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Dürrenmatt's apparently conflicting statements about his central concerns have baffled scholars attempting to interpret his works. In his critical approach to Dürrenmatt, Timo Tiusanen emphasizes the author's relation to the theater, and analyzes the thirteen original stage plays, eight radio plays, and five adaptations, using the special concept of "scenic image" developed in an earlier study of O'Neill. Four books by Dürrenmatt on the theater and politics are related to the dramatist's creative practice, and his six books of prose are also carefully considered. Exploring the writer's career to reconcile conflicting attitudes that have been taken toward his work, Timo Tiusanen sees Dürrenmatt's writings as representing a persistent effort to express artistically a paradoxical view of the world.

Originally published in 1978.

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Table of Contents

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  1. Cover
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  1. Title Page, Copyright
  2. pp. i-iv
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  1. Contents
  2. pp. v-vi
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  1. Preface
  2. pp. vii-ix
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  1. Abbreviations
  2. pp. x-xi
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  1. List of Illustrations
  2. pp. xii-xvi
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  1. Introduction: A Host of Dürrenmatts
  2. pp. 3-28
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  1. Part 1. Entering the Stage
  1. 1. Early Prose Works: A Dead End
  2. pp. 31-42
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  1. 2. Poetry in Picture Books: It Is Written, The Blind Man
  2. pp. 43-70
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  1. Part 2. A Creative Outburst
  1. 3. A Judge of His Own Case: Romulus the Great
  2. pp. 73-92
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  1. 4. Don Quixote in a Broken Mirror: The Marriage of Mr. Mississippi
  2. pp. 93-109
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  1. 5. To Whom Grace Belongs: An Angel Comes to Babylon
  2. pp. 110-126
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  1. 6. Nature Behind the Scenes: Three Novels
  2. pp. 127-148
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  1. 7. The Absolute Grotesque Takes Over: A Dangerous Game, the Pledge
  2. pp. 149-175
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  1. 8. More than a Reservoir of Themes: Radio Plays
  2. pp. 176-201
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  1. 9. A Judge of His Own Craft: Writings on the Theater
  2. pp. 202-230
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  1. 10. All Roads Lead to Guellen: The Visit
  2. pp. 231-260
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  1. Part 3. Victories and Defeats
  1. 11. Freedom Among the Gangsters: Frank V
  2. pp. 263-273
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  1. 12. Doctoring a Hopeless Patient: The Physicists
  2. pp. 274-294
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  1. 13. The Other Half of the Paradox: Hercules, The Meteor
  2. pp. 295-316
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  1. 14. His Own Dramaturge: The Anabaptists
  2. pp. 317-329
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  1. 15. "Strindmatt or Dürrenberg?": Play Strindberg
  2. pp. 330-343
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  1. 16. Shake-Scening the Bards: Four Adaptations
  2. pp. 344-373
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  1. 17. Cosmic and Underground Visions: Portrait of a Planet, The Partaker
  2. pp. 374-386
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  1. 18. Models of the State: Five Prose Works
  2. pp. 387-424
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  1. Conclusion: Dürrenmatt and the Stage
  2. pp. 425-448
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  1. Appendix: A List of Works
  2. pp. 449-450
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  1. Bibliography
  2. pp. 451-476
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  1. Index
  2. pp. 477-495
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