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Continuing with the theme of his work Renaissance Perspectives in Literature and the Visual Arts, Murray Roston applies to a later period the same critical principle: that for each generation there exists a central complex of inherited ideas and urgent contemporary concerns to which each creative artist and writer responds in his or her own way. Roston demonstrates that what emerges is not a fixed or monolithic pattern for each generation but a dynamic series of responses to shared challenges. The book relates leading English writers and literary modes to contemporary developments in architecture, painting, and sculpture. "A sumptuous book. . . . Clearly and gracefully written and cogently argued, Roston's admirable achievement is of paramount significance to literary studies, to cultural and art history, and to aesthetics. . . . Outstanding."--Choice

Originally published in 1990.

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Table of Contents

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  1. Cover
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  1. Title Page, Copyright
  2. pp. i-iv
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  1. Contents
  2. pp. v-vi
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  1. Acknowledgments
  2. pp. vii-viii
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  1. List of Illustrations
  2. pp. ix-xviii
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  1. Introduction
  2. pp. 3-10
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  1. Late Baroque
  1. 1 Milton's Herculean Samson
  2. pp. 13-40
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  1. 2 Dryden's Heroic Dramas
  2. pp. 41-86
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  1. Rococo
  1. 3 Pope's Equipoise
  2. pp. 89-150
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  1. 4 The Emergence of the Novel
  2. pp. 151-190
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  1. Pre-Romanticism
  1. 5 The Beautiful and the Sublime
  2. pp. 193-254
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  1. 6 Blake's Inward Prophecy
  2. pp. 255-310
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  1. 7 The "Inconvenience" of Jane Austen
  2. pp. 311-336
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  1. Romanticism
  1. 8 Lowering Skies
  2. pp. 339-372
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  1. 9 The Contemplative Mode
  2. pp. 373-398
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  1. Notes
  2. pp. 399-440
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  1. Index
  2. pp. 441-454
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