Index
227 index abbott, lawrence [larry], 18, 182n1 abenaki People, 68n17 Aboriginal World View (tsinhnahjinnie, film/installation), 132–37, 138n7 acoma Pueblo, 47, 192 Acoma Woman (curtis), 192–93, 193 actors, 77, 79, 81; casting, 10, 54, 57; as community members, 58; in Imprint, 13, 16; lakota, 35n31, 50, 55, 65, 68n22, 69n25; native extras as, 49, 55–57, 59, 61, 67nn9, 11; native female, 10, 14, 19, 22–23, 132; native male, 14, 41–42, 49, 55, 58, 65, 120; speaking roles for, 65; uncredited, 55; white redface, 59, 64, 106. See also names of specific actors adair, John, 9 adams, evan, 41, 84 aesthetics: activist, 136, 148, 150, 162; alexie’s, 80, 90; ancestor, 217–18; of beauty, 189; commodification and, 62; of encoding, 154–55; Gansworth’s, 156, 174, 178, 181; Ghost dance, 211; indigenous, 9, 134, 143–45, 150; innovation, 163; Kiefer’s, 200; mohawk, 4; navajo, 10; postmodern critiques of, 190; scholder’s, 152; truth and, 211; tsinhnahjinnie’s, 149, 157, 200; utility and, 159 agamben, Giorgio, 7 agger, Gunhild [Ben], 98, 115n10 aim, 13, 52, 62 alberta, clint, 9 alcatraz: art at, 136, 145, 147; Red Power, 146, 146, 148 alexie, sherman, 66n1, aesthetics of, 80, 90; on art, 74, 80–81; cameos by, 90, 92n16; film director, 73, 75, 76, 84; on filmmaking, 73, 79–81, 84; Fraser interview, 73, 74, 84, 89–90; Hollywood and, 75, 77, 78–81; on indian literature, 73, 89; indigenous spectatorship and, 41; literary audience of, 87; Lone Ranger and Tonto Fistfight in Heaven, 84; national Book award won by, 91; Old Shirts and New Skins, 84; as poet and novelist, 73, 78–79; Reservation Blues by, 84; reviews of, 76–77, 89; rosenfelt and estes and, 76, 79; schooling of, 75; screenplays by, 41–42, 73–76; “this is What it means to say Phoenix, arizona,” 75; Toughest Indian in the World, 84; Weinmann interview, 74, 79, 80, 92n16; West interview, 90; on writing, 89. see also Business of Fancydancing, The alfred, taiaiake, 120, 129 allegory, 4, 16, 43, 46 allen, chadwick, 49, 162 allusion, 54, 75, 85, 124, 133, 135, 216 Almanac of the Dead (silko), 28, 39n57 althusser, louis, 46, 81 american Horse, 55–57 american Horse, Joe, 69n25 american indian movement (aim), 13, 52, 62 Anaana (Kunuk, film), 10 anderson, laurie, 174 anishinabe People, 69n25 apess, William, 32–33n4 Apocalypto (Gibson, film), 96, 101–3, 112 apted, michael, 52 arapaho tribe, 147 228| Index archuleta, elizabeth, 159 arnait Video Productions, 10, 12 art: alcatraz, 136, 145–47, 146, 148; alexie on, 74, 80–81; audience and, 158, 163; beadwork, 143, 158–59, 159, 171–72, 191; beadwork in films, 19, 21, 123, 124; beauty in, 203; collectible, 153; as commodity, 171; contemporary versus historic, 212, 217–18; european, 153, 174; genre and 144, 155, 162, 172–73; Haudenosaunee, 19, 156, 162–63, 179; hybridity and, 205n29; iconography and, 144; indian, 143–47, 149, 151–53, 162–4, 202–3; indian arts and crafts act, 132; indian ledger book, 145, 145, 146, 148, 159; indian as ndn, 143–44, 158; lakota, 190–91, 218; leuthold, 134; linearity in, 156, 166; metaphor in, 143, 145–46, 148; mixed media, 163, 172–74, 189; modernism and, 153, 163, 210; narrative, 174, 207, 215; origins of, 218, 221n19; performance , 8, 9, 46, 132–33, 143, 174; public, 146–48; sovereignty and, 49, 213, 215; tattoo, 194–95, 195, 196, 197; time continuity and, 159, 164, 165, 208; white sculptors, 144, 148, 204n21; white teachers of, 202. See also names of specific artists; beadwork; beauty; films; installations; lithography; mixed genre; paintings; photography; sculpture; women, works by or about native art history, 143, 144, 145, 174; return to beauty and, 189–90, 202 artistic sovereignty, 49, 213, 215 audience: allegorized, 43; art and, 158, 163; coding for, 55; crying images and, 65; decoding, 48; emotions and, 63, 65; expectations, 14; Hollywood misrepresentation and, 66n3; imagery and, 4, 19; “indigenizing,” 57; language and, 146; literary, 87; mass, 41; mediating an, 51; multiple, 59, 76; native, 41–43, 55–59, 62, 67n9, 75, 82, 87; nonnative , 5, 43, 45, 57, 65, 75–76, 87; perceptions of indians, 67n9; racially mixed, 68n20; recognition and, 55–56, 61; television, 12, 48, 53; white, 65, 73, 74. See also spectatorship autoethnography, 9, 33n15 aztec culture, 29, 111 Bald eagle, dave, 15, 16 Ball, tom, 163 Baudrillard, Jean, 8 Bauerkemper, Joseph, 156 Beach, adam, 60 “Beads, Wampum, money, Words—and Old english riddles” (revard), 176 beadwork...
OR
