In lieu of an abstract, here is a brief excerpt of the content:

   3 8 1 I n d e x Ace Records, 235 Acuff-Rose,“Yesterday, Where’s My Mind,”152 Adamany, Ken, 118 AGP. See American Group Productions; American Studios; American Studios musicians Alabama (group), 104, 366 Alaimo, Steve, 156;“Can’t You See,”157; Entrance label and, 317;“Sand in My Pocket,”363;“Thank You for the Sunshine Days,”157;“Watching the Trains,”156; “Wild Side of Life,”157 Aldrich, Lymon, 328 Alexander, Arthur, 193;“Burnin’Love,”333;“Call Me Honey,”334–35;“Call Me in Tahiti,”335;“Come Along With Me,”335;“Cry Like a Baby,”234;“Down the Back Roads,”334;“Every Day I Have to Cry Some,”31;“Go Home Girl,”333;“I’m Coming Home,” 333;“I’m in the Midde of It All,”333;“It Hurts to Want It So Bad,”333;“Lover Please,”334;“Love’s Where Life Begins,”334;“Rainbow Road,”334; “Thank God He Came,”335–36;“They’ll Do It Every Time,”336;“You’d Better Move On,”332 Alexenberg, Ron, 342 Allen, Bill, 266 Allen, Deborah,“Rock Me,”293 Allen, Mel, 5 Allison, Howard, 21 Allman, Duane, 19, 177 Allman, Greg,“Got to Get Away,”193 Ally McBeal, 169 Alpert, Herb, 52 American Bandstand, 8 American Group Productions:“Enchilada Soul,”234; formation of, 125–26;“The High Times,”234. See also American Studios; American Studios musicians American Studios: acoustics at, 14, 163, 164; arrangements for Presley by, 200; Atlantic Records and, 74, 82, 115, 358; awards, 247, 365; Bell Records and, 81, 249; Capitol Records and, 249–50; changes at, 173; Crews lawsuit and, 274, 339; decline of, 284; downward spiral of, 308; equipment at, 50, 66, 123–24, 163–64, 234, 296; exclusion of accounts by, 343; founding of, 17; “In the Ghetto”controversy and, 210–11; King assassination and, 142–44; lack of work at, 360; Moman inattention to, 301, 330; Moman offer to sell and, 115–16; move to Atlanta, 361, 362, 364, 365; move to Nashville, 365; new material and, 238; parachute room at, 306; rivalry with Stax, 101; routine at, 131–32; security at, 124, 297; success of, 77, 87, 89, 158; traditionalism of, 152; Wine and, 304–5, 308. See also American Group Productions; American Studios musicians; Moman, Chips American Studios musicians: attitudes towards women of, 169; conflict among, 211–12; creative process of, 76, 147, 151, 159, 190–91, 312–13; dissatisfaction among, 190, 294, 304–6, 308–10, 316, 329; downtime and, 226, 282, 330–31; drugs and, 66, 328–29; expectations of, 181, 329, 336–37; group dynamics among, 159, 163, 164, 181–82, 271, 273, 284, 290; influence on other artists of, 197, 245; instrumentals by, 234, 360; Muscle Shoals musicians and, 115; pay and, 111, 132, 196–97, 208; pranks and, 204–5, 359–60; Presley in Las Vegas and, 219; selection of, 39–40; style of, 47, 76, 113, 146, 151, 290–91. See also American Studios; Bishop, Hayward; Burnette, Billy; Carson, Wayne; Chrisman, Gene; Christopher, Johnny; Cogbill, Tommy; Emmons, Bobby; Fritts, Donnie; James, Mark; Keister, Shane; Kesler, Stan; Kollis, Ed; Leech, Mike; Mainegra, Richard; Moman, Chips; Oldham, Spooner; Penn, Dan; Spreen, Glen; West, Bobby“Red”; Wine, Toni; Womack, Bobby; Wood, Bobby; Young, Reggie Andersen, Eric,“Florentine,”303 Animals, the,“House of the Rising Sun,”153 Anka, Paul, 321 Archies, the,“Sugar, Sugar,”257 Ardent Records, 3, 137, 322 Arnold, Eddie, 78; Walkin’ in Love Land, 231 Arnold, Jerry“Satch,”8, 10, 19 Arnold, P. P.,“Angel of the Morning,”126 Atco Records, 160 Atkins, Chet, 6, 17, 52, 78 Atkins, Leona, 78 Atlanta Rhythm Section, 302 Atlantic Records: American Studios and, 35, 58, 219, 349–50; changes at, 234; DeShannon and, 346, 349; Dynamics and, 185; Franklin and, 54; jazz and, 161; Mann and, 342; Prine and, 321, 399; scheduling and, 131; Schroeder and, 45; Springfield and, 164 Audio Recorders, 268 3 8 2    i n d e x Avantis, the, 22 Axton, Estelle, 3, 15, 16 Ayers, Roy, 161, 162 Bacharach, Burt, 52;“Any Day Now,”205;“Close to You,” 301;“Everybody’s Out of Town,”274; influence on Carson, 105; influence on Oldham, 107;“Land of Make-Believe,”166;“The Look of Love,”164; “Raindrops Keep Fallin’On My Head,”254, 274; “Reach Out,”94;“Send My Picture to Scranton, PA,” 275;“Trains, Boats and Planes,”106 Baez, Joan:“Rainbow Road,”334;“Weary Mothers,”303 Baker, Drew, 48 Ball, Noel, 23 Bang Records, 157 Bare, Bobby, 52 Barnett, Mary, 343 Beach Boys, 126 beach music...

Share