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Corps féminin et réalisme romanesque au dix-neuvième siècle
According to Rogers, the nineteenth century was incapable of managing the feminine question and preferred to mythicize it. Everything that was related to it, especially feminine sexuality, was transformed into fiction. Thus women were saddled with the role of scapegoat.
The Curious Life of Gisèle d'Estoc
Gisèle d’Estoc was the pseudonym of a nineteenth-century French woman writer and, it turns out, artist who, among other things, was accused of being a bomb-planting anarchist, the cross-dressing lover of writer Guy de Maupassant, and the fighter of at least one duel with another woman, inspiring Bayard’s famous painting on the subject. The true identity of this enigmatic woman remained unknown and was even considered fictional until recently, when Melanie C. Hawthorne resurrected d’Estoc’s discarded story from the annals of forgotten history.
Finding the Woman Who Didn’t Exist begins with the claim by expert literary historians of France on the eve of World War II that the woman then known only as Gisèle d’Estoc was merely a hoax. More than fifty years later, Hawthorne not only proves that she did exist but also uncovers details about her fascinating life and career, along the way adding to our understanding of nineteenth-century France, literary culture, and gender identity. Hawthorne explores the intriguing life of the real d’Estoc, explaining why others came to doubt the “experts” and following the threads of evidence that the latter overlooked. In focusing on how narratives are shaped for particular audiences at particular times, Hawthorne also tells “the story of the story,” which reveals how the habits of thought fostered by the humanities continue to matter beyond the halls of academe.
Balzac's Rhetorical Realism
Everyone agrees that Balzac is a realistic writer, but what do we actually mean when we say that? This book examines the richness and variety of Balzac’s approaches to realism, employing several different interpretive methods. Taking love and money as the “Prime Movers” of the world of La Comédie humaine, twenty-one chapters provide detailed analyses of the many strategies by which the writing forges the powerful impression of reality, the construction we famously think of as Balzacian realism. Each chapter sets the methods and aims of its analysis, with particular attention to the language that conveys the sense of reality. Plots, devices, or interpretive systems (including genealogies) function as images or reflections of how the novels make their meanings. The analyses converge on the central point: how did Balzac invent realism? No less than this fundamental question lies behind the interpretations this book provides, a question to which the conclusion provides a full answer. A major book in English devoted entirely to Balzac was overdue. Here is the American voice of Balzac studies, an engaging, insightful, and revealing excursion among the masterworks of one of the most important authors of all time.
Transforming French Ideas of Femininity in the Third Republic
The market for commercial beauty products exploded in Third Republic France, with a proliferation of goods promising to erase female imperfections and perpetuate an aesthetic of femininity that conveyed health and respectability. While the industry's meteoric growth helped to codify conventional standards of womanhood, The Force of Beauty goes beyond the narrative of beauty culture as a tool for sociopolitical subjugation to show how it also targeted women as important consumers in major markets and created new avenues by which they could express their identities and challenge or reinforce gender norms.
As cosmetics companies and cultural media, from magazines to novels to cinema, urged women to aspire to commercial standards of female perfection, beauty evolved as a goal to be pursued rather than a biological inheritance. The products and techniques that enabled women to embody society's feminine ideal also taught them how to fashion their bodies into objects of desire and thus offered a subversive tool of self-expression. Holly Grout explores attempts by commercial beauty culture to reconcile a standard of respectability with female sexuality, as well as its efforts to position French women within the global phenomenon of changing views on modern womanhood.
Grout draws on a wide range of primary sources-hygiene manuals, professional and legal debates about the right to fabricate and distribute "medicines," advertisements for beauty products, and contemporary fiction and works of art-to explore how French women navigated changing views on femininity. Her seamless integration of gender studies with business history, aesthetics, and the history of medicine results in a textured and complex study of the relationship between the politics of womanhood and the politics of beauty.
