In this Book
- James Merrill, Postmodern Magus: Myth and Poetics
- Book
- 2008
- Published by: University of Iowa Press
summary
One of the unique voices in our century, James Merrill was known for his mastery of prosody; his ability to write books that were not just collected poems but unified works in which each individual poem contributed to the whole; and his astonishing evolution from the formalist lyric tradition that influenced his early work to the spiritual epics of his later career. Merrill's accomplishments were recognized with a Pulitzer Prize in 1977 for Divine Comedies and a National Book Critics Circle Award in 1983 for The Changing Light at Sandover.
In this meticulously researched, carefully argued work, Evans Lansing Smith argues that the nekyia, the circular Homeric narrative describing the descent into the underworld and reemergence in the same or similar place, confers shape and significance upon the entirety of James Merrill’s poetry. Smith illustrates how pervasive this myth is in Merrill’s work – not just in The Changing Light at Sandover, where it naturally serves as the central premise of the entire trilogy, but in all of the poet’s books, before and after that central text.
By focusing on the details of versification and prosody, Smith demonstrates the ingenious fusion of form and content that distinguishes Merrill as a poet. Moving beyond purely literary interpretations of the poetry, Smith illuminates the numerous allusions to music, art, theology, philosophy, religion, and mythology found throughout Merrill’s work.
In this meticulously researched, carefully argued work, Evans Lansing Smith argues that the nekyia, the circular Homeric narrative describing the descent into the underworld and reemergence in the same or similar place, confers shape and significance upon the entirety of James Merrill’s poetry. Smith illustrates how pervasive this myth is in Merrill’s work – not just in The Changing Light at Sandover, where it naturally serves as the central premise of the entire trilogy, but in all of the poet’s books, before and after that central text.
By focusing on the details of versification and prosody, Smith demonstrates the ingenious fusion of form and content that distinguishes Merrill as a poet. Moving beyond purely literary interpretations of the poetry, Smith illuminates the numerous allusions to music, art, theology, philosophy, religion, and mythology found throughout Merrill’s work.
Table of Contents
Download Full Book
- 1. First Poems
- pp. 19-37
- 3. Water Street
- pp. 55-60
- 4. Nights and Days
- pp. 61-78
- 5. The Fire Screen
- pp. 79-87
- 6. Braving the Elements
- pp. 88-113
- 7. Divine Comedies
- pp. 114-139
- 8. The Book of Ephraim
- pp. 140-164
- 9. The Changing Light at Sandover
- pp. 165-187
- 10. The Inner Room
- pp. 188-225
- 11. Late Settings and A Scattering of Salts
- pp. 226-239
- Bibliography
- pp. 253-261
Additional Information
ISBN
9781587297649
Related ISBN(s)
9781587296963
DOI
MARC Record
OCLC
646888324
Pages
276
Launched on MUSE
2012-01-01
Language
English
Open Access
No
Copyright
2008