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Art and Architecture

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1000 symboles du Québec Cover

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1000 symboles du Québec

Le présent ouvrage collige mille symboles créés au Québec par des graphistes québécois. Ces symboles, diffusés ici et ailleurs dans le monde, ne représentent qu'une petite partie de la création de ces dernières années. D'abord un document de référence préalable à une recherche de création pour un nouveau symbole, il poursuit aussi l'objectif de stimuler la créativité dans le monde du graphisme

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1001 Beds

Performances, Essays, and Travels

Tim Miller; Edited by Glen Johnson

    For a quarter century, Tim Miller has worked at the intersection of performance, politics, and identity, using his personal experiences to create entertaining but pointed explorations of life as a gay American man—from the perils and joys of sex and relationships to the struggles of political disenfranchisement and artistic censorship. This intimate autobiographical collage of Miller's professional and personal life reveals one of the celebrated creators of a crucial contemporary art form and a tireless advocate for the American dream of political equality for all citizens.
    Here we have the most complete Miller yet—a raucous collection of his performance scripts, essays, interviews, journal entries, and photographs, as well as his most recent stage piece Us. This volume brings together the personal, communal, and national political strands that interweave through his work from its beginnings and ultimately define Miller's place as a contemporary artist, activist, and gay man.

1001 symboles du Québec Cover

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1001 symboles du Québec

Ce deuxième répertoire contient une majorité de logotypes et quelques sigles classés selon le style typographique, le genre et la parenté des formes. Il démontre clairement le dynamisme et l'excellence du graphisme québécois. Il présente ce qui a été fait et stimule la créativité de ceux et celles qui oeuvrent dans le domaine. Il y a de nombreuses divergences d'interprétation de ce que devrait être une image de qualité.

194X Cover

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194X

Architecture, Planning, and Consumer Culture on the American Home Front

Andrew M. Shanken

In a major study of American architecture during World War II, Andrew M. Shanken focuses on the culture of anticipation that arose in this period, as out-of-work architects turned their energies from the built to the unbuilt, redefining themselves as planners and creating original designs to excite the public about postwar architecture. Shanken recasts the wartime era as a crucible for the intermingling of modernist architecture.

Abécédaire du Web Cover

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Abécédaire du Web

26 concepts pour comprendre la création sur Internet

Ce livre présente un répertoire de vingt-six concepts qui décrivent de manière synthétique les enjeux théoriques et critiques autour de la création hypermédiatique, plus spécifiquement les œuvres artistiques et littéraires conçues pour une diffusion sur Internet. Il accompagne une exposition virtuelle du même nom, produite et diffusée par le Laboratoire NT2 de l’UQAM.

Absolute Artist Cover

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Absolute Artist

The Historiography of a Concept

Catherine M. Soussloff

The myth of the artist-genius has long had a unique hold on the imagination of Western culture. Iconoclastic, temperamental, and free from the constraints of society, these towering figures have been treated as fixed icons regardless of historical context or individual situation. In The Absolute Artist, Catherine M. Soussloff challenges this view in an engaging consideration of the social construction of the artist from the fifteenth century to the present.

Traditional art history has held that the concept of the artist-genius arose in the Enlightenment. Soussloff disputes this, arguing that earlier writings—artists’ biographies written as long ago as the early fifteenth century-determined and continue to determine our understanding of the myth of the artist. Moving chronologically, Soussloff shifts from fifteenth-century Florence to nineteenth-century Germany, the birthplace of the discipline of art history in its academic form, and considers the cultural historiography of Aby Warburg and Jacob Burckhardt. She discusses intellectual life in early-twentieth-century Vienna, demonstrating the rich cross-fertilization that occurred between art history and psychoanalysis, and scrutinizes the historical situation of Jewish art historians and psychoanalysts in Vienna in the 1930s, considering the impact of exile and an assimilationist ethic on the discourse of art history.

Soussloff concludes with a groundbreaking analysis of one of the earliest and most persistent elements of biography, the “artist anecdote,” demonstrating that it is essential in the construction of the figure of the artist. Singular in its breadth and ambition, The Absolute Artist is the first book to analyze the artist’s biography as a rhetorical form and literary genre rather than as an unassailable source of fact and knowledge.

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Accessorizing the Body

Habits of Being I

Cristina Giorcelli

The first in the four-part series Habits of Being, charting the social, cultural, and political expression of clothing as seen on the street and in museums, in films and literature, and in advertisements and magazines, this volume features a close-up focus on accessories—the shoe, the hat, the necklace—intimately connected to the body.
 
