Girlhood and the Plastic Image

Images

plate 1 “Printing Colour at the Optical Diffraction Limit.” Reprinted by permission from Macmillan Publishers Ltd.: Nature Nanotechnology, Karthik Kumar, Huigao Duan, Ravi S. Hegde, Samuel C. W. Koh, Jennifer N. Wei, and Joel K. W. Yang, “Printing Colour at the Optical Diffraction Limit,” Nature Nanotechnology 7.9 (2012): 557–61, copyright 2012 plate 2 Alice Pleasance Liddell (1852–1934) as the beggar maid (b/w photo). Lewis Carroll (1832–98). Private collection / Archives Charmet / Bridgeman Art Library plate 3 Alice Liddell on the last page of “Alice’s Adventures Underground,” 1859 (sepia photo). Charles Lutwidge Dodgson (Lewis Carroll). Private Collection / Stapleton Collection / Bridgeman Art Library plate 4 Hans Bellmer (Germany; France b. 1902, d. 1975), La poupée (The Puppet), circa 1938–39, gelatin silver photograph, hand colored, 14.1 × 13.8 cm. Art Gallery of New South Wales. Purchased 2001. Photo: agnsw. © Hans Bellmer/adagp. 366.2001 © 2013 Artists Rights Society (ars), New York / adagp, Paris plate 5 Henry Darger (1892–1973), “73 at Jennie Richee Escape by Their Help,” midtwentieth century; watercolor, pencil, carbon tracing, and collage on pieced paper, 19 × 70½ in. Collection American Folk Art Museum, New York, Anonymous gift in recognition of Sam Farber. © Kiyoko Lerner, 2004.1.2B. Photograph by James Prinz plate 6 Original Annlee Image, 1999. © 2013 Artists Rights Society (ars), New York / adagp, Paris; Courtesy of the Marion Goodman Gallery New York and ars plate 7 Pierre Huyghe, One Million Kingdoms, 2001. © 2013 Artists Rights Society (ars), New York / adagp, Paris; Courtesy of the Marion Goodman Gallery New York and ars plate 8 Pierre Huyghe and Philippe Parreno, “Smile Without a Cat,” 2002, set of 4 c-prints, documentation of A Smile Without a Cat (A Celebration of Annlee’s Vanishing), 2002. © 2013 Artists Rights Society (ars), New York / adagp, Paris; Courtesy of the Marion Goodman Gallery New York and ars plate 9 Pedro Velez (with Law Office), Ann Lee Lives!, 2003, c-print and ink. Courtesy of the artist plate 10 Pedro Velez, Hell in Lamb UC (screen capture), 2006. Courtesy of the artist plate 11 Pedro Velez, “Hell in Lamb UC,” 2005. Courtesy of the artist plate 12 Pierre Huyghe, Two Minutes Out of Time, 2000. © 2013 Artists Rights Society (ars), New York / adagp, Paris; Courtesy of the Marion Goodman Gallery New York and ars plate 13 Martine Neddam, Mouchette.org home page (screen capture), 1996–present. Courtesy of the artist plate 14 Martine Neddam, “Digital Flesh and Blood” (screen capture), 1996–present. Courtesy of the artist plate 15 Google, cadie’s homepage (screen capture), 2009. Courtesy of Google plate 16 “Attractive Student.” Courtesy of iStockphoto.com plate 17 Parker Ito, “Anime Parked Domain Girl,” 2010. Courtesy of the artist plate 18 Curt Cloninger, “Mouchette Has a Posse” (screen capture), 2001. Courtesy of the artist plate 19 Emilie Gervais, Parked Domain Girl Tombstone home page (screen capture), 2013. Courtesy of the artist plate 20 Satoshi Kon, Paprika (still), 2006 plate 21 Satoshi Kon, Paprika (still), 2006 plate 22 Satoshi Kon, Paprika (still), 2006 plate 23 Satoshi Kon, Paprika (still), 2006 plate 24 Satoshi Kon, Paprika (still), 2006 ...