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Arab Nationalism in the Twentieth Century

From Triumph to Despair

Adeed Dawisha

Like a great dynasty that falls to ruin and is eventually remembered more for its faults than its feats, Arab nationalism is remembered mostly for its humiliating rout in the 1967 Six Day War, for inter-Arab divisions, and for words and actions distinguished by their meagerness. But people tend to forget the majesty that Arab nationalism once was. In this elegantly narrated and richly documented book, Adeed Dawisha brings this majesty to life through a sweeping historical account of its dramatic rise and fall.

Dawisha argues that Arab nationalism--which, he says, was inspired by nineteenth-century German Romantic nationalism--really took root after World War I and not in the nineteenth century, as many believe, and that it blossomed only in the 1950s and 1960s under the charismatic leadership of Egypt's Gamal 'Abd al-Nasir. He traces the ideology's passage from the collapse of the Ottoman Empire through its triumphant ascendancy in the late 1950s with the unity of Egypt and Syria and with the nationalist revolution of Iraq, to the mortal blow it received in the 1967 Arab defeat by Israel, and its eventual eclipse. Dawisha criticizes the common failure to distinguish between the broader, cultural phenomenon of "Arabism" and the political, secular desire for a united Arab state that defined Arab nationalism. In recent decades competitive ideologies--not least, Islamic militancy--have inexorably supplanted the latter, he contends.

Dawisha, who grew up in Iraq during the heyday of Arab nationalism, infuses his work with rare personal insight and extraordinary historical breadth. In addition to Western sources, he draws on an unprecedented wealth of Arab political memoirs and studies to tell the fascinating story of one of the most colorful and significant periods of the contemporary Arab world. In doing so, he also gives us the means to more fully understand trends in the region today.

Complete with a hard-hitting new and expanded section that surveys recent nationalism and events in the Middle East, Arab Nationalism in the Twentieth Century tells the fascinating story of one of the most colorful and significant periods in twentieth-century Middle Eastern history.

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Arab Patriotism

The Ideology and Culture of Power in Late Ottoman Egypt

Adam Mestyan

Arab Patriotism presents the essential backstory to the formation of the modern nation-state and mass nationalism in the Middle East. While standard histories claim that the roots of Arab nationalism emerged in opposition to the Ottoman milieu, Adam Mestyan points to the patriotic sentiment that grew in the Egyptian province of the Ottoman Empire during the nineteenth century, arguing that it served as a pivotal way station on the path to the birth of Arab nationhood.

Through extensive archival research, Mestyan examines the collusion of various Ottoman elites in creating this nascent sense of national belonging and finds that learned culture played a central role in this development. Mestyan investigates the experience of community during this period, engendered through participation in public rituals and being part of a theater audience. He describes the embodied and textual ways these experiences were produced through urban spaces, poetry, performances, and journals. From the Khedivial Opera House's staging of Verdi's Aida and the first Arabic magazine to the ‘Urabi revolution and the restoration of the authority of Ottoman viceroys under British occupation, Mestyan illuminates the cultural dynamics of a regime that served as the precondition for nation-building in the Middle East.

A wholly original exploration of Egypt in the context of the Ottoman Empire, Arab Patriotism sheds fresh light on the evolving sense of political belonging in the Arab world.

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Arab Responses to Fascism and Nazism

Attraction and Repulsion

By Israel Gershoni

This collection rethinks old paradigms and widely accepted assumptions about the Arab response to fascism and Nazism, bringing to light Arab support for the Allied forces during World War II and its effect on the fate of the Middle East.

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The Arab Revolts

Dispatches on Militant Democracy in the Middle East

Edited by David McMurray and Amanda Ufheil-Somers

The 2011 eruptions of popular discontent across the Arab world, popularly dubbed the Arab Spring, were local manifestations of a regional mass movement for democracy, freedom, and human dignity. Authoritarian regimes were either overthrown or put on notice that the old ways of oppressing their subjects would no longer be tolerated. These essays from Middle East Report-–the leading source of timely reporting and insightful analysis of the region–cover events in Tunisia, Egypt, Bahrain, Syria, and Yemen. Written for a broad audience of students, policymakers, media analysts, and general readers, the collection reveals the underlying causes of the revolts by identifying key trends during the last two decades leading up to the recent insurrections.

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An Arab's Journey to Colonial Spanish America

The Travels of Elias al-Mûsili in the Seventeenth Century

Translated from the Arabic and Edited by Caesar E. Farah

In 1905, the Jesuit scholar Antûn Rabbât discovered the writings of Elias-al- Mûsili in a Jacobite diocese in Aleppo, Syria. al- Mûsili, a seventeenth century Arab and priest of the Chaldean Church, traveled widely across colonial Spanish America becoming the first person to visit the Americas from Baghdad. Rabbât transcribed into Arabic and published those portions relating to al-Mûsili’s travels and Middle Eastern historian Caesar Farah is the first to make these writings available in English translation.

