Robert Rodriguez: Interviews

Index

165 Index Adventures of Sharkboy and Lavagirl 3-D, The, xii, xvi, 125, 127–28, 143, 145 African Americans, 18 Alba, Jessica, 124, 146, 160, 162 Alien, 155, 157 Aliens, 157 Amblin Entertainment, 50 Anders, Allison, 12, 19 Antal, Nimród, 148–59 Arquette, David, 45 Austin, Texas, x, xii, xv, 4, 12, 30, 32, 40, 58, 62, 80, 85, 92, 94, 102, 106, 114, 124–25, 127, 129–31, 134, 142, 143, 146, 161–62 auteurism, xi, xiii, 38, 64, 67, 69, 73–74, 75, 84, 87, 89–90, 94, 101, 103, 109, 114–15, 119, 122, 125, 132–33, 135–37, 145, 162 Avellan, Elizabeth, x, xv, xvi, 4, 18, 30–32, 59, 61, 87, 114, 116–17, 119, 131, 145–47 AVP: Alien vs. Predator, 148, 156 AVPR: Alien vs. Predator—Requiem, 148, 156 Banderas, Antonio, 11, 17–18, 20, 25, 44–46, 64, 70, 72–73, 81, 89, 106, 109–10, 115–16, 146, 151 Batman Forever, 11 Bedhead, xii, xv, 4, 7, 18, 21–22, 27, 42, 46, 48, 54, 59, 62, 113, 138–39 Bender, Lawrence, 33 “Black Mamba, The,” xvi Blade Runner, xi, 144 Blades, Rubén, 70, 106, 109–10 Blair Witch Project, The, ix Borden, Bill, 12–14 Boyz N the Hood, xii Brody, Adrien, 151–52 Brolin, Josh, 129, 146 Bryant, Kobe, xvi Bullock, Sandra, 12 Burton, Tim, 49 Buscemi, Steve, 12, 17, 67, 73, 87 Bush, George W., and Laura, 146–47 Cage, Nicolas, 49, 129 Cameron, James, xi, 49, 68 Cannes Film Festival, xiii, xvi, 11 Carpenter, John, 49, 88 CGI, xi Chaplin, Charlie, 119 Charlie’s Angels, 115 Chicano filmmakers, 52 Chow Yun-Fat, 46 Cinema Paradiso, 79 Clear and Present Danger, 12 Clerks, ix, 12 Clooney, George, 12, 19, 25, 114–15, 125, 143, 151 Closer, 124 Columbia Pictures/TriStar, xii, 3, 4, 7–10, 166 index 11, 16–17, 20–22, 32, 43–44, 50, 75, 81, 134, 162 Commando, 149 Control, 156 Convoy, 130 Copland, 37 Coppola, Francis Ford, 116 Corman, Roger, 92 Crawford, Cindy, 12 Cronos, 12 Cuaron, Alfonso, 52 Curandero, xii, 48 Dafoe, Willem, 70, 106 Dawson, Rosario, 124, 128 De Almeida, Joaquim, 12, 17, 44 De Niro, Robert, 46, 146, 160, 162 De Palma, Brian, 116 Death Proof, 128–30 del Rio, Dolores, 12, 23 Del Toro, Benicio, 124 del Toro, Guillermo, 52 Depp, Johnny, 70, 106, 109–11, 115–16 Desperado, xv, 11–14, 17, 19, 20, 23–25, 27–28, 31–32, 37–38, 43–45, 52, 58, 60, 62, 64, 69–70, 73, 75, 77, 81, 83, 110, 114–15, 122, 128, 132–33, 135, 143, 151, 158, 161 Detour Film Production, x digital filmmaking, xi, 64, 67, 70–72, 75–77, 81, 99–101, 102–6, 107–8, 115, 138, 162 Dimension Films, 34, 35, 83 Directors Guild of America (DGA), xii, 125 Double Life of Veronique, The, 45 Dreamworks, 50 El Mariachi, ix, xii, xiii, xv, 3–5, 6–9, 11–14, 16–18, 20–23, 25–29, 30–32, 42–44, 48, 52–56, 58–59, 63, 64–66, 69–70, 73, 75, 78, 81, 83–85, 99, 101, 102, 109, 113–14, 117, 122, 125, 132–34, 136, 138, 142, 145, 147, 162 El Norte, 52 Elfman, Danny, 122 ER, 12, 19, 25 Escape from New York, xi ethnic identity, ix, xi, 39–46, 49, 51, 53, 57, 134–35 exploitation movies, 127–28, 161 Faculty, The, x, xv, 35–39, 48–49, 58, 62, 64, 66, 75, 83, 88, 90, 142, 146 Fair Game, 12 film noir, 119–21 film schools, 7, 9–10, 16–17, 31, 117, 136 Fishburne, Laurence, 159 Fistful of Dollars, A, 17, 70, 81 For a Few Dollars More, 17, 70, 81 Fordism, x Forrest Gump, 11 42nd Street, 6 Four Rooms, x, xv, 12, 19, 27, 39, 45–46, 52, 56, 58–59, 64 Fox, 162 Frazetta, Frank, 113, 143 From Dusk Till Dawn, x, xv, 12, 19, 24–25, 32, 33, 36, 46, 52, 56, 58, 64, 66, 75, 83, 88, 121, 125, 128, 132, 135, 143, 151, 158 From Dusk Till Dawn 2: Texas Blood Money, xv, 33–34 From Dusk Till Dawn 3: The Hangman’s Daughter, xv, 33–34, 47 Gallardo, Carlos, 4, 8–9, 11, 21–22, 28, 48 Garcia, Andy, 18 genre, 27–28, 147, 149 Glengarry Glen Ross, 40 Godfather, The, xi index 167 Gone with the Wind...