In this Book

summary
This book examines Hollywood’s post-1997 “remaking” of popular Chinese film culture for both its American and global markets. While focusing on the various cultural politics of this remaking and responses to them, it also tracks Hollywood’s cultural impact on contemporary (trans)national Chinese-language cinemas and its practices.

Table of Contents

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  1. Cover
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  1. Frontmatter
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  1. Contents
  2. p. v
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  1. Acknowledgments
  2. pp. vii-ix
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  1. 1. Introduction: Remaking Chinese Cinemas, Hollywood Style
  2. pp. 1-32
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  1. 2. Visualizing Hong Kong: Diasporic Cinematic Gaze on the 1997 Handover
  2. pp. 33-55
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  1. 3. Facing the Red Dragon: Hollywood’s 1997 Response to the Hong Kong Handover
  2. pp. 57-74
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  1. 4. The Global Return of the Wuxia pian (Chinese Sword-Fighting Movie)
  2. pp. 75-103
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  1. 5. Enter the Triads: American Cinema’s New Racialized Criminal Other
  2. pp. 105-128
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  1. 6. Hollywood’s Sino-Chic: Kung Fu Parody, Mimicry, and Play in Cross-Cultural Citationality
  2. pp. 129-156
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  1. 7. Chinese Supernaturalism: Mythic Ethnography and the Mystical Other
  2. pp. 157-174
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  1. Coda: Global Cinematic Technologies of Ethnic (Un)Representation
  2. pp. 175-180
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  1. Notes
  2. pp. 181-217
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  1. Filmography
  2. pp. 219-227
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  1. Bibliography
  2. pp. 229-244
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  1. Index
  2. pp. 245-259
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