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"Hinds's study makes an important contribution to studies on the early-seventeenth-century novel. His analysis of the two novels is carried out in two broad and important contexts: sixteenth- and early-seventeenth-century French literature in general (Baroque esthetic theory, the literary controversies of the time, etc.) and modern critical theory (Bakhtin, Kristeva, Benjamin, Foucault, etc.). The author brings all of these elements together in a coherent, intelligent, and thought-provoking manner

Table of Contents

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  1. cover
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  1. title page
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  1. copyright
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  1. Contents
  2. pp. vii-viii
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  1. Acknowledgments
  2. p. ix
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  1. Introduction
  2. pp. 1-13
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  1. Chapter One. Echoes of Desire and Intention: The Mirroring of Utterances in Romance and Antiromance
  2. pp. 14-34
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  1. Chapter Two. Verbal Travesty and Disguise: Parody and Citation of Typified Languages
  2. pp. 35-57
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  1. Chapter Three. Debates of Convention and Debates on Convention
  2. pp. 58-79
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  1. Chapter Four. Experiments with Multiple Agency and Intention through Emblematics
  2. pp. 80-99
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  1. Chapter Five. Transvestism and Specularity: Transformations and Travesties of the Self
  2. pp. 100-125
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  1. Chapter Six. D’Urfé’s and Sorel’s Tombs: The Question of the Death and Birth of Literature
  2. pp. 126-147
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  1. Conclusion: Narrative Transformations and Critical Appraisal
  2. pp. 148-160
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  1. Appendix of Images
  2. pp. 161-164
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  1. Notes
  2. pp. 165-180
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  1. Bibliography
  2. pp. 181-194
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  1. Index
  2. pp. 195-203
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