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From silent films to television programs, Hollywood has employed actors of various ethnicities to represent "Oriental"characters, from Caucasian stars like Loretta Young made up in yellow-face to Korean American pioneer Philip Ahn, whose more than 200 screen performances included roles as sadistic Japanese military officers in World War II movies and a wronged Chinese merchant in the TV show Bonanza. The first book-length study of Korean identities in American cinema and television, Hollywood Asian investigates the career of Ahn (1905-1978), a pioneering Asian American screen icon and son of celebrated Korean nationalist An Ch'ang-ho. In this groundbreaking scholarly study, Hye Seung Chung examines Ahn's career to suggest new theoretical paradigms for addressing cross-ethnic performance and Asian American spectatorship. Incorporating original material from a wide range of sources, including U.S. government and Hollywood screen archives, Chung's work offers a provocative and original contribution to cinema studies, cultural studies, and Asian American as well as Korean history.

Table of Contents

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  1. Cover
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  1. Frontmatter
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  1. Contents
  2. p. vii
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  1. Acknowledgments
  2. pp. ix-x
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  1. Introduction: The Life and Death of a Hollywood Asian
  2. pp. xi-xxii
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  1. PART I: Asian American Acts: Performance and Spectatorship
  1. 1. Portrait of a Patriot’s Son: Philip Ahn and Korean Diasporic Identities in Hollywood
  2. pp. 3-32
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  1. 2. The Audience Who Knew Too Much: Oriental Masquerade and Ethnic Recognition among Asian Americans
  2. pp. 33-56
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  1. PART II: Oriental Genres, 1930s to 1950s
  1. 3. Between Yellowphilia and Yellowphobia: Asian American Romance in Oriental Detective Films
  2. pp. 59-86
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  1. 4. State Intervention in the Imagining of Orientals in China Films of the 1930s and 1940s
  2. pp. 87-119
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  1. 5. Hollywood Goes to Korea: War, Melodrama, and the Biopic Politics of Battle Hymn
  2. pp. 120-168
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  1. Conclusion: Becoming “Father,” Becoming Asian American
  2. pp. 169-190
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  1. Notes
  2. pp. 191-212
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  1. Filmography
  2. pp. 213-214
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  1. Bibliography
  2. pp. 215-223
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  1. Index [Includes About the Author]
  2. pp. 225-233
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