These essays, most of which have appeared in the cutting-edge Italian series Abito e Identità, offer new theoretical and historical takes on the role of clothing, dress, and accessories in the construction of the modern subject. With contributions by leading scholars in art history, semiotics, literary and film studies, history and fashion studies, and with additional writings by psychoanalysts, textile artists, and fashion designers from Europe and America, readers will encounter a dizzying array of ideas about the modern body and the ways in which we dress it.
 
From perspectives on the “model body” to Sonia Delaunay’s designs, from Fascist-era Spanish women’s prescribed ways of dressing to Futurist vests, from Barbara Stanwyck’s anklet to Salvatore Ferragamo’s sandals, from a poet’s tiara to a worker’s cap, from the scarlet letter to the yellow star: Accessorizing the Body imparts startling insights into how much the most modest accessory might reveal.
 
Contributors: Zsófia Bán, Eotvos Lorand U, Budapest; Martha Banta, U of California, Los Angeles; Vittoria C. Caratozzolo, U of Rome “La Sapienza”; Paola Colaiacomo, U of Rome “La Sapienza”; Maria Damon, U of Minnesota; Giuliana Di Febo, U of Rome Three; Micol Fontana; Manuela Fraire; Becky Peterson, U of New Mexico; Jeffrey C. Stewart, U of California, Santa Barbara; Vito Zagarrio, U of Rome Three; Franca Zoccoli.

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The Acquisition and Exhibition of Classical Antiquities

Professional, Legal, and Ethical Perspectives

Edited by Robin F. Rhodes

Cultural property and its stewardship have long been concerns of museums, archaeologists, art historians, and nations, but recently the legal and political consequences of collecting antiquities have also attracted broad media attention. This has been the result, in part, of several high-profile trials, as well as demands by various governments for the return of antiquities to their countries of origin. These circumstances call out for public discussion that moves beyond the rather clear-cut moral response to looting, to consider the implications of buying, selling, and exhibiting antiquities. To whom should they belong? What constitutes legal ownership of antiquities? What laws govern their importation into the United States, for instance? What circumstances, if any, demand the return of those antiquities to their countries of origin? Is there a consensus among archaeologists and museum directors about these issues? These and other pertinent issues are addressed in the essays and responses collected in this volume. Delivered at a 2007 symposium by eminent museum directors and curators, legal scholars, archaeologists, and historians and practitioners of art and architecture, these papers comprise a rich and nuanced reference work.

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Across the Open Field

Essays Drawn from English Landscapes

By Laurie Olin

"Twenty-eight years ago I went to England for a three-month visit and rest. What I found changed my life."

So begins this memoir by one of America's best-known landscape architects, Laurie Olin. Raised in a frontier town in Alaska, trained in Seattle and New York, Olin found himself dissatisfied with his job as an urban architect and accepted an invitation to England to take a respite from work. What he found, in abundance, was the serendipity of a human environment built over time to respond to the land's own character and to the people who lived and worked there. For Olin, the English countryside was a palimpsest of the most eloquent and moving sort, yet whose manifestation was of ordinary buildings meant to shelter their inhabitants and further their work.

With evocative language and exquisite line drawings, the author takes us back to his introduction to the scenes of English country towns, their ancient universities, meandering waterways, and dramatic cloudscapes racing in from the Atlantic. He limns the geologic histories found within the rock, the near-forgotten histories of place-names, and the recent histories of train lines and auto routes. Comparing the growth of building in the English countryside, Olin draws some sobering conclusions about our modern lifestyle and its increasing separation from the landscape.

As much a plea for saving the modern American landscape as it is a passionate exploration of what makes the English landscape so characteristically English, Across the Open Field is "an affectionate ramble through real places of lasting worth."

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Actualiser le patrimoine par l'architecture contemporaine

Dans la rencontre entre l’architecture contemporaine et le patrimoine bâti, l’actualisation en tant que phénomène culturel se propose comme solution à la polarité conservation-création. L’explosion des formes en architecture contemporaine, parallèlement à la montée d’une prédominance de la signature de l’architecte, semble a priori difficilement réconciliable avec l’extension de la notion de patrimoine. Or, que ce soit pour des raisons économiques, environnementales, fonctionnelles ou patrimoniales, les insertions d’éléments d’architecture contemporaine sur des bâtiments patrimoniaux contribuent au développement urbain et font partie de la praxis actuelle. Dans cet ouvrage, le phénomène de l’actualisation est décomposé pour comprendre comment celui-ci contribue à reformuler le sens des sites patrimoniaux transformés. Ce processus communicationnel se pose comme une réponse à l’obsolescence patrimoniale. D’objet-relique, le patrimoine devient un pro­­­jet dynamique, constituant ainsi un genre architectural particulier et indépendant.

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