paris, including the first system of “parkways” to grace an American city. Displaying the plan at the Centennial Exposition in Philadelphia, Olmsted declared Buffalo “the best planned city, as to streets, public places, and grounds, in the United States, if not in the world.” Olmsted and Vaux dissolved their historic partnership in 1872, but Olmsted continued his association with the Queen City of the Lakes, designing additional parks and laying out important sites within the growing metropolis. When Niagara Falls was threatened by industrial development, he led a campaign to protect the site and in 1885 succeeded in persuading New York to create the Niagara Reservation, the present Niagara Falls State Park. Two years later, Olmsted and Vaux teamed up again, this time to create a plan for the area around the Falls, a project the two grand masters regarded as “the most difficult problem in landscape architecture to do justice to.” In this book Francis R. Kowsky illuminates this remarkable constellation of projects. Utilizing original plans, drawings, photographs, and copious numbers of reports and letters, he brings new perspective to this vast undertaking, analyzing it as a cohesive expression of the visionary landscape and planning principles that Olmsted and Vaux pioneered.

Between Art and Artifact Cover

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Between Art and Artifact

Archaeological Replicas and Cultural Production in Oaxaca, Mexico

By Ronda L. Brulotte

An innovative ethnographic study of tourist art markets in Oaxaca, Mexico, where making and selling replicas of pre-Hispanic archaeological pieces is sometimes met with disdain, despite the artisanal quality and rich heritage associated with the practice

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