In this Book

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Tell This Silence by Patti Duncan explores multiple meanings of speech and silence in Asian American women's writings in order to explore relationships among race, gender, sexuality, and national identity. Duncan argues that contemporary definitions of U.S. feminism must be expanded to recognize the ways in which Asian American women have resisted and continue to challenge the various forms of oppression in their lives. There has not yet been adequate discussion of the multiple meanings of silence and speech, especially in relation to activism and social-justice movements in the U.S. In particular, the very notion of silence continues to invoke assumptions of passivity, submissiveness, and avoidance, while speech is equated with action and empowerment.

However, as the writers discussed in Tell This Silence suggest, silence too has multiple meanings especially in contexts like the U.S., where speech has never been a guaranteed right for all citizens. Duncan argues that writers such as Maxine Hong Kingston, Mitsuye Yamada, Joy Kogawa, Theresa Hak Kyung Cha, Nora Okja Keller, and Anchee Min deploy silence as a means of resistance. Juxtaposing their “unofficial narratives” against other histories—official U.S. histories that have excluded them and American feminist narratives that have stereotyped them or distorted their participation—they argue for recognition of their cultural participation and offer analyses of the intersections among gender, race, nation, and sexuality.

Tell This Silence offers innovative ways to consider Asian American gender politics, feminism, and issues of immigration and language. This exciting new study will be of interest to literary theorists and scholars in women's, American, and Asian American studies.

Table of Contents

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  1. Cover
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  1. Front Matter
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  1. Table of Contents
  2. pp. v-vi
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  1. Preface
  2. pp. vii-xii
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  1. Acknowledgments
  2. pp. xiii-xvi
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  1. 1: Introduction. The Uses of Silence and the Will to Unsay
  2. pp. 1-30
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  1. 2: What Makes an American? Histories of Immigration and Exclusion of Asians in the United States in Maxine Hong Kingston’s China Men
  2. pp. 31-74
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  1. 3: White Sound and Silences from Stone: Discursive Silences in the Internment Writings of Mitsuye Yamada and Joy Kogawa
  2. pp. 75-128
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  1. 4: Cartographies of Silence: Language and Nation in Theresa Hak Kyung Cha’s Dictée
  2. pp. 129-172
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  1. 5: Silence and Public Discourse: Interventions into Dominant National and Sexual Narratives in Nora Okja Keller’s Comfort Woman and Anchee Min’s Red Azalea
  2. pp. 173-214
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  1. 6: Conclusion. Tell This Silence: Asian American Women’s Narratives, Gender, Nation, and History
  2. pp. 215-226
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  1. Notes
  2. pp. 227-254
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  1. bibliography
  2. pp. 255-266
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  1. Index
  2. pp. 267-274
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