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index Abu Ghraib, 52–53, 57 Ad–hoc networks, 243–44 Analog/digital, 47, 49, 53–57, 60, 118, 121n4, 153, 245n2, 268 Anonymous, 257–58, 260–61 Art, 1–5, 7, 9, 12, 14, 15–20, 23–27, 30, 31n3, 32n17, 37, 39–43, 44n14, 51, 58, 60, 73, 78n8, 87–88, 90, 92, 108, 111–13, 125, 129–30, 134n2, 135n8, 137, 139, 150n15, 153, 159, 171–73, 176, 180, 186, 189–90, 192–93, 195, 198, 211–13, 222–23n4, 233–34, 236, 238–39, 245n5, 245n6, 245n7, 252–56, 259–61, 262n1, 262n2, 265–68 Assange, Julian, 258–259 Aumont, Jacques, 20–22, 24, 26 Barthes, Roland, 2, 65, 67, 69, 104, 125–26, 130, 140 Bartle, Richard, 182–83, 188, 193 Bernstein, Mark, 10–11, 265 Biofeedback, 193, 203, 266 Bishop, Claire, 253, 260 Boenisch, Peter M., 143–44 Bordwell, David, 22–24, 32n9, 32n10 Bourke, Paul, 200, 202, 208n1 Bourriaud, Nicolas, 253, 259–60 Brontë, Emily, 119 Cameron, James, 194 Catharsis, 253–55, 258 Chaos, 118, 127–28, 130, 132, 174 Close, Chuck, 55 Clowes, Daniel, 99, 105–6, 108 Community, 8, 13, 99, 213, 226–27, 229, 233–37, 239–42, 244, 251, 257, 259, 265 Computer games, 11–13, 175–79, 189, 193–99, 205–7, 211, 213–17, 219–22, 223n7, 223n9, 223n10, 265, 269 Csikszentmihalyi, Mihalyi, 254, 261 Cultural technologies, 4, 39–41, 43n1 De Certeau, Michel, 155, 156 Dekker, Andrew, 202–3, 205, 208n1 Deleuze, Gilles, 2, 8–9, 25, 30, 31n6, 67, 69, 78n8, 111–13, 116–17, 120–21, 122n7, 125–28, 130–31, 133, 135n4, 135n5, 135n7, 163–64, 266–67 Derrida, Jacques, 8, 29, 41, 113, 117 Digital photography, 5, 40, 47–52, 56, 61n2, 61n4 Discourse, 3, 10, 12, 16, 20, 24, 30–31, 31n5, 38, 41, 81, 113, 115, 120–21, 142, 153, 156, 158–59, 195, 211, 229 Eisner, Will, 96, 100 Emerson, Ralph Waldo, 1, 114, 121 Engell, Lorenz, 38–39, 267 Essentialism, 12, 29, 51, 192–93, 195, 199, 206 Feedback, 13, 186, 193, 203–4, 228, 233, 238–39, 259, 266 Fetish, 6, 64–65, 67, 77n2 Film, 2–7, 12, 15, 20–30, 32n9, 32n11, 32n12, 32n16, 38–39, 43, 44n4, 44n13, 48, 52, 54–56, 63–77, 78n6, 78n9, 78n10, 98, 120, 129, 139, 142, 149n3, 176–77, 181, 186, 192, 194–95, 199, 207, 217–19, 221, 223n9, 234, 241, 248, 252, 254–56, 261, 262n1, 265, 267–69 Flow, 46, 55, 117, 127, 131, 141, 163–64, 233, 238, 253–55, 257–61 Frasca, Gonzalo, 216, 223n5 Freak, 6, 63, 66–69, 73, 130–31, 268 Freud, Sigmund, 65, 115–16, 118 Frye, Northrop, 58 Galás, Diamanda, 8, 125–29, 133, 134n2, 267 Game analysis, 11, 175, 179, 183, 186–88 Gameplay, 12, 177, 178–80, 182–83, 189–90, 192, 194–95, 200, 203, 207, 214, 216, 266 272 i nde x Gameworld, 11, 180, 183–84, 186, 193, 208, 216, 218, 221 Garden, 10–11, 82, 89, 169–74 Guattari, Félix, 8, 67, 69, 111–13, 116–17, 119–20, 122n7, 125–28, 135n4, 163–64, 266–67 Greco, Diane, 173 Guerrilla television, 233–34 Hayles, N. Katherine, 9, 44n10, 153–54, 157, 167n1 Higgins, Dick, 2, 16–20, 42, 111–12, 139–40, 152, 192, 207, 213, 222–23n4, 252–53 Hypertext, 9–11, 40, 152, 156–59, 164, 166, 167n2, 169–74, 265–66 In–between, 4, 9, 40, 43, 125–30, 132–34, 140, 146, 149 Intermedia, 1–4, 15–19, 31n3, 37–40, 42–43, 44n14, 112, 140, 149n3, 152–53, 164, 192–93, 195, 207–8, 213, 222–23n4, 252–53, 266 Intermediality, 1–5, 7–9, 12–13, 15–17, 19–24, 26, 28–31, 31n1, 32n11, 32n16, 32n19, 37–38, 40, 43, 46–47, 93–95, 111, 125–26, 131, 134, 135n8, 137–41, 144, 148, 149n1, 149n4, 153–54, 175, 211–14, 217, 222, 222n2, 229, 232, 244, 260, 266, 268–69; formal, 3–4, 16, 20, 213; ontological, 3–4, 16, 28–30, 32n19; synthetic, 3, 16 Internet, 3, 39, 48, 52, 57, 61n2, 156–57, 159, 162–63, 165, 187, 194, 213, 227, 229, 240–44, 248, 256, 259 Jenkins, Henry, 199, 214 Kerr, Aphra, 214, 216, 221, 223 Konzack, Lars, 178–79 Krauss, Rosalind, 253 Kristeva, Julia, 15, 117, 121n4, 240 Lacan, Jacques, 8, 72, 111, 113–16, 119–20, 122n7, 122n9, 188 Link, 2, 8, 10–11, 21, 27...

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