In lieu of an abstract, here is a brief excerpt of the content:

References Barthes, Roland. 1989a. Roland Barthes. Translated by Richard Howard. Berkeley: University of California Press. ———.1989b. The Rustle of Language. Translated by Richard Howard. Berkeley: University of California Press. Behar, Stella. 1995. Georges Perec: Écrire pour ne pas dire. New York: Peter Lang. Bénabou, Marcel. 2001. “Quarante siècles d’Oulipo.” Magazine Littéraire 398 (2001): 20–26. Bénabou, Marcel, and Bruno Marcenac. 1993. “Georges Perec Owns Up: An Interview with Marcel Bénabou and Bruno Marcenac.” Translated by David Bellos. Review of Contemporary Fiction 13 (1) (Spring): 17–20. Bens, Jacques. 1981. “Queneau Oulipian.” In Oulipo: Atlas de littérature potentielle. Paris: Editions Gallimard. Bertharion, Jacques-Denis. 1998. Poétique de Georges Perec: “ . . . une trace, une marque ou quelques signes.” Paris: A.-G. Nizet. Biesen, Sheri Chinen. 2005. Blackout: World War II and the Origins of Film Noir. Baltimore: Johns Hopkins Press. Borde, Raymond, and Étienne Chaumeton. [1955] 2002. A Panorama of American Film Noir 1941–1953. Translated by Paul Hammond. San Francisco: City Light Books. Bordwell, David, Janet Staiger, and Kristin Thompson. 1985. The Classical Hollywood Cinema: Film Style and Mode of Production to 1960. New York: Columbia University Press. Bould, Marc. 2005. Film Noir: From Berlin to Sin City. New York: Wallflower. Brook, Vincent, and Allen Campbell. 2003. “Pansies Don’t Float: Gay Representability, Film Noir, and The Man Who Wasn’t There.” Jump Cut 46. Burgelin, Claude. 1990. Georges Perec. Paris: Edition du Seuil. Calvino, Italo. 1979. If on a Winter’s Night a Traveler. Translated by William Weaver. New York: Harcourt Brace Jovanovich. ———.1982. “Cybernetics and Ghosts.” In The Uses of Literature, translated by Patrick Creagh. New York: Harcourt Brace Jovanovich. ———.1988. “Multiplicity.” In Six Memos for the Next Millennium, translation ours. New York: Vintage International. ———.1995. “How I Wrote One of My Books.” In Oulipo Laboratory: Texts from the Bibliothèque Oulipienne, translated by Harry Mathews, Iain White, and Warren Motte Jr. London: Atlas Press. References • 297 ———.1998. “Prose and Anti-combinatorics.” In Oulipo: A Primer of Potential Literature , edited and translated by Warren Motte Jr. Normal, Ill.: Dalkey Archive. Camby, Vincent. 1984. “Hitchcock’s ‘Rope’: A Stunt to Behold.” New York Times, June 3. Camus, Albert. 1991. The Myth of Sisyphus and Other Essays. Translated by Justin O’Brien. New York: Knopf. Casper, Drew. 2007. Postwar Hollywood, 1946–1962. New York: Blackwell. Chandler, Raymond. 1995. “The Long Goodbye.” In Raymond Chandler: Later Novels and Other Writings. New York: Library of America. Chartier, Jean-Pierre. 2003. “Americans Are Also Making Noir Films.” In Film Noir Reader 2, edited and translated by Alain Silver and James Ursini. New York: Limelight. Clément, Catherine. 1979. “Auschwitz, ou la disparition.” L’Arc 76:87–90. Clute, Shannon. 2003. The Last Laugh: Punning and Plagiary in Georges Perec’s La Disparition . PhD diss., Cornell University. Ann Arbor, Mich.: University Microfilms International (3104435). Clute, Shannon, and Richard Edwards. 2006. “Podcasting as Publication: Constructing a Serialized Academic Audiobook.” Paper presented at the NMC Online Conference on Personal Broadcasting, April. http://archive.nmc.org/events/2006spring_ online_conf (accessed April 1, 2010). Conley, Tom. 1991. Film Hieroglyphs: Ruptures in Classical Cinema. Minneapolis: University of Minnesota Press. ———.1996. The Self-Made Map: Cartographic Writing in Early Modern France. Minneapolis: University of Minnesota Press. ———.2006. Cartographic Cinema. Minneapolis: University of Minnesota Press. Consenstein, Peter. 2002. Literary Memory, Consciousness, and the Group Oulipo. Netherlands: Faux Titre. Delany, Samuel. 1999. “Politics of the Paraliterary.” In Shorter Views: Queer Thoughts and the Politics of the Paraliterary. Middletown, Conn.: Wesleyan University Press. Dimendberg, Edward. 2004. Film Noir and the Spaces of Modernity. Cambridge, Mass.: Harvard University Press. Duncan, Paul. 2003. Film Noir: Films of Trust and Betrayal. North Pomfret, Vt.: Trafalgar Square Publishing. Durgnat, Raymond. 1996. “Paint It Black: The Family Tree of the Film Noir.” In Film Noir Reader, edited by Alain Silver and James Ursini. Pompton Plains, N.J.: Limelight Editions. Eco, Umberto. 1984. “Postscript.” In The Name of the Rose. New York: Harcourt. Ellenberg, Jordan. 2008. “This Psychologist Might Outsmart the Math Brains Competing for the Netflix Prize.” Wired Magazine, February 25. www.wired.com/techbiz/ media/magazine/16-03/mf_netflix (accessed March 24, 2010). Entretiens et conferences vol. II. 1981. Conference at the University of Copenhagen, October 29. Paris: Joseph K. Erickson, Todd. [1995] 1996. “Kill Me Again: Movement Becomes Genre.” In Film Noir Reader, edited by Alain Silver and James Ursini. Pompton Plains, N.J.: Limelight Editions. [18.118.1.232] Project MUSE (2024-04-20 03:33 GMT) 298 • References...

Share