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265 Bibliography The works by Wittgenstein are cited according to the usual abbreviations: BrB Wittgenstein, Ludwig. 1978. The Blue and Brown Book, 2nd ed. Edited by Rush Rhees. Oxford: Basil Blackwell. Wittgenstein, Ludwig. 1980. Das Blaue Buch: Eine Philosophische Betrachtung (Das Braune Buch). Edited by Rush Rhees. Translated by Petra von Morstein. Suhrkamp: Frankfurt am Main. CV Wittgenstein, Ludwig. 1980. Culture and Value, 2nd ed. Edited by G. H. von Wright in collaboration with Heikki Nyman. Translated by Peter Winch. Chicago: University of Chicago Press. Wittgenstein, Ludwig. 1998. Culture and Value, revised 2nd ed. Edited by G. H. von Wright in collaboration with Heikki Nyman. Revised edition of the text by Alois Pichler. Translated by Peter Winch. Oxford: Basil Blackwell. Wittgenstein, Ludwig. 1984. Bemerkungen über die Farben. Über Gewißheit. Zettel. Vermischte Bemerkungen. Werkausgabe Bd. 8. Edited by G. E. M. Anscombe. Suhrkamp: Frankfurt am Main. L&C Wittgenstein, Ludwig. 1967. Lectures & Conversations on Aesthetics, Psychology and Religious Belief. Edited by Cyril Barrett. Berkeley; Los Angeles: University of California Press. LE Wittgenstein, Ludwig. 1965. “A Lecture on Ethics.” Philosophical Review 74 (1): 3-12. NB Wittgenstein, Ludwig. 1979. Notebooks 1914-1916, 2nd ed. Edited by G. H. von Wright and G. E. M Anscombe. Translated by G.E.M. Anscombe. Oxford: Basil Blackwell. PI Wittgenstein, Ludwig. 2001. Philosophical Investigations [Philosophische Untersuchungen]. The German text with a revised English translation, 3rd ed. Translated by G. E. M.Anscombe. Oxford: Blackwell Publishing. Unsayable Music 266 TLP Wittgenstein, L. 1974. Tractatus Logico-Philosophicus. Translated by D. F. Pears and B. F. McGuiness. London; New York: Routledge. Wittgenstein, Ludwig. 1984. Tractatus logico-philosophicus. Tagebücher 1914-16. Philosophische Untersuchungen. Werkausgabe Bd. 1. Suhrkamp: Frankfurt am Main. Adorno, Theodor W. 2006. Philosophy of New Music. Translated and edited by Robert Hullot-Kentor. Minneapolis: University of Minnesota Press. Attali, Jacques. 1985. Noise: The Political Economy of Music. Translated by Brian Massumi. Minneapolis: University of Minnesota Press. Attali, Jacques. 2001. Bruits: Essai sur l’économie politique de la musique. 2nd ed. Paris: Fayard/PUF. Baraldi, Claudio, Giancarlo Corsi, and Elena Esposito. 1997. GLU: Glossar zu Niklas Luhmanns Theorie sozialer Systeme. Frankfurt am Main: Suhrkamp. Barriere, Jean-Baptiste, ed. 1991. Le Timbre, métaphore pour la composition. Paris: IRCAM/Christian Bourgois. Barthes, Roland. 1985. “Rasch”. In The Responsibility of Forms. Critical Essays on Music, Art, and Representation, translated by Richard Howard, 299-312. Berkeley: University of California Press. Baudrillard, Jean. 2002. The Spirit of Terrorism. Translated by Chris Turner. London; New York: Verso. Benjamin, Walter. 1977. “Das Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit.” In Walter Benjamin: Illuminationen, edited by Siegfried Unseld, 136-169. Frankfurt am Main: Suhrkamp. Braunmuehl, Hans Joachim von. 1938. “Akustik von Senderäumen.” In Handbuch des Deutschen Rundfunks, edited by H. J. Weinbrenner, 70-3. Heidelberg; Berlin: Kurt Vowinckel Verlag. Bennet, Gerald. 1970. “Notes on Electroacoustic Music.” http://www.gdbennett.net/ texts/Contrechamps_article.pdf (accessed August 1, 2013). Birkenkötter, Jörg. 1994. “Spiel/Abbruch.” In Musik+Computer: Sieben Konzerte in neuen Klangregionen, 26-7. Program notes for a series of concerts at the festival MusikTriennale ‘94. Cologne: WDR. Birringer, Johannes. 2006. “FutureHouse, Blind Mine.” In Performance and Place, edited by Leslie Hill, and Helen Paris, 85-98. New York: Palgrave Macmillan. Available at: http://people.brunel.ac.uk/dap/bibl.html (accessed August 1, 2013). Birringer, Johannes. 2008. “The Relation of Visuals to Music.” http://interaktionslabor. de/lab08/index.htm (accessed August 1, 2013). [3.142.196.27] Project MUSE (2024-04-20 05:03 GMT) Bibliography 267 Birringer, Johannes. 2009a. “Corpo, Carne e Espírito: Musical Visuality of the Body.” In Blood, Sweat & Theory: Research through Practice in Performance, edited by John Freeman, 240-61. Faringdon: Libri Publishing. Birringer, Johannes. 2009b. “After Bacon: The Music of Digital Flesh and the Pornography of Sensation.” In Pornotopias: Image, Desire, Apocalypse, edited by Louis Armand, Janet Lewty, and Andrew Mitchell, 44-60. Prague: Litteraria Pragensia. Borges, Jorge Luis. 1981. “The Circular Ruins.” In Labyrinths: Selected Stories and Other Writings, edited by Donald A. Yates and James E. Irby, 72-77. Translated by James E. Irby. London: Penguin Books. Boulez, Pierre. 1963. Penser la musique d’aujoud’hui. Paris: Gallimard. Boulez, Pierre. 1966. Relevés d’apprenti. Paris: Seuil. Busoni, Ferruccio. 1962. “Sketch of a new Esthetic of Music”. In Three Classics in the Aesthetic of Music. Translated by Dr. Th. Baker. New York: Dover. [First published in 1911] Cage, John. 1961. Silence: Lectures and Writings. Middletown, CN: Wesleyan University Press. Chagas, Paulo C. 1990. Ein Überblick über die...

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