Biographical Sketches of Bébian, Sicard, Massieu, and Clerc
In 1811, deaf student Ferdinand Berthier commenced his education at the National Institute for the Deaf in Paris under its director Abbé Sicard and his teachers Auguste Bébian, Jean Massieu, and Laurent Clerc. Their tutelage eventually led Berthier to join the faculty at the Institute and become a life-long proponent of sign language and Deaf culture. Berthier earned fame for instituting the famous silent banquets in Paris in 1834. He also learned to advance his agenda by writing biographies of important figures who advocated sign over oralism to educate deaf French students. Forging Deaf Education in Nineteenth-Century France offers the first translation of Berthier’s biographical sketches of the four men above who influenced him most. Berthier wrote first about Bébian in 1839, timed to advocate sign language for teaching deaf students after the departure of the pro-oralism Institute Director Désiré Ordinaire. Berthier extolled Bébian’s linguistic acumen and his educational philosophy. In later sketches, however, he described Sicard and Massieu in positive terms but also criticized them for supporting “methodical” signing, which conformed to spoken language conventions. In contrast, he lauded Clerc in his portrayal for using “natural” signing to teach deaf students. The incisiveness of Freeman G. Henry’s introduction and the clarity of his translations will enthrall readers now able to read Berthier’s biographies in English for the first time.
From Defeat to Liberation
In this concise, clearly written book, Thomas and Michael Christofferson provide a balanced introduction to every aspect of the French experience during World War II.Synthesizing a wide range of scholarship, the authors integrate political, diplomatic, military, social, cultural, and economic history in this portrait of a nation and a people at war. Here is a chronicle of the battles and campaigns that stained French soil with blood. Here, also, is the full historical context of the war-its origins, realities, and aftermath-in French society. The authors pay particular attention to the key failures of institutional France-especially the officer corps, political elites, and the Catholic Church. They also assessthe controversial history of the Vichy regime and the German occupation, in carefully crafted accounts of resistance and collaboration, Vichy's National Revolution, and the fate of France's Jews.Accessible to both students and general readers, France during World War II develops a full understanding of the actors, events, issues, and controversies of a turbulent era.
From the Thirties to the Postwar Era
France's New Deal is an in-depth and important look at the remaking of the French state after World War II, a time when the nation was endowed with brand-new institutions for managing its economy and culture. Yet, as Philip Nord reveals, the significant process of state rebuilding did not begin at the Liberation. Rather, it got started earlier, in the waning years of the Third Republic and under the Vichy regime. Tracking the nation's evolution from the 1930s through the postwar years, Nord describes how a variety of political actors--socialists, Christian democrats, technocrats, and Gaullists--had a hand in the construction of modern France.
Nord examines the French development of economic planning and a cradle-to-grave social security system; and he explores the nationalization of radio, the creation of a national cinema, and the funding of regional theaters. Nord shows that many of the policymakers of the Liberation era had also served under the Vichy regime, and that a number of postwar institutions and policies were actually holdovers from the Vichy era--minus the authoritarianism and racism of those years. From this perspective, the French state after the war was neither entirely new nor purely social-democratic in inspiration. The state's complex political pedigree appealed to a range of constituencies and made possible the building of a wide base of support that remained in place for decades to come.
A nuanced perspective on the French state's postwar origins, France's New Deal chronicles how one modern nation came into being.
No. 17 (2004) - no. 18 (2004)
The international learned journal Francophonies d'Amérique publishes articles produced by academics working on North America's francophone minority populations throughout the continent. As stated clearly by Jules Tessier from the University of Ottawa in the foreword of the first issue published in 1991, the journal serves as "a meeting place for sharing the results of research and studies dealing with different aspects of French life in North America outside of Québec, and looked at from multiple perspectives offered under the umbrella of the Humanities and Social Sciences' academic disciplines. The journal also provides information concerning research and publication projects in the field, along with a list of the latest publications and related events of academic life".
Vol. 1 (2002) through current issue
Sponsored by the French Colonial Historical Society (FCHS), French Colonial History is an annual volume of refereed, scholarly articles selected from the society's annual meetings. The journal covers all aspects of French colonization and the history of all French colonies, reflecting the temporal span, geographical breadth, and diversity of subject matter that characterize the scholarly interests of the Society’s members.
French Colonial History is an outgrowth of the Society's ongoing relationship with Michigan State University Press, which began with the Press's publication of the 1995 FCHS Proceedings.
For more information about the French Colonial Historical Society, see the FCHS website at www.frenchcolonial.org.