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The Arabic Freud

Psychoanalysis and Islam in Modern Egypt

Omnia El Shakry

The first in-depth look at how postwar thinkers in Egypt mapped the intersections between Islamic discourses and psychoanalytic thought

In 1945, psychologist Yusuf Murad introduced an Arabic term borrowed from the medieval Sufi philosopher and mystic Ibn ‘Arabi—al-la-shu‘ur—as a translation for Sigmund Freud’s concept of the unconscious. By the late 1950s, Freud’s Interpretation of Dreams had been translated into Arabic for an eager Egyptian public. In The Arabic Freud, Omnia El Shakry challenges the notion of a strict divide between psychoanalysis and Islam by tracing how postwar thinkers in Egypt blended psychoanalytic theories with concepts from classical Islamic thought in a creative encounter of ethical engagement.

Drawing on scholarly writings as well as popular literature on self-healing, El Shakry provides the first in-depth examination of psychoanalysis in Egypt and reveals how a new science of psychology—or “science of the soul,” as it came to be called—was inextricably linked to Islam and mysticism. She explores how Freudian ideas of the unconscious were crucial to the formation of modern discourses of subjectivity in areas as diverse as psychology, Islamic philosophy, and the law. Founding figures of Egyptian psychoanalysis, she shows, debated the temporality of the psyche, mystical states, the sexual drive, and the Oedipus complex, while offering startling insights into the nature of psychic life, ethics, and eros.

This provocative and insightful book invites us to rethink the relationship between psychoanalysis and religion in the modern era. Mapping the points of intersection between Islamic discourses and psychoanalytic thought, it illustrates how the Arabic Freud, like psychoanalysis itself, was elaborated across the space of human difference.

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Arabic Literary Salons in the Islamic Middle Ages

Poetry, Public Performance, and the Presentation of the Past

Samer M. Ali

Arabic literary salons emerged in ninth-century Iraq and, by the tenth, were flourishing in Baghdad and other urban centers. In an age before broadcast media and classroom education, salons were the primary source of entertainment and escape for middle- and upper-rank members of society, serving also as a space and means for educating the young. Although salons relied on a culture of oral performance from memory, scholars of Arabic literature have focused almost exclusively on the written dimensions of the tradition. That emphasis, argues Samer Ali, has neglected the interplay of oral and written, as well as of religious and secular knowledge in salon society, and the surprising ways in which these seemingly discrete categories blurred in the lived experience of participants. Looking at the period from 500 to 1250, and using methods from European medieval studies, folklore, and cultural anthropology, Ali interprets Arabic manuscripts in order to answer fundamental questions about literary salons as a social institution. He identifies salons not only as sites for socializing and educating, but as loci for performing literature and oral history; for creating and transmitting cultural identity; and for continually reinterpreting the past. A fascinating recovery of a key element of humanistic culture, Ali’s work will encourage a recasting of our understanding of verbal art, cultural memory, and daily life in medieval Arab culture.

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Al-ʿArabiyya: Journal of the American Association of Teachers of Arabic

Vol. 47 (2014) through current issue

Al-'Arabiyya is the annual journal of the American Association of Teachers of Arabic and serves scholars in the United States and abroad. Al-'Arabiyya includes scholarly articles and reviews that advance the study, research, and teaching of Arabic language, linguistics, literature, and pedagogy. The journal is published once a year.

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Arabs and the Art of Storytelling

A Strange Familiarity

by Abdelfattah Kilito

In Arabs and the Art of Storytelling, the eminent Moroccan literary historian and critic Kilito revisits and reassesses, in a modern critical light, many traditional narratives of the Arab world. He brings to such celebrated texts as A Thousand and One Nights, Kalila and Dimna, and Kitab al-Bukhala’ refreshing and iconoclastic insight, giving new life to classic stories that are often treated as fossilized and untouchable cultural treasures. For Arab scholars and readers, poetry has for centuries taken precedence, overshadowing narrative as a significant literary genre. Here, Kilito demonstrates the key role narrative has played in the development of Arab belles lettres and moral philosophy. His urbane style has earned him a devoted following among specialists and general readers alike, making this translation an invaluable contribution to an English-speaking audience.

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Arabs in the Mirror

Images and Self-Images from Pre-Islamic to Modern Times

By Nissim Rejwan

What is an Arab? Though many in the West would answer that question with simplistic stereotypes, the reality is far more complex and interesting. Arabs themselves have been debating Arab identity since pre-Islamic times, coming to a variety of conclusions about the nature and extent of their “Arabness.” Likewise, Westerners and others have attempted to analyze Arab identity, reaching mostly negative conclusions about Arab culture and capacity for self-government. To bring new perspectives to the question of Arab identity, Iraqi-born scholar Nissim Rejwan has assembled this fascinating collection of writings by Arab and Western intellectuals, who try to define what it means to be Arab. He begins with pre-Islamic times and continues to the last decades of the twentieth century, quoting thinkers ranging from Ibn Khaldun to modern writers such as al-Ansari, Haykal, Ahmad Amin, al-'Azm, and Said. Through their works, Rejwan shows how Arabs have grappled with such significant issues as the influence of Islam, the rise of nationalism, the quest for democracy, women's status, the younger generation, Egypt's place in the Arab world, Israel's role in Middle Eastern conflict, and the West's “cultural invasion.” By letting Arabs speak for themselves, Arabs in the Mirror refutes a prominent Western stereotype—that Arabs are incapable of self-reflection or self-government. On the contrary, it reveals a rich tradition of self-criticism and self-knowledge in the Arab world.

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