Abley, Mark: Morning in the Burned House (Atwood), 135–36 “Absence, Havoc” (Macpherson), 113–14 Adonais (Shelley), 8 Adventures of Huckleberry Finn (Twain), 16 Aging and Its Discontents (Woodward), 84 allusive narrative:“On Writing Short Books” (Gunnars) and, 175 “Alphabetical” (Page): father–daughter kinship and, 93–94 alterity: Cartouches (Tostevin) and, 189–90, 207; Isis (Egyptian goddess) and, 204 American Elegy: The Poetry of Mourning from the Puritans to Whitman (Cavitch), 19 anagnorisis (discovery): daughterly elegies and, 30; Furious (Mouré) and, 232; the “just act” and, 50; Livesay, 62; Macpherson and, 96; as necessary to elegy, 10; twentiethcentury elegy and, 18 “And the Dead Rose Up from the Water” (Newlove): elegiac tradition and, 212; Furious (Mouré) and, 211–12 “The Anthropology of Water” (Carson): Antigonal imperative and, 168; Antigone (figure) and, 27; challenges to elegiac convention and, 168; daughterly sacrifice and, 27–28; daughters of Danaos (myth) and, 158–59, 161, 168–69; elegiac pilgrimage and, 153, 155, 167–68; father–daughter kinship and, 152–54, 161–62, 169; female gaze and, 162; hauntology (Derrida) and, 159; melancholia and, 153–54, 157; motif of sexuality and, 160–61; mourning and, 151–52, 162, 164; Oedipus (myth) and, 164–66; paternal love and, 167; riddles and, 162–65; Sophoclean daughters and, 160; Sphinx (myth) and, 164, 166 “The Anti-Anaesthetic” (Mouré), 214 Antigone (figure):“The Anthropology of Water” (Carson) and, 27; as exemplary familial mourner, 42; just society and, 157 Index 2 5 5 2 5 6 i n d e x Antigone (Sophocles): myth of, 41 Antigone’s Claim: Kinship Between Life and Death (Butler), 41–42; the mourning daughter and, 111, 236; mourning practice and, 157; structuralist kinship and, 156–57 Antigones (Steiner), 42 anti-pastoral symbolism: in Zero Hour (Gunnars), 178 anxiety of influence (Bloom): Furious (Mouré) and, 211; homosociality and, 8–9, 22 The Anxiety of Influence (Bloom), 95 Apollo and Daphne: myth of, 40–41 Archive for Our Times (Irvine), 72 Arnason, David: modernist poetry and, 57; Zero Hour (Gunnars) and, 182 Arnold, Matthew: “The Forsaken Merman” and, 108; “Thyrsis” and, 8 Atwood, Carl, 16, 137 Atwood, Margaret, 11; The Boatman (Macpherson) and, 106; Canadian cultural nationalism and, 132; elegiac tradition and, 130–31; elegy as natural Canadian form and, 14–16; iconic tropes and, 147–48; impact of work and, 131; Jungian archetypes and, 26; melancholia as space and, 26; as national elegist, 128, 130; as national literary icon, 132–33; paternal elegies and, 127, 138; Welcoming Disaster (Macpherson) and, 110, 116; writing elegies and, 135. See also titles of individual works Auden, W.H., 7 authorial privilege: Furious (Mouré) and, 230 autobiography: elegiac practices and, 55–56; truth and, 56 “Autobiography as De-Facement” (de Man), 56 Ave Atque Vale (Swinburne), 8 “Avoidance and Confrontation: Excerpts from Notes on a Longpoem Poetics” (Gunnars): poetry of belligerence and, 27 Babcock, Barbara A., 31, 32, 34 Banting, Pamela: “Daddy’s Girl: Dorothy Livesay’s Correspondence with Her Father,” 59; Livesay as “daddy’s girl” and, 61–62 Barthes, Roland, 13: death of the author and, 56; degree zero writing and, 176–77 Battle of Culloden (1745), 129 “The Beauty of Job’s Daughters” (Macpherson), 107 Benjamin, Jessica: father–daughter kinship as identificatory, 158 Benjamin, Walter, 48 Bequest and Betrayal (N. Miller): daughterly duty and, 43–44 “Betty” (Mouré), 212, 217, 228–29, 232 Beyond Consolation (Zeiger): feminist refusal of consolation and, 11; women’s elegies and, 62 biography: Atwood and, 135; elegy and, 56 Bloom, Harold: “anxiety of influence,” 8–9; male elegists and, 95 The Boatman (Macpherson), 5; ambivalence to patriarchy and, 105; daughterly resurrection and, 104–6; the fallen world and, 103–4; grief as central voice and, 106; King Lear and, 108 The Boatman and Other Poems (Macpherson): daughter figures and, 25, 98; daughterly rebelliousness and, 98, 101–2; the fallen world and, 98; female mourning and, 96 body: as elegiac object, 229 [44.192.71.254] Project MUSE (2024-03-29 05:46 GMT) i n d e x 2 5 7 The Body in Pain (Scarry): artifact of pain and, 38; female gaze and, 161 The Book of the Dead: Cartouches (Tostevin) and, 205 Boose, Lynda E., 51; daughterly experience and, 188;“The Father’s House and the Daughter in It,” 33 Bordo, Susan:“The Anthropology of Water” (Carson) and, 166 “Bored” (Atwood): dislocation of time and, 142–43 Botting, Fred: father–daughter kinship, 117 Bowering, George, 14 Brabon, Benjamin J.: Postfeminist Gothic (with Genz), 111 Bradstreet, Anne, 8, 11 Brandt...