1960s Gay Pulp Fiction: The Misplaced Heritage

Notes on Contributors

– 319 – Notes on Contributors Beth M. Bouloukos received a PhD from Cornell University in Hispanic studies. Her work focuses on how early modern Spanish themes are developed in twentieth -century narrative and film. She is an acquisitions editor in Latin American and Iberian studies, gender and queer studies, and education at SUNY Press. She has taught at Fairfield University and is currently an affiliated member of the Languages, Literatures and Cultures Department at the University at Albany–SUNY. Philip Clark coedited Persistent Voices: Poetry by Writers Lost to AIDS (2010). His essays have appeared in such collections as The Lost Library: Gay Fiction Rediscovered; The Golden Age of Gay Fiction; 50 Gay and Lesbian Books Everybody Must Read; and The Oxford Companion to the Photograph. He is currently editing the selected poems of Donald Britton and researching the life of Guild Press publisher H. Lynn Womack. Jeremy Fisher is a senior lecturer in writing at the University of New England in New South Wales, Australia. He is the author of Perfect Timing (1993; translated into Vietnamese, 2008), Music from Another Country (2009), and How to Tell Your Father to Drop Dead . . . and Other Stories (2013). He has had a long career in Australian publishing as an editor, indexer, and publisher and was executive director of the Australian Society of Authors prior to his academic appointment. He was an early member of gay liberation in Australia. James J. Gifford is a professor emeritus of humanities at Mohawk Valley Community College. He is the author of Dayneford’s Library: American Homosexual Writing, 1900–1913 (1995) and the editor of Imre by Edward Prime-Stevenson (2003) and Glances Backward: An Anthology of American Homosexual Writing, 320 – Notes on Contributors 1830–1920 (2007). He and Philip Clark are currently preparing a scholarly edition of Prime-Stevenson’s The Intersexes. Drewey Wayne Gunn is a professor emeritus of English at Texas A&M University –Kingsville. He is the author of Mexico in American and British Letters: A Bibliography (1974), American and British Writers in Mexico, 1556–1973 (1974; translated into Spanish, 1977), Tennessee Williams: A Bibliography (1980; rev. ed., 1991), The Gay Male Sleuth in Print and Film: A History and Annotated Bibliography (2005; rev. ed., 2013); the cotranslator with Jacques Murat of Arthur Rimbaud/Paul Verlaine: A Lover’s Cock and Other Gay Poems (1979); the coauthor with William Maltese of Ardennian Boy (2007); and the editor of The Golden Age of Gay Literature (2009). Jaime Harker is an associate professor of English at the University of Mississippi. She is the author of America the Middlebrow: Women’s Novels, Progressivism, and Middlebrow Authorship between the Wars (2007) and Middlebrow Queer: Christopher Isherwood in America (2013), and the coeditor of The Oprah Affect: Critical Essays on Oprah’s Book Club (2008). She has published articles on nineteenth -century women writers, Japanese translation, composition, and twentiethcentury book history Nicholas ALEXANDER Hayes is an instructor at DePaul University–The School for New Learning. He is the author of the book NIV: 39 & 27 (2009). He received an MFA in writing from The School of the Art Institute of Chicago and has taught courses in queer literature at Columbia College in Chicago and gender representations at DePaul University. Randall Ivey teaches English at the University of South Carolina–Union. His creative and critical works, including two story collections and a book for children, have been published in the United States and in England. Reed Massengill is a writer and photographer whose work spans the genres of biography (The Art of George Quaintance, 2010; Portrait of a Racist, 1994), corporate history (Becoming American Express, 2000), and photography (Brian: A Nine-Year Photographic Diary, 2000; Massengill Men, 1997; Massengill, 1996). As a collector, curator, and editor, he has produced Uncovered: Rare Vintage Male Nudes (2009), Self-Exposure: The Male Nude Self-Portrait (2005), The Male Ideal: Lon of New York and the Masculine Physique (2004), Champion (2003), and Roy Blakey’s ’70s Male Nudes (2001). Ann Marie Schott holds an MA in English from the University of Mississippi and has taught literature and composition. Her research interests include postmod- Notes on Contributors – 321 ernism, violence, gender, and sexuality, especially regarding men and masculinity in twentieth-century American literature. Whitney Strub is an assistant professor of history at Rutgers University–Newark, where he also teaches American studies and LGBT studies. He is the author of Perversion for Profit: The Politics of Pornography...