In this Book
- Sacred Land: Sherwood Anderson, Midwestern Modernism, and the Sacramental Vision of Nature
- Book
- 2013
- Published by: The Kent State University Press
In Sacred Land, author Mark Buechsel shows that Sherwood Anderson, Willa Cather, and F. Scott Fitzgerald, among others, turned to two potential sources for grounding their region’s and nation’s life authentically: nature itself—particularly the super-abundant nature to be found in Midwestern states and the model provided by the traditional sacramental culture of medieval Europe. The result was a new sacramental vision of how life in the Midwest—and, by extension, life in modern America—might be lived differently. Buechsel demonstrates that each author painted his or her spiritual and cultural vision with different shades and nuances and looked to America’s future with varying degrees of optimism.
Of crucial importance in each author’s work are the characters’ encounters with the Midwestern land, a recalcitrant objective reality that refuses to yield to the wrong kinds of dreams. Characters who are genuinely open to what their engagement with the land has to teach them generally find some personal blessing and learn how to claim a fully human place in the order of things. Characters who fail to learn the lessons nature offers become distorted and grotesque, in a way that expresses the modern condition emblematically. Sacred Land shows that in the process of critiquing American culture, Midwestern writers redefined the American pastoral myth so central to the national psyche.
Table of Contents
- Title Page, Copyright Page
- pp. i-viii
- Acknowledgements
- pp. xii-xiii
- Introduction
- pp. 1-24
- Chapter 5: Laughing at “Fake Talk”
- pp. 142-177
- Chapter 6: “Fleshly but beyond just flesh”
- pp. 178-205
- Chapter 8: “A Story of the West, After All”
- pp. 243-260
- Bibliography
- pp. 358-366
- Back Cover
- p. BC