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Acknowledgments T hanks to Jenine Abboushi, Linus Andersson, Helmut Anheier, Paulina Aroch, Claudia Arroyo, Edna Bonacich, Kylie Brass, Stuart Cunningham, Todd Dufresne, Anamaria Tamayo Duque, Marina Fe, Benjamín Mayer Foulkes, John Frow, Néstor Garc ía Canclini, Malcolm Gillies, Henry Giroux, David Theo Goldberg, Michael Gordon-Smith, Bill Grantham, Cathy Greenfield, William Greenough, Larry Gross, Larry Grossberg, Julie Hare, Stefano Harney , John Hartley, Tanner Higgin, Jennifer Holt, Sal Humphreys, Ian Hunter, Yudhishthir Raj Israr, Jay Kesan, Noel King, Micah Kleit, María Pía Lara, Randy Martin, Rick Maxwell, Philip McConnaughay, Inka Salovaara Moring, Meaghan Morris, Stephen Muecke, Chris Newfield, Kate Oakley, Annie Paul, Alisa Perren, Dana Polan, André Dorcé Ramos, Luis Reygadas, Anna Roosvall, Tom Scanlon, Carol Steiner, Mila Sterling, Will Straw, Imre Szeman, and Doug Thomas. Special thanks to Kylie, Stuart, Bill, Stephen, Dana, Randy, and press reviewers for their astute, astringent, and kindly comments on the manuscript; Mila for her art; and the people at Temple University Press who finalized production. The book was begun and finished in Los Angeles and rewritten there as well as Sydney, London, Mede­ llín, Mexico City, Paris, Madrid, and points in between. Colombia and Mexico rejuvenated my intellect and seem to have broken my heart. [18.224.149.242] Project MUSE (2024-04-23 14:15 GMT) Blow Up the Humanities ...

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