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The University of Akron Press
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summary
Signaletics pits the measured against the immeasurable, the body against identity, and the political against the personal. With a defunct 19th-century body measurement system of criminal identification as a foundation, the poems move in and out of history, only to arrive at the immediate voice of a speaker, distraught about the death of a child brother, the remove of a father, and the estrangement of the personal with the politics of her country.

Table of Contents

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  1. Cover
  2. p. 1
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  1. Title Page, Copyright
  2. pp. 2-5
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  1. Contents
  2. pp. 6-9
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  1. Subject in the Position of the Soldier with No Arms
  2. pp. 1-2
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  1. I
  1. Teratoma
  2. pp. 5-6
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  1. Vanitas (Latent Print)
  2. p. 7
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  1. Entra Tutto
  2. pp. 8-11
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  1. Latent Print
  2. pp. 12-13
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  1. Triptych: Automata
  2. pp. 14-16
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  1. Bertillonage Fragment, I:
  2. pp. 17-18
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  1. Blues Dream
  2. pp. 19-20
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  1. II
  1. Diaspora
  2. pp. 23-25
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  1. Cross Section
  2. pp. 26-27
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  1. The Study Heads
  2. pp. 28-36
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  1. Bertillonage Fragment, II:
  2. p. 37
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  1. Sublimation
  2. pp. 38-43
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  1. Ghost Sonnet
  2. p. 44
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  1. III
  1. In vacuo, Universal Studios
  2. pp. 47-49
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  1. The Speech of Monkeys
  2. pp. 50-51
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  1. Post
  2. pp. 52-53
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  1. The Ear: General Form & Separation of the Internal Windings
  2. pp. 54-60
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  1. Bertillonage Fragment, III:
  2. p. 61
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  1. Latent Print: Interrogation Helix
  2. p. 62
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  1. Cuspis
  2. pp. 63-64
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  1. IV
  1. Ars Poetica (Latent Print)
  2. p. 67
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  1. Latent Print: Indicia
  2. pp. 68-69
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  1. Skin Mags
  2. pp. 70-71
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  1. Niedecker’s Iron
  2. p. 72
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  1. Reading Joyce on U.S. Flight 2309
  2. pp. 73-74
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  1. Bertillonage Fragment, IV:
  2. p. 75
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  1. Latent Print: Pale Suits
  2. pp. 76-77
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  1. Mourner with Cowl, Hands in His Sleeves
  2. pp. 78-82
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  1. Notes
  2. pp. 83-84
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  1. Acknowledgments
  2. pp. 85-86
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