In this Book

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This volume explores the role played by culture in the transition to democracy in Latin America's Southern Cone (Argentina, Uruguay, Chile) and Spain, with a focus on opposing stances of acceptance and defiance by artists and intellectuals in post-authoritarian regimes.

Table of Contents

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  1. Cover
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  1. Title Page
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  1. Contents
  2. pp. ix-x
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  1. Introduction: Consensus and Its Discontents
  2. p. xi
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  1. Part I: Contesting Power, Forging Commitment
  1. 1. Democratic Culture and Transition in Chile
  2. pp. 3-11
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  1. 2. Writing from the Margins of the Chilean Miracle: Diamela Eltit and the Aesthetics and Politics of the Transition
  2. pp. 12-33
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  1. 3. The Riders Get off the Horse: David Vinas and the Demise of the Authoritarian Argentine Military
  2. pp. 34-57
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  1. 4. A Journey through the Desert: Trends of Commitment in Contemporary Spanish Poetry
  2. pp. 58-74
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  1. Part II: Interrogating Memories
  1. 5. Testimonial Narratives in the Argentine Post-Dictatorship: Survivors, Witnesses, and the Reconstruction of the Past
  2. pp. 77-98
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  1. 6. Tejanos: The Uruguayan Transition Beyond
  2. pp. 99-121
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  1. 7. Dancing with Destruction: Pop Music during the Spanish Transition
  2. pp. 122-143
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  1. 8. Popular Filmic Narratives and the Spanish Transition
  2. pp. 144-172
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  1. Part III: Looking In/Looking Out: Negotiating Identities
  1. 9. Staged Ethnicity, Acted Modernity: Identity and Gender Representations in Spanish Visual Culture (1968-2005)
  2. pp. 175-195
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  1. 10. Creating a New Cohesive National Discourse in Spain after Franco
  2. pp. 196-217
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  1. 11. Intellectuals, Queer Culture, and Post-Military Argentina
  2. pp. 218-232
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  1. 12. Some Notes on International Influences on Transition Processes in the Southern Cone
  2. pp. 233-248
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  1. Afterword
  2. pp. 249-254
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  1. Contributors
  2. pp. 255-260
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  1. Index
  2. pp. 261-274
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  1. Volumes in the Hispanic Issues Series
  2. p. 275
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