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To celebrate ten years of Southern Music Issues, most of which are sold out or very hard to find, the fifty-five essays collected in this dynamic, wide-ranging, and vast anthology appeal to both music fans and fans of great writing. Here you’ll find writers like Peter Guralnick, Nick Tosches, Susan Straight, William Gay, Tom Piazza, Roy Blount Jr., R. Crumb, Rosanne Cash, Lucinda Williams, Elizabeth Wurtzel, Jerry Wexler, and Steve Martin probing the lives and legacies of southern musicians you may or may not yet be familiar with. In one creative, fresh way or another, these writers also uncover the essence of music—and why music has such power over us. From blues to rock ’n’ roll to jazz to country to bluegrass, from interviews, reviews, analysis, reflections, and biographical portraits, The Oxford American Book of Great Music Writing has “something that will inform and excite you”—Nashville City Paper.

Table of Contents

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  1. Cover
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  1. Frontmatter
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  1. Contents
  2. pp. vii-xii
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  1. Acknowledgments
  2. pp. xiii-xiv
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  1. Foreword: Greek to Me
  2. pp. xv-xvi
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  1. Introduction: Rage Against the Machine
  2. pp. xvii-xxii
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  1. Blues
  1. Various Artists: Falling Into Place: A MUSIC WRITER LOOKS BACK
  2. pp. 3-7
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  1. Leadbelly: ANOTHER WORLD
  2. pp. 8-13
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  1. Bessie Smith: ANY WOMAN’S BLUES
  2. pp. 14-24
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  1. Country
  1. Jimmy Martin: TRUE ADVENTURES WITH THE KING OF BLUEGRASS
  2. pp. 27-48
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  1. Early History
  1. Blind Tom Wiggins: SLAVERY ONSTAGE
  2. pp. 51-59
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  1. Emmett Miller: GET DOWN, MOSES
  2. pp. 60-69
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  1. Rock & Roll/Pop
  1. My Morning Jacket: A DESCENT INTO FANDOM
  2. pp. 73-85
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  1. Janis Joplin: LOOKING FOR HER IN PORT ARTHUR, TEXAS
  2. pp. 86-93
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  1. Chris Bell: THE LEGACY OF BIG STAR’S “OTHER GENIUS”
  2. pp. 94-99
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  1. Jim White: THE ORIGINAL HICK-HOPPER
  2. pp. 100-108
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  1. Jazz
  1. Eartha Kitt: TIGRESS
  2. pp. 111-114
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  1. Henry “Red” Allen: A NEW ORLEANS TRUMPETER AND THE MAN WHO LOOMED OVER HIM
  2. pp. 115-122
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  1. Folk/Bluegrass
  1. Doc Watson: SITTING ON TOP OF THE WORLD
  2. pp. 125-132
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  1. Fred Neil: WHO WAS FRED? FRED WAS FRED WAS FRED
  2. pp. 133-138
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  1. Iris DeMent: TANGLED IN MY LIFE
  2. pp. 139-148
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  1. R&B/Soul
  1. Ray Charles: HE HIT IT ON THE NOSE
  2. pp. 151-155
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  1. Dusty Springfield: THE QUEEN OF BLOND SOUL
  2. pp. 156-159
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  1. Joe Tex: HIDDEN MEANINGS (a short story)
  2. pp. 160-165
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  1. Ike Turner: STILL SMOKING
  2. pp. 166-174
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  1. Family
  1. My Mother’s Blues: WHY SHE WON’T LEAVE NEW ORLEANS
  2. pp. 177-181
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  1. About a Girl: MY SISTER’S LOVE AFFAIR WITH COUNTRY MUSIC
  2. pp. 182-189
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  1. Rockabilly
  1. Jerry Lee Lewis: ONE NIGHT WITH THE KILLER
  2. pp. 193-204
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  1. Southern Rock
  1. The Allman Brothers: THE ONLY PLACE THEY REALLY FELT AT HOME WAS MAMA LOUISE HUDSON’S SOUL-FOOD RESTAURANT
  2. pp. 207-211
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  1. Lynyrd Skynyrd: SONG OF THE SOUTH
  2. pp. 212-214
