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summary
According to Rogers, the nineteenth century was incapable of managing the feminine question and preferred to mythicize it. Everything that was related to it, especially feminine sexuality, was transformed into fiction. Thus women were saddled with the role of scapegoat.

Table of Contents

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  1. Cover
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  1. Title Page, Copyright
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  1. Table des matières
  2. pp. vii-viii
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  1. Préface
  2. pp. ix-xii
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  1. Introduction
  2. pp. 1-26
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  1. Première partie: Un siècle scandalisé
  2. pp. 27-114
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  1. Chapitre un: Modernisme, modernité et scandale
  2. pp. 29-50
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  1. Chapitre deux: Autour du roman
  2. pp. 51-68
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  1. Chapitre trois: Science et mythologie du scandale
  2. pp. 69-114
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  1. Deuxième partie: Le texte scandalisé
  1. Chapitre quatre: Balzac,Ferragus (1833)
  2. pp. 120-131
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  1. Chapitre cinq: Sand, Indiana (1832): "Un rude casseur de pierres"
  2. pp. 132-156
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  1. Chapitre six: Flaubert, Madame Bovary (1857)
  2. pp. 157-184
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  1. Chapitre sept: Les Goncourt, Germinie Lacerteux (1865): La Méduse hystérique
  2. pp. 185-204
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  1. Chapitre huit: Zola, La curee (1872): Tragédie, allégorie et haussmannisation
  2. pp. 205-223
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  1. Chapitre neuf: Barbey d'Aurevilly, Les diaboliques (1874) Relais, délais et détournements
  2. pp. 224-238
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  1. Chapitre dix: Rachilde, Monsieur Vénus (1884): Inversion, perversion et déconstruction
  2. pp. 239-262
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  1. Conclusion
  2. pp. 263-279
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  1. Notes
  2. pp. 281-303
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  1. Bibliographie
  2. pp. 305-314
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  1. Index
  2. pp. 315-324
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