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2 2 5 Selected Bibliography Agacinski, Sylviane. Time Passing: Modernity and Nostalgia. Trans. Jody Gladding . New York: Columbia University Press, 2003. Arnold,Andrew.“QandAwithComicbookMasterChrisWare,”TIME,September 1, 2000. http://www.time.com/time/nation/article/0,8599,53887,00 .html (accessed April 15, 2009). Baetens, Jan. “New = Old, Old = New: Digital and Other Comics Following Scott McCloud and Chris Ware.” electronicbookreview.com 11 (winter 2000/2001). http://www.altx.com/ebr/ebr11/11ware.htm (accessed February 26, 2009). Ball, David M. “Comics against Themselves: Chris Ware’s Graphic Narratives as Literature.” In Contemporary American Comics: Creators and their Contexts , ed. James Lyons and Paul Williams. Jackson: University Press of Mississippi, forthcoming. Barry, Lynda. What It Is. Montreal: Drawn & Quarterly, 2008. Barthes, Roland. S/Z. Trans. Richard Miller. New York: Farrar, 1988. Beaty, Bart. Unpopular Culture: Transforming the European Comic Book in the 1990s. Toronto: University of Toronto Press, 2007. Benjamin, Walter. The Arcades Project. Trans. Howard Eiland and Kevin McLaughlin. Cambridge, MA: Harvard University Press, 1999. ———. The Origin of German Tragic Drama. Trans. John Osborne. New York: Verso, 2003. ———. “Theses on the Philosophy of History.” In Illuminations: Essays and Reflections, ed. Hannah Arendt, trans. Harry Zohn, 253–64 . New York: Schocken, 1969. Bergson, Henri. An Introduction to Metaphysics. Trans. T. E. Hulme. New York: Macmillan, 1955. Blackbeard, Bill. “The Four Color Paper Trail: A Look Back.” International Journal of Comic Art 5.2 (2003): 205–15. Blackbeard, Bill, and Martin Williams. The Smithsonian Collection of Newspaper Comics. New York: Abrams, 1977. Boym, Svetlana. The Future of Nostalgia. New York: Basic, 2001. Bredehoft, Thomas A. “Comics Architecture, Multidimensionality, and Time: Chris Ware’s Jimmy Corrigan: The Smartest Kid on Earth.” Modern Fiction Studies 52 (2006): 869–90. Brown, Julie K. Contesting Images: Photography and the World’s Columbian Exposition . Tucson: University of Arizona Press, 1994. Canemaker, John. Winsor McCay: His Life and Art. Rev. ed. New York: Abrams, 2005. 2 2 6 S E L E C T E D B I B L I o G r A P H Y Carlin, John. “The Real Comic Book Heroes.” TATE Etc. 9 (spring 2007): 60– 69. Cavell, Stanley. “The Uncanniness of the Ordinary.” In In Quest of the Ordinary : Lines of Skepticism and Romanticism, 153–78. Chicago: University of Chicago Press, 1988. Chabon, Michael. “The Editor’s Notebook.” McSweeney’s Quarterly Concern 10 (2002): 5–8. Chute, Hillary. “Comics as Literature? Reading Graphic Narrative.” PMLA 123 (2008): 452–65. Clark, T. J. “Modernism, Postmodernism, and Steam.” October 100 (2002): 154–74. Craven, Thomas. Cartoon Cavalcade. New York: Simon, 1943. Crimp, Douglas. “On the Museum’s Ruins.” October 13 (1980): 41–57. Daniels, Les. Superman: The Complete History. San Francisco: Chronicle, 1998. Dennett, Daniel. “The Self as a Center of Narrative Gravity.” In Self and Consciousness : Multiple Perspectives, ed. Frank S. Kessel, Pamela M. Cole, and Dale L. Johnson, 103–15. Hillsdale, NJ: Lawrence Erlbaum, 1992. Derrida, Jacques. “Différance.” In Margins of Philosophy, trans. Alan Bass, 3–27. Chicago: University of Chicago Press, 1982. Dowd, D. B., and Todd Hignite. Strips, Toons, and Bluesies. New York: Princeton Architectural Press, 2004. Eco, Umberto. “The Myth of Superman.” In The Role of the Reader, trans. Natalie Chilton, 107–24. Bloomington: Indiana University Press, 1979. Edemariam, Aida. “The Art of Melancholy.” The Guardian, October 31, 2005. http://arts.guardian.co.uk/features/story/0,,1605193,00.html(accessed August 31, 2008). Eggers, Dave. “After Wham! Pow! Shazam!” New York Times Book Review, November 26, 2000, 10–11. Eisner, Will. Graphic Storytelling and Visual Narrative. Tamarac: Poorhouse, 1996. Elkins, James. Stories of Art. New York: Routledge, 2002. Fiedler, Leslie. “The Middle against Both Ends.” Encounter (August 1955). Rpt. in The Collected Essays of Leslie Fiedler. Vol. 2, 415–28. New York: Stein and Day, 1971. Freud, Sigmund. “Screen Memories.” In The Standard Edition of the Complete Psychological Works of Sigmund Freud, vol. 3. ed. and trans. James Strachey, 301–22. London: Hogarth, 1962. ———. Totem and Taboo. Ed. and trans. James Strachey. New York: Norton, 1950. Frome, Jonathan. “Identification in Comics.” Comics Journal 211 (1999): 82– 86. Fukuyama, Francis. The End of History and the Last Man. New York: Avon, 1992. Gardner, Jared. “Archives, Collectors, and the New Media Work of Comics.” Modern Fiction Studies 52 (2006): 787–806. Garland-Thomson, Rosemarie. Extraordinary Bodies: Figuring Physical Disability in American Culture. New York: Columbia University Press, 1997. Genette, Gérard. Paratexts: Thresholds of Interpretation. Trans. Jane E. Lewin. Cambridge: Cambridge University Press, 1997. [18.117.186.92...

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