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  1. Lynyrd Skynyrd: CAN YOU FIND SALVATION IN THE LATE-NIGHT MUSIC OF A ROADHOUSE COVER BAND? (a short story)
  2. pp. 215-219
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  1. Southern Heavy Metal
  1. Southern Heavy Metal: AN ODE
  2. pp. 223-225
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  1. Blues: Dept. of R.L.Burnside
  1. Authenticity Be Damned!: A DIRTY BLUES ALCHEMY THAT IS CORRUPT AND ALIVE
  2. pp. 229-233
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  1. Why I Wear My Mojo Hand: CHAOS THEORY, APPLIED
  2. pp. 234-235
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  1. Walking After Midnight: I BEGAN TO SEE THAT THE BLUES IS REALLY NEWS FROM AN OLDER PLACE
  2. pp. 236-240
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  1. Homage to a Juke Joint: WHEN THE MUSIC INSIDE MEETS THE MUSIC OUTSIDE
  2. pp. 241-243
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  1. Rock & Roll II
  1. Captain Beefheart: WE COULD REALLY USE SOME MYSTERY IN OUR MUSIC THESE DAYS
  2. pp. 247-250
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  1. The Sex Pistols: IN ENEMY TERRITORY: THEIR SOUTHERN TOUR OF ’78
  2. pp. 251-256
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  1. R&B: Dept. of Al Green
  1. Raw and Born Again: THE SOUND THAT PROMISES TO TAKE US HOME
  2. pp. 259-262
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  1. Only His Voice Made Us Feel This Way: IT IS LIKE CHURCH
  2. pp. 263-266
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  1. Dept. of Elvis
  1. Bill Haney: THE FIRST AND MOST INFLUENTIAL ELVIS IMPERSONATOR EVER
  2. pp. 269-281
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  1. Rock& Roll/Pop III
  1. R.E.M.: IT’S NOT LIKE YEARS AGO
  2. pp. 285-292
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  1. Bobbie Gentry: AN ATTEMPT TO SOLVE ONE OF AMERICA’S GREATEST MYSTERIES
  2. pp. 293-295
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  1. Randy Newman: (NOT) THROUGH ROSE-COLORED GLASSES
  2. pp. 296-300
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  1. 1967 (a poem)
  2. pp. 301-303
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  1. Drivin’ N’ Cryin’: MISCHIEVOUS TAXIDERMY
  2. pp. 304-309
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  1. Jazz II
  1. King Pleasure: CLARENCE BEEKS, AN ASTRONAUT OF JAZZ, EXPLORED THE SPACE INSIDE THE SOUND
  2. pp. 313-317
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  1. Bob Dorough: A ONE-MAN MOVEMENT
  2. pp. 318-333
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  1. Blues II
  1. Hunting for Old Records: A True Story
  2. p. 337
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  1. Portrait of the Artist as an Aging Lightnin’ Hopkins Enthusiast
  2. pp. 338-339
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  1. Rockabilly II
  1. Carl Perkins: HOW A ONE-LEGGED CHICKEN LED THE WAY TO ROCK & ROLL HEAVEN (an interview)
  2. pp. 343-348
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  1. Dale Hawkins: THAT’S GUITAR PLAYING!
  2. pp. 349-356
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  1. Playing
  1. Notes From the Underground (Twang Tour): WHEN IT’S JULY IN MEMPHIS, HOODOO HAPPENS
  2. pp. 359-364
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  1. Lucinda Williams: TOUGH-LOVE SONGWRITER (as told to) Marc Woodworth
  2. pp. 365-370
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  1. Guitar Lessons: LEARNING TO PLAY MUSIC IN THE MISSISSIPPI DELTA
  2. pp. 371-377
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  1. Classical/Avant-Garde
  1. Moondog: THERE IS JAZZ, CLASSICAL, AVANT-GARDE— AND MOONDOG
  2. pp. 381-384
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  1. A Love Set to Music (a poem)
  2. pp. 385-386
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  1. At the Young Composers’ Concert (a poem)
  2. pp. 387-388
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  1. Playing II
  1. The Song of a Sad Café: CAN YOU YEARN FOR A PLACE YOU’VE NEVER BEEN?
  2. pp. 391-401
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  1. Banjo: OBSESSION IS A GREAT SUBSTITUTE FOR TALENT
  2. pp. 402-406
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  1. The Most Human Sound: TWO STRANGERS WERE SHARING HER LAST MOMENTS OF PEACE
  2. pp. 407-410
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  1. Contributors
  2. pp. 411-420
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  1. Credits
  2. p. 421
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