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Little over a century ago, New York and Budapest were both flourishing cities engaging in spectacular modernization. By 1930, New York had emerged as an innovating cosmopolitan metropolis, while Budapest languished under the conditions that would foster fascism. Budapest and New York explores the increasingly divergent trajectories of these once-similar cities through the perspectives of both Hungarian and American experts in the fields of political, cultural, social and art history. Their original essays illuminate key aspects of urban life that most reveal the turn-of-the-century evolution of New York and Budapest: democratic participation, use of public space, neighborhood ethnicity, and culture high and low. What comes across most strikingly in these essays is New York's cultivation of social and political pluralism, a trend not found in Budapest. Nationalist ideology exerted tremendous pressure on Budapest's ethnic groups to assimilate to a single Hungarian language and culture. In contrast, New York's ethnic diversity was transmitted through a mass culture that celebrated ethnicity while muting distinct ethnic traditions, making them accessible to a national audience. While Budapest succumbed to the patriotic imperatives of a nation threatened by war, revolution, and fascism, New York, free from such pressures, embraced the variety of its people and transformed its urban ethos into a paradigm for America. Budapest and New York is the lively story of the making of metropolitan culture in Europe and America, and of the influential relationship between city and nation. In unifying essays, the editors observe comparisons not only between the cities, but in the scholarly outlooks and methodologies of Hungarian and American histories. This volume is a unique urban history. Begun under the unfavorable conditions of a divided world, it represents a breakthrough in cross-cultural, transnational, and interdisciplinary historical work.

Table of Contents

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  1. Cover
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  1. Title page, Copyright, Dedication
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  1. Contents
  2. pp. vii-ix
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  1. Foreword
  2. pp. xi-xii
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  1. Acknowledgments
  2. pp. xiii-xiv
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  1. Introduction: Budapest and New York Compared
  2. Thomas Bender, Carl E. Schorske
  3. pp. 1-28
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  1. Part I. Politics: Participation and Policy - Introduction
  2. pp. 29-34
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  1. Chapter 1. Transformations in the City Politics of Budapest: 1873-1941
  2. Zsuzsa L. Nagy
  3. pp. 35-54
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  1. Chapter 2. Political Participation and Municipal Policy: New York City: 1870-1940
  2. David C. Hammack
  3. pp. 55-80
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  1. Part II. Space: Society and Behavior - Introduction
  2. pp. 81-84
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  1. Chapter 3. Uses and Misuses of Public Space in Budapest: 1873-1914
  2. Gabor Gyani
  3. pp. 85-107
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  1. Chapter 4. The Park and the People: Central Park and Its Publics: 1850-1910
  2. Elizabeth Blackmar, Roy Rosenzweig
  3. pp. 108-134
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  1. Part III. Neighborhoods: Class and Ethnicity - Introduction
  2. pp. 135-138
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  1. Chapter 5. Class and Ethnicity in the Creation of New York City Neighborhoods: 1900-1930
  2. Deborah Dash Moore
  3. pp. 139-160
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  1. Chapter 6. St. Imre Garden City: An Urban Community
  2. Istvan Teplan
  3. pp. 161-180
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  1. Part IV. Popular Cultre: Heterogeneity and Integration - Introduction
  2. pp. 181-184
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  1. Chapter 7. Immigrants, Ethnicity, and Mass Culture: The Vaudeville Stage in New York City: 1880-1930
  2. Robert W. Snyder
  3. pp. 185-208
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  1. Chapter 8. The Cultural Role of the Vienna-Budapest Operetta
  2. Peter Hanak
  3. pp. 209-223
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  1. Chapter 9. The Budapest Joke and Comic Weeklies as Mirrors of Cultural Assimilation
  2. Geza Buzinkay
  3. pp. 224-247
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  1. Chapter 10. Covering New York: Journalism and Civic Identity in the Twentieth Century
  2. Neil Harris
  3. pp. 248-268
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  1. Part V. The High Arts: Metropolitan Autonomy and Modernism - Introduction
  2. pp. 269-274
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  1. Chapter 11. The Artist's New York: 1900-1930
  2. Wanda M. Corn
  3. pp. 275-308
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  1. Chapter 12. Avant-Garde and Conservatism in the Budapest Art World: 1910-1932
  2. Eva Forgacs
  3. pp. 309-331
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  1. Chapter 13. The Novel as Newspaper and Gallery of Voices: The American Novel in New York City: 1890-1930
  2. Philip Fisher
  3. pp. 332-351
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  1. Chapter 14. The Role of Budapest in Hungarian Literature: 1890-1935
  2. Miklos Lacko
  3. pp. 352-366
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  1. Afterword: Historical Perspectives and National Cultures
  2. Carl E. Schorske, Thomas Bender
  3. pp. 367-372
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  1. Appendix. Papers presented at the Conference on the History of Budapest and New York: 1870-1930 [Budapest, 1988]
  2. pp. 373-374
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  1. Contributors
  2. pp. 375-378
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  1. Index
  2. pp. 379-400
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